{"id":3410,"date":"2011-01-03T13:19:48","date_gmt":"2011-01-03T12:19:48","guid":{"rendered":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?p=3410"},"modified":"2011-01-03T13:19:48","modified_gmt":"2011-01-03T12:19:48","slug":"luis-olive-luigi-armando-olivero","status":"publish","type":"post","link":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?p=3410","title":{"rendered":"Luis Oliv\u00e9 (Luigi Armando Olivero)"},"content":{"rendered":"

\u00abUn monstre sacr\u00e9 de la po\u00e9sie\u00bb<\/em><\/h2>\n
\"\"
Luis Oliv\u00e9 an \u00cbspagna, d\u00ebl 1938 (col. \u00ebd M. Silvio Bonino, Margarita)<\/figcaption><\/figure>\n

A l\u2019\u00e9 la vos che \u2018d p\u00ec as d\u00ebstaca dal criteri tradissional e dominant \u00ebd la poes\u00eca piemont\u00e8isa. Na vos decisament e diversament neuva.<\/span>
\nA m\u00eb smija, donca, p\u00ec che mai antaj\u00e0 la definission che l\u2019Acad\u00e9mich \u00ebd Fransa Jean Cocteau a l\u2019ha vors\u00f9 esprime ant ij riguard \u00ebd Luigi Olivero, quand che a l\u2019ha scriv\u00f9 che <\/span>\u00abOlivero est un monstre sacr\u00e9 de la po\u00e9sie\u00bb.<\/em>
\nAn efet soa originalit\u00e0 <\/span>\u00abaut\u00e8ntica, viva e vital\u00bb<\/em> a l\u2019ha d\u00e0it vita \u00ab<\/span>a na poes\u00eca neuva e sincera, ant la forma e ant la sostansa, anche se an certi s\u00f2 ategiament, necessariament pol\u00e9mich, a peussa urt\u00e9 coj che a rivo nen a penetrela e a sentje, sota le aparense esterior, bate \u2018l sangh \u00ebd la vita che a j\u00eb scor fogosa, ma san-a\u00bb<\/em> (Pinin Pac\u00f2t<\/a><\/strong> – <\/span>Ij Brand\u00e9 – Giornal \u00ebd Poes\u00eca Piemont\u00e8isa<\/em> – N. 151 d\u00ebl 15-2-1952).<\/span>
\nGiornalista e scritor professionista, soa vita aventurosa – che a l\u2019ha portalo, coma invi\u00e0 special, a trav\u00ebrs\u00e9 \u2018l mond an longh e an largh, an pas e an gu\u00e8ra, an disdeut nassion \u00ebd tre continent – nen mach a l\u2019ha nen d\u00ebstornalo da le stra impegn\u00e0 dla poes\u00eca, ma a l\u2019ha contribu\u00ec a anrich\u00ec s\u00f2 sp\u00ecrit a f\u00e9 fior\u00ec an novit\u00e0 s\u00f2 estr e soa fantas\u00eca.<\/span>
\nA l\u2019av\u00eca ancora nen vint ani quand che gi\u00e0 a colaborava a Turin a <\/span>La Stamp<\/em>a e a la <\/span>Stampa Sera<\/em> e s\u00f9bit d\u00f2p a le famose arviste <\/span>Le Grandi Firme<\/em> e <\/span>Il Dramma.<\/em>
\nD\u00f2p d\u2019esse st\u00e0it, a Venessia, condiretor d\u00ebl <\/span>Gazzettino Illustrato<\/em>, a l\u2019\u00e9 pass\u00e0 a la redassion \u00ebd Londra d\u00ebl <\/span>Giornale d\u2019Italia<\/em>, peui a Paris redator \u00ebd <\/span>l\u2019Italie Nouvelle<\/em> e corispondent \u00ebd la <\/span>Gazzetta del Popolo, Il Giornale di Genova, La Tribuna<\/em>; a Algeri, redator \u00ebd <\/span>Numidia<\/em> e dla <\/span>D\u00e9p\u00e8che Alg\u00e9rienne<\/em>; a Madrid \u00ebd <\/span>Fotos e Marca<\/em>; a Roma cap servissi \u00e9ster d\u00ebl <\/span>Messaggero<\/em> coleg\u00e0 con \u00ebl <\/span>Secolo XIX<\/em> \u00ebd Genova, e peui <\/span>Il Popolo<\/em>. Corispondent da l\u2019\u00e9stero d\u00ebl <\/span>Resto del Carlino<\/em> \u2018d Bol\u00f2gna, d\u00ebl <\/span>Giornale di Sicilia<\/em> \u2018d Palermo, d\u00ebl <\/span>Momento, Il Paese<\/em> e d\u2019\u00e0utri giornaj \u00ebd Roma, a l\u2019\u00e9 corispondent roman e giornalista parlamentar \u00ebd <\/span>L\u2019Italia, The Italian Daily News<\/em>, oltre che dla <\/span>Radio K. D. I. A<\/em>. \u2018d San Francisco (Calif. USA).<\/span>
\nDecor\u00e0 \u2018d midaja d\u2019\u00f2r al m\u00e9rit da l\u2019Associassion \u00ebd la Stampa roman-a p\u00ebr ij s\u00f2 50 ani \u00ebd continua profession giornal\u00ecstica an Italia e f\u00f2ra, a l\u2019ha colabor\u00e0 e a s\u00e9guita a colabor\u00e9 a tanti fra ij giornaj e j\u2019arivste p\u00ec avos\u00e0 d\u2019Italia e \u2018d tut \u00ebl mond.<\/span>
\nCr\u00ectich leterari, art\u00ecstich, teatral e cinematogr\u00e0fich, a l\u2019ha scriv\u00f9 an su <\/span>La Fiera Letteraria, L\u2019Italia che scrive, Persona, Oggi, L\u2019Illustrazione del Popolo, La Carovana, Il Mattino Illustrato, <\/em>e v.f. A l\u2019ha scriv\u00f9 \u2018d test p\u00ebr m\u00f9sica, p\u00ebr la discogr\u00e0fica, p\u00ebr \u00ebl teatro, p\u00ebr la radiotelevision.<\/span>
\nUn-a \u2018d soe euvre p\u00ec importante, pressiose, eclatante a l\u2019\u00e9 <\/span>\u00cbl T\u00f2r – Arvista l\u00ecbera dij Piemont\u00e8is <\/em>– che chiel a l\u2019ha fond\u00e0 e dirigi\u00f9 dal 1945 al 1949. N\u2019arvista leteraria viva, svicia e batajera, rica \u2018d test cr\u00ectich, leterari, po\u00e9tich dij mej \u00ebscritor e studios \u00ebd l\u2019\u00e9poca. <\/span>\u00cbl T\u00f2r<\/em> a resta sicurament un riferiment important \u00ebd la st\u00f2ria leteraria d\u00ebl Neuvsent piemont\u00e8is. A costa arvista a l\u2019ha f\u00e0it s\u00e9guit con <\/span>Il Garibaldi<\/em> e con <\/span>La fiera Dialettale<\/em>, peri\u00f2dich poliregionaj.<\/span>
\nN\u2019\u00e0utra euvra importanta dl\u00eb studios a l\u2019\u00e9 cola nass\u00f9a da l\u2019arserca, l\u00eb studi cr\u00ectich e la ritrascrission an graf\u00eca moderna dle <\/span>Canzoni Piemontesi<\/em> (\u00ebdc\u00f2 \u2018d cole in\u00e9dite) d\u00ebl prim cl\u00e0ssich \u00ebd la leteratura piemont\u00e8isa, P. Ignazio Isler<\/strong><\/a>.<\/span>
\nLa p\u00ec gran part dij s\u00f2 scrit \u00ebd sag\u00ecstica, \u00ebd costum, \u00ebd <\/span>reportage<\/em> an viva pr\u00f2sa italian-a a son \u00ebst\u00e0it volt\u00e0 e public\u00e0 con bel sucess an diverse lenghe forostere; l\u2019istess sucess toc\u00e0 a soe tradussion an italian e an piemont\u00e8is \u00ebd v\u00e0ire autor forost\u00e9.<\/span>
\nA l\u2019\u00e9 l\u00f2n che a ven a conf\u00ebrmene la vastit\u00e0 \u2018d soa coltura, la rich\u00ebssa e la v\u00ebrsatilit\u00e0 dl\u00eb scritor Luigi Olivero.<\/span>
\nDit \u00ebd l\u00eb scritor an lenga italian-a e parl\u00e0 dl\u00eb studios, i ch\u00ebrdo \u2018d fort\u00ec che Luigi Olivero – poeta an lenga piemont\u00e8isa, p\u00ebr soa sernia d\u2019amor e \u2018d passion – a l\u2019ha esprim\u00f9 e a s\u00e9guita a esprime na poes\u00eca che, superand ij confin regionaj e nassionaj, a cheuj n\u2019interesse int\u00ebrnassional, grassei a studi ermen\u00e9utich e a vajante tradussion \u00ebd brav poeta d\u2019Eur\u00f2pa.<\/span>
\nA val s\u00ec, an prop\u00f2sit, arpete qu\u00e0ich giudissi dla cr\u00ectica europea.<\/span>
\n\u00cbl tedesch O. M\u00fcller a lo definiss: <\/span>\u00abUn imparegi\u00e0bil ep\u00ecgon modern dj\u2019antich l\u00ecrich dionis\u00ecach e \u00f2rfich \u00ebd l\u2019antica Grecia\u00bb<\/em>; mentre l\u00eb sv\u00ecsser F. Evald a lo dis <\/span>\u00abUn pagan sanguin e tut esuberant con \u00ebd feu improvis \u00ebd misticism fo\u00e0\u00bb<\/em>; che a ven a arpete l\u00f2n che a l\u2019ha scrit \u00ebl frans\u00e8is S. de Bressieux conf\u00ebrmand l\u2019Olivero: <\/span>\u00abUn conturbant, pante\u00ecstich, m\u00f9sich f\u00e0un cristian\u00bb.<\/em>
\nL\u2019ingl\u00e8is Ch. Morgan a lo definiss: <\/span>\u00abUn impreved\u00ecbil, temerari astron\u00e0uta d\u00ebl seugn\u00bb<\/em>; \u00ebl belga S. Blavier: <\/span>\u00abUn temperament \u00ebstrarich \u00ebd nuanse dai milarifless cangiant e d\u2019impreviste complessit\u00e0 po\u00e9tiche\u00bb<\/em>; l\u00eb spagneul Eugeni D\u2019Ors: <\/span>\u00ab\u00cbl T\u00f2tem d\u00ebl T\u00e0ur\u00bb<\/em>; \u00ebl dan\u00e8is Knud Ferlov: <\/span>\u00abUn cl\u00e0ssich e ansema romantic\u00ecssim faulista c\u00f2smich, sempre an b\u00eclich tra \u2018l real\u00ecstich e \u2018l m\u00e0gich: un estros e armonios proanvod it\u00e0lich \u00ebd n\u00f2str Hans Christian Andersen\u00bb<\/em> e, p\u00ebr fin\u00ec, l\u2019american Ezra Pound (riferendse a la p\u00ec completa, incondission\u00e0, splendrienta autenticit\u00e0 d\u2019ispirassion \u00ebd l\u2019Olivero) a scriv: <\/span>\u00abThe Poet N. 1 in the world\u2019s dialectical literature\u00bb.<\/em>
\nP\u00ebr rest\u00e9 an Italia a basta arcord\u00e9 l\u00f2n che a l\u2019ha af\u00ebrm\u00e0 n\u00f2str Cesare Pavese: <\/span>\u00abGnun poeta dialetal a l\u2019ha dame con tanta intensit\u00e0 j\u2019emossion che a l\u2019ha arlevame la poes\u00eca piemont\u00e8isa \u2018d Luigi Olivero. \u00cbl dualism dial\u00e8t-lenga a l\u2019ha p\u00ec gnun sns quand la par\u00f2la a diventa sturment d\u2019espression eletris\u00e0 da le sc\u00e0riche violente d\u2019un realism l\u00ecrch cos\u00ec splendrient\u00bb.<\/em>
\nNino Costa<\/a><\/strong> a l\u2019ha scriv\u00f9 che: <\/span>\u00abOlivero a l\u2019\u00e9 la vos p\u00ec vigorosament rapresentativa dla neuva poes\u00eca piemont\u00e8isa… Chiel a rapresenta, ant \u00ebl mond \u00ebd la poes\u00eca piemont\u00e8isa, la novit\u00e0\u00bb.<\/em>
\n\u00abAn chiel a-i \u00e9 – <\/em>a dis Pinin Pac\u00f2t – <\/span>\u00ebl poeta dla t\u00e8ra, andoa chiel a fonga soe r\u00e8is d\u2019\u00f2m con n\u2019anv\u00eca vegetal; a-i \u00e9 an chiel \u00ebl poeta dl\u2019amor che chiel a canta \u2018d v\u00f2lte con n\u2019\u00ecmpit s\u00ebrvaj, \u00ebd v\u00f2lte fin-a con tute ste manere ansema; e an chiel a-i \u00e9 \u2018l poeta dl\u2019aventura, che a seurt f\u00f2ra, nen p\u00ebr \u00ebstrachit\u00e0 dle c\u00f2se \u2018d tuti ij di, ma p\u00ebrch\u00e8 a l\u2019\u00e9 tir\u00e0, ciam\u00e0 dal miragi lontan andoa ij seugn a aquisto na p\u00ec vasta e p\u00ec vera realt\u00e0, cola dla fantas\u00eca.<\/em>
\nE a l\u2019\u00e9 nen che chiel a arciama d\u2019\u00e0utri poeta, coma Rimbaud e coma Garcia Lorca, che chiel a preferiss e che a-j son congeniaj, ma ij s\u00f2 vers, che \u2018d v\u00f2lte a l\u2019han l\u2019istessa met\u00e0lica arsonansa, a nasso da n\u2019aut\u00e8ntica originalit\u00e0 interior, a la qual l\u2019istessa aspr\u00ebssa d\u00ebl lengagi, neuv a soe ard\u00ece esperiense po\u00e9tiche, e eufr n\u00eb strument d\u2019una f\u00f2rsa p\u00ec robusta e v\u00e8rgin…\u00bb.<\/em>
\nPressiosa testimoniansa dle tante euvre po\u00e9tiche \u2018d Luigi Olivero a l\u2019\u00e9 \u2018l <\/span>volum Ij Faun\u00e8t – Les petits Faunes<\/em> d\u00ebl 1955 (tre edission ant un ann), che a cheuj na sernia \u2018d poes\u00ece gav\u00e0 da <\/span>Pomin d\u2019amor<\/em> (1924-1929), <\/span>Mist\u00e0 pagan-e<\/em> (1930-1938), <\/span>Poema dl\u2019\u00e9lica<\/em> (1939), <\/span>Sent poes\u00ece<\/em> (1942), <\/span>\u00cbl Diauleri<\/em> (1940-1944), <\/span>Cantaran-e<\/em> (1946), <\/span>T\u00f2rce a vent<\/em> (1947-1950), <\/span>Cant d\u00ebl Gal<\/em> (1951). <\/span>Cincirib\u00ecscole<\/em> (1952), e v.f.<\/span>
\nJ\u2019\u00e0utre soe euvre a son <\/span>Roma andalusa<\/em> d\u00ebl 1945 (con <\/span>Epistula exordii <\/em>\u2018d Gabriellino D\u2019Annunzio), <\/span>Reverie<\/em> (1953-1959), <\/span>Epicedion dij m\u00e8 d\u00f3des gat m\u00f2rt<\/em> (1959), <\/span>Rond\u00f2 dle Masche<\/em> stamp\u00e0 ant \u00ebl 1971 e ristamp\u00e0 ant \u00ebl 1972, e v.f.<\/span>
\nDa arcord\u00e9, p\u00ebr s\u00f2 valor particolar, \u00ebdc\u00f2 ij tre volum \u00ebd pr\u00f2se (l\u00ecriche e pol\u00e9miche): <\/span>\u00cbl sangh d\u00ebl T\u00f2r<\/em>, <\/span>Cartabel<\/em> e <\/span>C\u00e0uss al vent<\/em> (1924-1970).<\/span>
\nLa mej cr\u00ectica italian-a a l\u2019ha sotsign\u00e0 che sensa mai rinunsi\u00e9 ai valor cong\u00e9nit tradissionaj, \u00e9tich ed est\u00e9tich \u00ebd soa t\u00e8ra (an efet a dis bin \u00ebl musicista Wolfgang Savallisch che <\/span>\u00abQuals\u00ebss\u00eca art, an general, a peul nen lass\u00e9 da part la tradission, \u00ebl pass\u00e0, le soe radis\u00bb<\/em>), Olivero a l\u2019\u00e9 riuss\u00ec a impon-e, con dossa violensa, a la poes\u00eca piemont\u00e8isa, le tre n\u00f2te predominante d\u2019ancheuj, n\u00f2te che prima a j\u2019ero st\u00e0ite completament d\u00ebsmenti\u00e0: visad\u00ec cole d\u00ebl nomadism infren\u00e0bil, cola dl\u2019universalism suprem e cola dl\u00eb sp\u00ecrit d\u2019aventura ultraesistensialista, antend\u00f9a coma <\/span>“epifan\u00eca ang\u00e9lica l\u00e0ica”.<\/em>
\n\"\"<\/a>An sostansa l\u2019Olivero a l\u2019ha sintonis\u00e0 decisament la <\/span>poesis<\/em> demopsicol\u00f2gica subalpin-a con n\u00f2str temp an continua, cangiant, vertiginosa evolussion an mila forme.<\/span>
\nAn definitiva as peul bin condivide l\u00f2n che la Flora Santucci a fortiss su n\u2019arvista int\u00ebrnassional an disend che <\/span>\u00abas podr\u00eca nche storicis\u00e9 fenomenologicament \u00ebl concet che an Olivero as peussa arcon\u00f2sse la t\u00ecpica projession alfierian-a d\u00ebl setsent, cola d\u00ebl<\/em> “fiero allobrogo, cittadino del mondo avantilettera” (…): <\/span>combin che a sia continuament anvest\u00ec dal brusor \u00ebd la nostalg\u00eca p\u00ebr soa <\/em>cita patria<\/span>\u00bb<\/em>.<\/span>
\nA venta, a la fin, giont\u00e9 che l\u2019arversament ir\u00f2nich, psicol\u00f2gich e \u2018d sostansa, che l\u2019\u00ecmpit \u00ebd Luigi Olivero as propon a chiel midem, a j\u2019arson-a andrinta e a concor a cre\u00e9, anche formalment, una din\u00e0mica po\u00e9tica dirompent.<\/span>
\nA l\u2019\u00e9 an costa din\u00e0mica inchieta che a ven manifestandse soa “<\/span>po\u00e9tica dla par\u00f2la<\/em>” squasi coma espression visiva \u00ebd s\u00f2 ferment interior: espression che a eclata una prepotensa stil\u00ecstica che a caraterisa soa f\u00f2rta p\u00ebrsonalit\u00e0 egoc\u00e8ntrica.\u00a0<\/span>Sla verit\u00e0 \u00ebd l\u00f2n che a l\u2019ha sentensi\u00e0 Otto Weininger, che <\/span>\u00ab\u00ebl m\u00e0ssim individualism a l\u2019\u00e9 \u2018l p\u00ec grand universalism\u00bb<\/em>, as peul conclude che, forse, pr\u00f2pi an cost sogetivism f\u00ebrmiolant e inchiet a st\u00e0 l\u2019art original e po\u00e9tica neuva \u2018d Luigi Olivero.<\/span><\/p>\n

Camillo Brero<\/strong><\/em><\/a><\/p>\n

\n

\u00abLa poesia piemontese di Olivero (…) non ha nulla di dialettale nel senso logoro e convenzionale del termine\u00bb.<\/em><\/p>\n

Ada Negri<\/em><\/p>\n

\u00abLuigi Olivero – che l\u2019ambient leterari piemont\u00e8is a cons\u00ecdera coma L\u2019enfant terrible \u00ebd la neuva poes\u00eca subalpin-a – a l\u2019\u00e9 vreman \u00ebl poeta che, ant soa celest anarch\u00eca, a canta p\u00ebr noi (…) la giovent\u00f9, l\u2019eterna giovent\u00f9 d\u2019un p\u00f2pol rudi e gueri\u00e9, che a l\u2019ha sempe sav\u00f9 esse l\u00ecber. An efet a-i \u00e9 n\u2019atmosfera \u2018d libert\u00e0 che a s\u2019aussa da soa poes\u00eca. Tute le nuanse d\u2019un temperament a vibro ant ij s\u00f2 vers, ma s\u00e8mper an su na n\u00f2ta l\u00ecbera, p\u00ebrsonal, original. Da l\u00ec un\u2019art incompar\u00e0bil…\u00bb .<\/p>\n

Alex Alexis<\/em><\/p>\n

Luis Oliv\u00e9 a l\u2019ha scriv\u00f9 \u2018d l\u00ecber an italian, angl\u00e8is, alman. Soa euvra po\u00e9tica piemont\u00e8isa a l\u2019\u00e9 costitu\u00eca dai volum Sent Poes\u00ece (1942), Roma Andalusa (1947), Steilin-e (con m\u00f9siche \u2018d Vincens Davico, 1948), \u00c0lbum dij seugn (con m\u00f9siche d\u2019Alfred Nic\u00f2la, 1954), Les petits Faunes \/ Ij faun\u00e8t (1955), Rever\u00ece (1953-1959), Rond\u00f2 dle Masche (1971) e Romanz\u00ece (1983).<\/em>\u00a0<\/span><\/span>\u00a0<\/span><\/p>\n

\u25ba\u00a0<\/span>Sit an su Luis Oliv\u00e9<\/a><\/strong>
\n\u25ba<\/span> Giovanni Delfino, Luigi Armando Olivero e il “Futurismo”<\/a><\/strong><\/p>\n

\u25ba<\/span>\u00a0<\/span>Goyesca<\/span><\/strong><\/span><\/a>
\n\u25ba<\/span>\u00a0\u00c9ros<\/span><\/a><\/span><\/span><\/strong>
\n\u25ba<\/span>\u00a0<\/span>\u00cbl T\u00f2r e la Cros<\/strong><\/span><\/a><\/span>
\n\u25ba <\/span>Piemont<\/span><\/a><\/span><\/strong>\u00a0<\/span><\/span>
\n\u25ba<\/span>\u00a0<\/span>Cantada dle mare montagne<\/span><\/strong><\/a><\/p>\n

\n

\u25c4<\/span> Mila agn \u00ebd Literatura Piemont\u00e8isa<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00abUn monstre sacr\u00e9 de la po\u00e9sie\u00bb A l\u2019\u00e9 la vos che \u2018d p\u00ec as d\u00ebstaca dal criteri tradissional e dominant \u00ebd la poes\u00eca piemont\u00e8isa. Na vos …<\/p>\n

Luis Oliv\u00e9 (Luigi Armando Olivero)<\/span> Leggi tutto \u00bb<\/a><\/p>\n","protected":false},"author":2,"featured_media":18317,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,10],"tags":[58,84,85,86,59,104,21,22,37,38,39,23,60,61,40,105,106,62,88,89,25,107,108,109],"class_list":["post-3410","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura-2","category-scritor","tag-compania-dij-brande","tag-identita-piemonteisa","tag-identita-piemontese","tag-identite-piemontaise","tag-ij-brande","tag-la-vila","tag-langue-piemontaise","tag-lenga-piemonteisa","tag-letteratura-piemontese","tag-lettere-piemontesi","tag-lettres-piemontaises","tag-lingua-piemontese","tag-literatura","tag-literatura-piemonteisa","tag-litterature-piemontaise","tag-luigi-armando-olivero","tag-luis-olive","tag-piedmontese-literature","tag-piemont","tag-piemonte","tag-piemontese-language","tag-vila-de-stlon","tag-vilastlon","tag-villastellone"],"_links":{"self":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/3410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3410"}],"version-history":[{"count":0,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/3410\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/"}],"wp:attachment":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}