{"id":31470,"date":"2013-01-07T21:25:16","date_gmt":"2013-01-07T20:25:16","guid":{"rendered":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?p=10969"},"modified":"2013-01-07T21:25:16","modified_gmt":"2013-01-07T20:25:16","slug":"conosse-barba-toni-esse-la-ven-a-2","status":"publish","type":"post","link":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?p=31470","title":{"rendered":"Barba T\u00f2ni B\u00e0ud-r\u00ece. \u00abEsse la ven-a…\u00bb"},"content":{"rendered":"

V\u00e9r monument \u00ebd la literatura, dla lenga e dla bataja piemont\u00e8isa<\/em>, Barba T\u00f2ni Bodr\u00ece (B\u00e0ud-r\u00ece) a nass a Frasso (Fr\u00e0isso), an Val Var\u00e0ita, d\u00ebl 1921. Professor e peui pr\u00e9sside, a ancamin-a soa cariera literaria coma scritor ant \u00ebl provensal \u00ebd soa valada (<\/em>Fraisse e M\u00e9el<\/span>, 1965; <\/em>Solestrelh \u00f2ucitan<\/span>, 1971) p\u00ebr peui ambrass\u00e9 la c\u00e0usa d\u00ebl piemont\u00e8is (<\/em>Val d\u2019Inghildon<\/span>, 1974; <\/em>Sust<\/span>, 1985). A l\u2019ha tutun \u00ebscriv\u00f9 an v\u00e0ire e v\u00e0ire lenghe e dialet diferent.<\/em><\/p>\n

<\/em>
\n\u00ab\u00d2m \u00ebd na coltura strasordinaria, soa poes\u00eca a l\u2019\u00e9 bogiasse sempe \u2018d p\u00ec an sla carz\u00e0 religiosa, scasi fransescan-a ant s\u00f2 anteresse e soa grinor p\u00ebr le bestie che, s\u00ecmbol \u00ebd na vita sempia e natural \u00ebmnass\u00e0 \u2018d m\u00f2rt da la sivilt\u00e0 d\u00ebl di d\u2019ancheuj, a dvento na met\u00e0fora dle lenghe e dij p\u00f2poj pcit\u00bb.<\/span><\/p>\n

Dario Pas\u00e9<\/a><\/strong><\/p>\n

\u25bc<\/span>
\n\u25b2<\/span><\/p>\n

Mach Barba T\u00f2ni a l\u2019\u00e9 st\u00e0it bon a but\u00e9 ansema, co\u2019 ij s\u00f2 gieugh \u00ebd par\u00f2le, l\u2019\u00e0nima carnal, spiritual e ancreusa \u2018d soa spiritualit\u00e0 fiamenga:<\/em><\/p>\n

\u00a0<\/em><\/p>\n

Esse la ven-a…<\/span><\/strong>
\nBarba T\u00f2ni Bodr\u00ece<\/span><\/strong><\/p>\n

Esse la ven-a dr\u00f9a,<\/span>1<\/span>\u00a0dla grinor,<\/span>2<\/span>\u00a0ch\u2019a veul nesse<\/span>
\n\u2018me \u2018l sangh da t\u00f2 cheur, Crist, dai t\u00f2 euj, mana \u2018d cel,<\/span>
\nmej che \u2018l l\u00e0it e l\u2019amel; chi podr\u00e0 mai stofiesse?<\/span>
\nD\u00eb vn\u00ec bel e novel?<\/span>
\nIj vej a l\u2019han pro dit: \u00abMai gnun a vogr\u00e0<\/span>3<\/span>\u00a0\u2018l mor<\/span>
\nd\u00ebl D\u00e9 e a vivr\u00e0 \u2018ncor\u00bb, m\u2019a j\u2019ero ij vej, pass\u00e0.<\/span>4<\/span>
\nNoe t\u00f2 mor, D\u00e9 Crist, vogoma, n\u2019\u00ebs-ciandor.<\/span>5<\/span>
\nT\u00f9it ij di. E vivoma. Uros.<\/span>6<\/span>\u00a0D\u00eb-ds\u00e0. D\u00eb-dl\u00e0.<\/span>
\nS\u2019a-i fussa mach sa vita, cos valr\u00ecj-la la vita?<\/span>
\nVive p\u00ebr \u00ebvn\u00ec vej, t\u00ebrbul\u00e9,<\/span>7<\/span>\u00a0malad\u00ece,<\/span>
\n\u2018l p\u00ec dangg-reuse,<\/span>8<\/span>\u00a0marr\u00ece…;<\/span>9<\/span>
\na sar\u00eca mej flambesse,<\/span>10<\/span>\u00a0flambela gi\u00e0 da cita<\/span>
\nsa vita.<\/span>
\nMi, s\u2019i fussa sigur\u00a0 ch\u2019a n\u2019i \u00e9 pa n\u2019\u00e0utra, giusta,<\/span>11<\/span>
\ntribaud\u00ebtta,<\/span>12\u00a0<\/span>boneur, Pare ch\u2019am ciama, am susta,<\/span>
\nim flamber\u00eca. E dun-a.<\/span>13<\/span>
\nMej la m\u00f2rt che la vita…? M\u00f2rta, dla m\u00f2rt p\u00ec \u2018nfrun-a.<\/span>14<\/span>
\nIj flut<\/span>15<\/span>\u00a0a revo<\/span>16<\/span>\u00a0\u2018l Nent,<\/span>17<\/span>\u00a0m\u2019as peur-lo? Frej, barbin,<\/span>18<\/span>
\ngagioma<\/span>19<\/span>: \u2018l prim ch\u2019a meur a sp\u00f2rz \u00ebl mignolin;<\/span>20<\/span>
\nant\u00ebr-cola,<\/span>21<\/span>\u00a0marcioma tra patalerne<\/span>22<\/span>\u00a0\u2018d feu,<\/span>
\na col ch\u2019a l\u2019ha rason \u00ebl feugh a-j far\u00e0 \u2018n reu,<\/span>
\nd\u2019\u00f2ra ch\u2019ad\u00f2ra,<\/span>23<\/span>\u00a0\u2018n geu,<\/span>24<\/span>
\nma ch\u2019a val la cand\u00e8ila, milant\u2019e un-a cand\u00e8ila.<\/span>
\nGeu ch\u2019at argala, Mama. D\u2019\u00ebs mar afros l\u2019\u00ebst\u00e8ila.<\/span>
\nDi Nial,<\/span>25<\/span>\u00a0arnasse \u2018n cel, p\u00ec i vis p\u00ec am an-namora,<\/span>
\nl\u2019ora a l\u2019\u00e9 la sant\u2019ora.<\/span>
\nAm \u00ebsmija gi\u00e0 \u2018d voghe, San Giann, toa \u00e9ola<\/span>26<\/span>\u00a0granda,<\/span>
\nche \u2018d vira-riond an aria e \u2018d lus at angarlanda;<\/span>
\ne am f\u00e0: \u00abChi ve? Chi ve?\u00bb;<\/span>27<\/span>
\ne mi, tut an sugnanda: \u00abMach n\u00f2s\u2019 D\u00e9, mach t\u00f2 D\u00e9\u00bb.<\/span>
\nI la \u2018rcognoss, a l\u2019\u00e9…? L\u2019\u00e9ola d\u00ebl Sant Imperi,<\/span>
\nche con la cros e \u2018l ciav<\/span>28<\/span>\u00a0a gloriava \u2018l drap\u00f2<\/span>
\ndij Cros\u00e0 dl\u2019Abad\u00eca; a cantavo ij misteri<\/span>
\nd\u00ebl Crist neusti bon-grand; che gent f\u00e0it\u2019a piv\u00f2!<\/span>29<\/span>
\nCola bavard\u2019antica,<\/span>30<\/span>\u00a0nass\u00f9a dai salteri,<\/span>31<\/span>
\nda j\u2019\u00e0ngej \u00ebd Betl\u00e8m, or\u2019 a la canto \u2018ncora,<\/span>
\nfin-amai,<\/span>32<\/span>\u00a0a prof\u00e0it;<\/span>33<\/span>\u00a0tav\u00f2ta<\/span>34<\/span>\u00a0a l\u2019\u00e9 sant\u2019ora.<\/span>35<\/span>
\nDa Catlin-a<\/span>36<\/span>\u00a0al Di Nial,<\/span>37<\/span>\u00a0l\u2019ora ch\u2019am an-namora.<\/span>
\nSah bioch<\/span>38<\/span>\u00a0e rataplan,<\/span>39<\/span>\u00a0d\u00e9 \u2018l pass a la marciada,<\/span>40<\/span>
\nla Catlin\u00f2ta ven, a la testa dl\u2019armada.<\/span>41<\/span>
\nS\u2019i pod\u00e8issa, \u2018dc\u00f2 mi, vol\u00e9 a reu<\/span>42<\/span>\u00a0\u2018nt \u00ebl sol,<\/span>
\ncanteTe \u00e0ut e b\u00e0ud, sol Sol<\/span>43<\/span>, ch\u00e8 Ti \u2019t ses col,<\/span>
\ns\u2019i pod\u00e8isso canteTe, \u00e0ngej, sant, gent e ciri<\/span>44<\/span>
\nt\u00f9it ansema, D\u00e9 Liri,<\/span>45<\/span>
\nCon tute \u2018l creadure, milanta vos diverse,<\/span>
\ntui j\u2019\u00ebstrument \u00ebd m\u00f9sica d\u00eb \u2018l p\u00ec g\u00f2tiche smerse,<\/span>46<\/span>
\nmach col a sar\u00eca \u2018l c\u00f2ro, cola a sar\u00eca l\u2019orchestra<\/span>
\nche Ti, pior sosrient,<\/span>47<\/span>\u00a0it \u00ebvnir\u00ece a la fnestra.<\/span>
\nLa mal \u00ebd j\u2019anf\u00ebsture,<\/span>48<\/span>\u00a0la bin ver\u2019 Ti, Nosgnor,<\/span>
\nan dan la g\u00f2j p\u00ec \u00e0uta, \u2018nt \u00ebl marche<\/span>49<\/span>\u00a0\u2018d sent lusor:<\/span>50<\/span>
\n\u00ebl sangh dal cheur, da \u2018l man, dai p\u00e9 e da la testa<\/span>
\na l\u2019\u00e9 lus e p\u00ebrfum e bavarda da festa,<\/span>
\n\u00ebl mond a vanta via,<\/span>51<\/span>\u00a0ma\u2019-p\u00ec la Cros a-i resta,<\/span>
\ncola che con Mamin-a, luserna ch\u2019an governa,<\/span>
\nan cel, \u00ebvn\u00f9it divin, an argioiss eterna.<\/span>
\nNosgnor, che \u2018d mist\u00e0 toe,<\/span>52<\/span>\u00a0ma it l\u2019has lassan-ne un-a<\/span>
\ncorma: sudor \u00ebd sangh, f\u00ebrleche, \u2018l Sant Sudari.<\/span>
\nC\u00f2 dis-la s\u2019ombra sombra?:<\/span>53<\/span>\u00a0\u00abS\u2019i veuli la fortun-a<\/span>
\nanfrun-a, \u2018n mes a \u2018n mond ch\u2019a l\u2019\u00e9 la neuit p\u00ec brun-a,<\/span>
\nmi i son la lun-a; feve, coma Chiel, s\u00ebl Calvari,<\/span>
\ncoma costa mist\u00e0; e i sar\u00e9 t\u00f9i divin:<\/span>
\nsangh an buria,<\/span>54<\/span>\u00a0lus, g\u00f2j, gregorian sensa fin\u00bb.<\/span>
\nNosgnor, baratme \u2018l cheur,<\/span>55<\/span>\u00a0con \u00ebl t\u00f2; i l\u2019avrai<\/span>
\nla grinor, la Passion, la Cros al fin-amai.<\/span>
\nMa se pr\u00f2pi veus pa, disje a l\u2019\u00e0ngel ch\u2019am p\u00f2rta<\/span>
\nl\u2019\u00f2stia \u2018n moment \u00ebdnans che mia carn a sia m\u00f2rta.<\/span>
\nI lo sai pro che mi im m\u00e9rito pa s\u00f2n,<\/span>
\nmi ch\u2019i peuss esse, squasi, \u2018l deri\u00e9<\/span>56<\/span>\u00a0dij pecador,<\/span>
\ntut d\u00ebsdeusi,<\/span>57<\/span>\u00a0d\u00ebsb\u00e0ucc,<\/span>58<\/span>\u00a0\u00ebstriplon,<\/span>59<\/span>\u00a0mocador<\/span>60<\/span>
\nma pr\u00f2pi p\u00ebr tut s\u00f2n it ciam, cariton,<\/span>61<\/span>\u00a0l\u00f2n.<\/span>
\nSon-ne cafard<\/span>62<\/span>\u00a0o lindo63? I lo sai gnanca mi,<\/span>
\nmiraco na part l\u2019un e na part l\u2019\u00e0ut\u2019 i son.<\/span>
\nPa p\u00ebr n\u00e8n ch\u2019it ses Gi\u00f9des, mach Ti \u2018t lo sas lo-l\u00ec.<\/span>
\nI son un p\u00f2r viton, ma \u2018dc\u00f2 t\u00f2 fieul. P\u00ebrdon.<\/span><\/p>\n

1\u00a0Ven-a dr\u00f9a: l\u2019arteria gr\u00f2ssa, l\u2019a\u00f2rta.<\/span>
\n2\u00a0Grinor: afession, amor freiral.<\/span>
\n3\u00a0A vogr\u00e0: a v\u00ebddr\u00e0.<\/span>
\n4\u00a0A j\u2019ero j\u2019antich, temp pass\u00e0.<\/span>
\n5\u00a0S-ciandor: splendrior.<\/span>
\n6\u00a0Uros: content.<\/span>
\n7\u00a0T\u00ebrbul\u00e9: tribul\u00e9, soport\u00e9 le malad\u00ece.<\/span>
\n8\u00a0Dangg-reuse: dolorose.<\/span>
\n9\u00a0Marr\u00ece: mar\u00ece, grame, mal\u00ebgne.<\/span>
\n10\u00a0Flambesse: massesse, suissidesse.<\/span>
\n11\u00a0Ch\u2019a rend giustissia.<\/span>
\n12\u00a0Tribaud\u00ebtta: le ci\u00f2che ch\u2019a son-o a festa.<\/span>
\n13\u00a0Dun-a: s\u00f9bit (ital.).<\/span>
\n14\u00a0P\u00ec ter\u00ecbil che la m\u00f2rt (\u00ebl Nent).<\/span>
\n15\u00a0ij disper\u00e0 p\u00ebrd\u00f9.<\/span>
\n16\u00a0Rev\u00e9: vagheg\u00e9, sospir\u00e9.<\/span>
\n17\u00a0\u00cbl Nent: \u00ebl n\u00e8n.<\/span>
\n18\u00a0Barbin: agnel, b\u00e8ro sensa b\u00ebrg\u00e9.<\/span>
\n19\u00a0Gag\u00e9: pari\u00e9, f\u00e9 pariura, scom\u00ebtte.<\/span>
\n20\u00a0la ciav (d\u00ebl misteri).<\/span>
\n21\u00a0Ant\u00ebr-cola: an \u00ebspetand.<\/span>
\n22\u00a0Patalerne: fiame motobin \u00e0ute.<\/span>
\n23\u00a0ch\u2019a p\u00ebrfuma.<\/span>
\n24\u00a0Geu: gieugh.<\/span>
\n25\u00a0Di Nial: Natal.<\/span>
\n26\u00a0\u00c9ola: \u00e8gla, agia, \u00f2ja.<\/span>
\n27\u00a0Onomatopea d\u00ebl vers \u00ebd l\u2019\u00e9ola.<\/span>
\n28\u00a0\u2018L ciav: le ciav (S. Pe?).<\/span>
\n29\u00a0F\u00e0ita p\u00ebr sosten-e (scasi p\u00ebrfeta).<\/span>
\n30\u00a0Canson antica.<\/span>
\n31 \u00a0Salteri: \u00ebl l\u00ecber dij Psalm.<\/span>
\n32\u00a0Ant la manera la p\u00ec \u00e0uta.<\/span>
\n33\u00a0Sensa interussion.<\/span>
\n34\u00a0Tav\u00f2ta: s\u00e8mper.<\/span>
\n35\u00a0Ora santa.<\/span>
\n36\u00a0Catlin-a: \u00ebl n\u00f2m che ij Piemont\u00e8is a-j dan a la m\u00f2rt, che \u2018l linguista Tagliavini a f\u00e0 riv\u00e9 da \u2018l n\u00f2m \u00ebd la dea greca dl\u2019infern Hecate.<\/span>
\n37\u00a0Da la m\u00f2rt al di dla nassensa ant \u00ebl Siel.<\/span>
\n38\u00a0Trombe.<\/span>
\n39\u00a0Tamborn.<\/span>
\n40\u00a0La marciada: \u00ebl defil\u00e9.<\/span>
\n41\u00a0L\u2019armada d\u00ebl Siel.<\/span>
\n42\u00a0A spiral, par\u00e8j dla l\u00f2dna.<\/span>
\n43\u00a0\u00f9nich Sol.<\/span>
\n44\u00a0Ciri: osej.<\/span>
\n45\u00a0D\u00e9 liri, D\u00e9 l\u00ecrich, deliri.<\/span>
\n46\u00a0Smerse: spece, qualit\u00e0.<\/span>
\n47\u00a0Sosrient: sorient.<\/span>
\n48\u00a0\u00cbl dolor \u00ebd le piaghe.<\/span>
\n49\u00a0Sign.<\/span>
\n50\u00a0Sent lum (teol\u00f2gich)<\/span>
\n51\u00a0A d\u00ebspariss.<\/span>
\n52\u00a0V\u00e0ire ch\u2019a son le mist\u00e0 ch\u2019aT rapresento.<\/span>
\n53\u00a0Ombra scura (misteriosa).<\/span>
\n54\u00a0Sangh ch\u2019a anlaga.<\/span>
\n55\u00a0Cambia m\u00e8 cheur con \u00ebl T\u00f2 (grassia ch\u2019as concend mach a ch\u00e8ich Sant dij p\u00ec grand).<\/span>
\n56\u00a0Deri\u00e9: \u00f9ltim.<\/span>
\n57\u00a0Vissios.<\/span>
\n58\u00a0Licensios.<\/span>
\n59\u00a0Gross\u00e9.<\/span>
\n60\u00a0Ch\u2019a b\u00ebst\u00ebmmia.<\/span>
\n61\u00a0P\u00ebr la carit\u00e0.<\/span>
\n62\u00a0F\u00e0uss, ip\u00f2crita.<\/span>
\n63\u00a0Sincer.<\/span>\u00a0<\/span><\/h6>\n

.<\/span><\/p>\n

V\u00e9r monument \u00ebd la literatura, dla lenga e dla bataja piemont\u00e8isa, Barba T\u00f2ni Bodr\u00ece (B\u00e0ud-r\u00ece) a nass a Frasso (Fr\u00e0isso), an Val Var\u00e0ita, d\u00ebl 1921. Professor …<\/p>\n

Barba T\u00f2ni B\u00e0ud-r\u00ece. \u00abEsse la ven-a…\u00bb<\/span> Leggi tutto \u00bb<\/a><\/p>\n","protected":false},"author":2,"featured_media":19142,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,9],"tags":[],"class_list":["post-31470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-euvre-literarie","category-literatura-2"],"_links":{"self":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/31470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=31470"}],"version-history":[{"count":0,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/31470\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/media\/19142"}],"wp:attachment":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=31470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=31470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=31470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

\u25c4<\/span> Barba T\u00f2ni B\u00e0ud-r\u00ece<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"