{"id":3087,"date":"2010-12-28T20:56:55","date_gmt":"2010-12-28T19:56:55","guid":{"rendered":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?p=3087"},"modified":"2018-06-23T19:19:24","modified_gmt":"2018-06-23T17:19:24","slug":"pinin-pacot-ij-brande-e-la-compania-dij-brande","status":"publish","type":"post","link":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?p=3087","title":{"rendered":"Pinin Pac\u00f2t, Ij Brand\u00e9 e la Compan\u00eca dij Brand\u00e9"},"content":{"rendered":"

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AN L\u00c0UDA \u2018D N\u00d2STRA ST\u00d2RIA<\/span><\/strong><\/h2>\n

Camillo Brero<\/a><\/span><\/strong>\u00a0<\/span><\/h2>\n

Ij sinch\u00a0\u00ebd Mars d\u00ebl 1927 as dev consideresse na data importanta p\u00ebr la St\u00f2ria dla leteratura piemont\u00e8isa e na data fondamental p\u00ebr la “Compan\u00eca” che da l\u2019aveniment \u00ebd col di a pij\u00ebr\u00e0 ispirassion e motiv p\u00ebr madur\u00e9 na cossiensa neuva, fond\u00e0 su un concet neuv \u00ebd poes\u00eca.<\/span>
\nCola data a l\u2019\u00e9 cola segn\u00e0 s\u00ebl frontespissi d\u00ebl n\u00f9mer 1 d\u2019<\/span>Ij Brand\u00e9 – Arvista Piemont\u00e8isa<\/em>, surt\u00eca sota la diression \u00ebd Virgin Fiochet (Alfredo Formica), Oreste Gallina<\/strong><\/a>, Pinin Pac\u00f2t<\/strong><\/a> (Giuseppe Pacotto).<\/span>
\nLa giustificassion \u00ebd col giornal a l\u2019\u00e9 ant \u00ebl <\/span>programa<\/em>: <\/span>“… N\u00f2stra Arvista, pcita e p\u00f2vra come ch\u2019a l\u2019\u00e9, a nass ap\u00f2sta p\u00ebr difende n\u00f2str parl\u00e9, e con chiel n\u00f2stra tradission, n\u00f2stra st\u00f2ria, n\u00f2str car\u00e0ter… Salv\u00e9 n\u00f2str parl\u00e9. Salvelo s\u00ebrcand \u00ebd rendje soa fin\u00ebssa e soa f\u00f2rsa, soa seriet\u00e0 e soa bl\u00ebssa, s\u00ebrcand \u00ebd rendje s\u00f2 patrim\u00f2ni \u2018d par\u00f2le e d\u2019espression nostran-e, s\u00f2 fond d\u2019id\u00e8je e \u2018d sentiment piemont\u00e8is…”<\/em> (Ij Brand\u00e9, 1\u00aa Serie, III 1927).<\/span>
\nNa giustificassion che a r\u00ebspond\u00eca a n\u2019ideal che as trasformava an programa: vos d\u2019una volont\u00e0 f\u00ebrma d\u2019arnassensa, ant un moment pol\u00ectich motoben \u00ebdlic\u00e0 e fin-a pericolos.<\/span><\/p>\n

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1927: la test\u00e0 d\u00ebl prim n\u00f9mer<\/p>\n

La prima Serie d\u2019<\/span>Ij Brand\u00e9 <\/em>a d\u00ebsvijava un f\u00ebrment d\u00eb speransa e d\u2019entusiasm, ma a andas\u00eca nen p\u00ec an l\u00e0 che \u2018l n\u00f9mer 5, p\u00ebr mancansa \u2018d fond.<\/span>
\nA-i pass\u00ebran disneuv ani e mes prima che l\u2019Arvista <\/span>Ij Brand\u00e9<\/em> a peussa arpijesse, con \u00ebl n\u00f9mer 1 \u00ebd la Sconda Serie \u2013 Diretor, redator, \u00e0nima: Pinin Pac\u00f2t \u2013 \u00ebl 15 d\u00eb St\u00e8mber d\u00ebl 1946. Costa arn\u00e0ssita a-j dar\u00e0 na vita longa, che a durer\u00e0 fin-a al 15 d\u00eb Dz\u00e8mber d\u00ebl 1957 (1060 p\u00e0gine) e a sar\u00e0 na testimoniansa, motoben pressiosa e \u00f9nica ant s\u00f2 g\u00e9ner, che a dis, ancora ancheuj, la vitalit\u00e0 d\u2019una leteratura piemont\u00e8isa duverta vers d\u2019orisont neuv e p\u00ec largh.<\/span>
\nMa, bele mach coj primi sinch n\u00f9mer \u00ebd col 1927, a son gi\u00e0 da soj na documentassion anciarmanta d\u2019un ideal che a ancaminava a realisesse.<\/span>
\nAn efet l\u00eb s-ciandor ideal arlev\u00e0 da cola impr\u00e8isa editorial a l\u2019av\u00eca segn\u00e0 na sv\u00f2lta ant l\u2019ambient leterari piemont\u00e8is e a l\u2019av\u00eca arciam\u00e0 dantorn a soa lus neuva e diversa l\u2019atension e \u2018l cheur \u00ebd tuta la neuva generassion d\u00eb scritor.<\/span><\/p>\n

Sintom\u00e0tica a sar\u00e0 la fioridura d\u2019euvre po\u00e9tiche, d\u2019antolog\u00ece (o Armanach) che a carateriser\u00e0 l\u2019\u00e9poca che a ven d\u00f2p \u00ebd col \u00ebsperiment leterari d\u2019<\/span>Ij Brand\u00e9<\/em> e che as manifester\u00e0 p\u00ebr tut l\u2019arch \u00ebd j\u2019ani Tranta. A sar\u00e0 na fioridura che as realiser\u00e0 dantorn a un n\u00f2m: Pinin Pac\u00f2t, e che sovens a porter\u00e0 an front “L\u2019Ans\u00ebgna dij Brand\u00e9”.<\/span><\/p>\n

A l\u2019\u00e9 par\u00e8j che la vita leteraria \u2018d Pinin Pac\u00f2t a ven a esse \u2018l document prim e essensial dij primi ani dla “Compan\u00eca dij Brand\u00e9”. L\u2019istessa madurassion leteraria \u2018d Pinin Pac\u00f2t a peul esse na testimoniansa pressiosa dla madurassion d\u2019un \u00ebstil leterari che a finir\u00e0 p\u00ebr carateris\u00e9, an manere diverse, squasi tuti j\u00eb scritor fior\u00ec ant l\u2019\u00e0mbit \u00ebd la “Compan\u00eca dij Brand\u00e9”.<\/span><\/p>\n

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Pinin Pac\u00f2t<\/figcaption><\/figure>\n

PININ PAC\u00d2T, n\u00e0 a Turin \u00ebl 20 \u00ebd F\u00ebrv\u00e9 d\u00ebl 1899, a ven madurand soa prima esperiensa leteraria con la fiama d\u00ebl dolor: “Fieul d\u00ebl \u201899”, a l\u2019ha dov\u00f9 parte, p\u00f2ch p\u00ec che na masn\u00e0, p\u00ebr \u00ebl front. F\u00e0it p\u00ebrzon\u00e9 e port\u00e0 a Cellel\u00e0ger a ven a antruch\u00e9 contra na realt\u00e0 che a passa al val, travers la soferensa, soa \u00e0nima e soa poes\u00eca, equilibrand travers la solit\u00f9din e la paura s\u00f2 sens rom\u00e0ntich \u00ebd la m\u00f2rt e dla vanit\u00e0 dle c\u00f2se.<\/span>
\nA la lus \u00ebd l\u2019esperiensa rom\u00e0ntica Pinin Pac\u00f2t a l\u2019av\u00eca form\u00e0 s\u00f2 sp\u00ecrit e a cola vision a l\u2019av\u00eca adat\u00e0 s\u00f2 mond po\u00e9tich. Ansi a l\u2019av\u00eca idealis\u00e0 s\u00f2 mond al mond d\u00ebl poeta Pierre Ronsard (1524-1585), o mej al mond d\u00ebl Ronsard dij <\/span>Son\u00e8t p\u00ebr Elena<\/em> (1578).<\/span>
\nA l\u2019\u00e9 pr\u00f2pi Ronsard “l\u00ecrich intens e apassion\u00e0” che a riussir\u00e0 a manten-e ant l\u2019\u00e0nima \u2018d Pac\u00f2t \u2013 durant tuta soa vita \u2013 na costanta l\u00ecrica. […]<\/span><\/p>\n

“… Se i saroma nen ij primi, i saroma j\u2019\u00f9ltim!…”<\/em> (e a l\u2019era sc\u00e0ndol p\u00ebr noi giovo, che i sent\u00eco d\u2019esse an corsa con ij prim) a r\u00ebspond\u00eca \u2013 tra \u2018l rassegn\u00e0 e l\u2019of\u00e8is \u2013 a coj che a butavo an dubi la possibilit\u00e0 dl\u2019arnassensa piemont\u00e8isa.<\/span>
\nLa costanta ronsardian-a, sempre car\u00ebss\u00e0, \u00ebd soa poes\u00eca a trover\u00e0 n\u2019ispirassion neuva ant l\u2019ancontr con la leteratura felibrista. La letura \u2018d Mistral e s\u00f2 contat con j\u2019ideaj mistralian (a diventer\u00e0 \u2018dc\u00f2 chiel “Felibre”) a-j daran la dreta definitiva ai s\u00f2 ideaj d\u2019arnassensa piemont\u00e8isa: ideaj che a diventeran ij but fondamentaj \u00ebd la “Compan\u00eca dij Brand\u00e9”.<\/span>
\n\u00cbl Piemont\u00e8is, an Pinin Pac\u00f2t (coma \u2018l Provensal an Mistral) a arfuda la qual\u00ecfica \u2018d “dial\u00e8t” e a veul butesse coma “<\/span>lenga<\/em>“; e l\u2019impegn nen mach po\u00e9tich d\u2019<\/span>Ij Brand\u00e9 <\/em>a veul dimostrelo.<\/span>
\nA ven par\u00e8j, p\u00f2ch p\u00ebr v\u00f2lta, a pij\u00e9 forma dacant a la nossion d\u00ebl dial\u00e8t coma espression la p\u00ec davzin a le c\u00f2se, a j\u2019anteresse, a j\u2019afet \u00ebd la vita \u2018d tuti ij di, l\u2019espression p\u00ec impegn\u00e0, riepilogativa, ideal e leteraria dla Lenga Piemont\u00e8isa (…a l\u2019\u00e9 \u2018l prinsipi d\u2019un process motoben meusi, che mach p\u00ec tard a riussir\u00e0 a fesse sente).<\/span>
\nFin-a la costitussion \u00ebd la “Compan\u00eca dij Brand\u00e9” a peul \u00ebsmij\u00e9 ispir\u00e0 dal “Felibrism”. An efet, motoben davzin a cost a l\u2019\u00e9 l\u00eb sp\u00ecrit che a \u00e0nima la “Compan\u00eca” che, per\u00f2, a nass, a viv e a s\u2019esprim sensa gnun-a esasperassion \u00ebd prinsipi e f\u00f2ra dij l\u00ecmit \u00ebd la leteratura felibr\u00ecstica p\u00f2st-mistralian-a, che a d\u00f3ndola tra l\u2019academism e un provincialism arc\u00e0dich.<\/span><\/p>\n

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L\u2019umilt\u00e0 tradissional e l\u00eb sp\u00ecrit prudent e riflessiv che a son pr\u00f2pi d\u00ebl car\u00e0ter piemont\u00e8is as contentavo, antlora, \u00ebd but\u00e9 an sla t\u00e0ula ij t\u00ectoj d\u2019una longa question da defin\u00ec; mach na c\u00f2sa a l\u2019era gi\u00e0 defin\u00eca, p\u00ebr necessit\u00e0: la po\u00e9tica neuva che a ten cont \u00ebd l\u00f2n che a dis\u00eca Sainte Beuve: <\/span>“Na bon-a conossensa psicol\u00f2gica dla rassa, dj\u2019assendent e dj\u2019anten\u00e0 a campr\u00eca tanta lus ansima a la qualit\u00e0 segreta e essensial d\u2019un \u00ebsp\u00ecrit…”<\/em>. A l\u2019\u00e9, costa, n\u2019afermassion che, se a val p\u00ebr con\u00f2sse <\/span>a posteriori<\/em> l\u00eb sp\u00ecrit d\u2019un \u00f2m, tant p\u00ec a l\u2019\u00e9 indispens\u00e0bil a l\u00eb sp\u00ecrit d\u00ebl poeta p\u00ebr cre\u00e9, an coerensa con soa rassa e soa gent, \u00ebd rich\u00ebsse neuve.<\/span>
\nCosta proposission \u2013 n\u00ec scrita, n\u00ec dita \u2013 a l\u2019\u00e9 fondament \u00ebd l\u2019assion costrutiva che a l\u2019ha poss\u00e0 \u2018l poeta Pinin Pac\u00f2t a divent\u00e9, p\u00ebr necessit\u00e0, studios dij precedent leterari piemont\u00e8is e \u2018dc\u00f2 definitor \u00ebd la graf\u00eca moderna dla Lenga, ant \u00ebl p\u00ec gran rispet dij precedent \u00ebst\u00f2rich.<\/span><\/p>\n

Un giudissi seren e complet ant sj\u2019ideaj po\u00e9tich e an sl\u2019euvra po\u00e9tica \u2018d Pinin Pac\u00f2t as peul esprime mach tenend cont \u00ebd l\u00f2n che chiel midem a dis \u00ebd la poes\u00eca: <\/span>“… La poes\u00eca a l\u2019\u00e9 na c\u00f2sa e ij sentiment violent o dlic\u00e0, t\u00ebnner o ir\u00f2nich, malinc\u00f2nich o c\u00f2mich a son n\u2019\u00e0utra c\u00f2sa, coma ch\u2019a son n\u2019\u00e0utra c\u00f2sa le idee e ij pens\u00e9, \u00ebl mond ch\u2019as d\u00ebscriv e j\u2019aveniment ch\u2019as conto. A bz\u00f2gna che tute ste c\u00f2se, ant un moment \u00ebd grassia, fond\u00f9 ant \u00ebl griseul \u00ebd l\u2019ispirassion, as d\u00ebstaco da la vita pr\u00e0tica dl\u2019\u00f2m p\u00ebr divent\u00e9 pure figure che la fantas\u00eca a contempla e ch\u2019a treuvo soa forma mach ant la m\u00f9sica dle par\u00f2le che \u2018l poeta a cadensa…”<\/em> (P. Pac\u00f2t \u2013 Ij Brand\u00e9, n. 3, 15.X.1946).<\/span><\/p>\n

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Costa an\u00e0lisi dla sublimassion po\u00e9tica a treuva soa definission quand che a dis: <\/span>“… La poes\u00eca… a confin-a con la m\u00ecstica… Tuti ij grand, ij ver poeta a l\u2019han quaic\u00f2sa ant lor d\u00ebl Sant, e soa vita a l\u2019\u00e9 coma brus\u00e0 da na fiama interior…”.<\/em>
\nA l\u2019\u00e9 la prima v\u00f2lta che ant la st\u00f2ria dla leteratura piemont\u00e8isa un poeta a esprim, sensa ij compless secolar \u00ebd la subalternansa, ij concet sublim \u00ebd la poes\u00eca e a sp\u00f2rz \u00ebl dirit \u00ebd sitadinansa po\u00e9tica a la … Poes\u00eca, contra \u00f2gni limitassion e discriminassion lengh\u00ecstica.<\/span>
\nA l\u2019\u00e9 ansima a costi prinsipi est\u00e9tich e \u00e9tich che a l\u2019\u00e9 vnusse a fond\u00e9 la “Compan\u00eca dij Brand\u00e9” e a l\u2019ha pij\u00e0 l\u2019andi \u2018l neuv criteri art\u00ecstich che a guider\u00e0 le neuve generassion d\u00eb scritor piemont\u00e8is.<\/span><\/p>\n

Palestra d\u2019art, \u00ebd poes\u00eca e d\u2019amicissia, la “Compan\u00eca” \u2013 p\u00ebr l\u2019entusiasm, p\u00ebr la caria d\u2019ispirassion e p\u00ebr \u00ebl valor d\u00eb scritor e poeta coma Pinin Pac\u00f2t e Luigi Olivero (scritor che, bele giovo, a l\u2019era gi\u00e0 impegn\u00e0 ant l\u2019\u00e0mbit leterari internassional e che, coma i l\u2019avroma \u2018l dover d\u00eb studi\u00e9, a sar\u00e0, p\u00ebr soa rich\u00ebssa original e p\u00ebr soa euvra po\u00e9tica, na figura \u2018d prim pian \u00ebd la leteratura piemont\u00e8isa) \u2013 a tardr\u00e0 nen a dvent\u00e9 la nos central d\u2019atrassion e d\u2019espression coltural, fiama creativa \u2018d poes\u00eca, s\u00ecmbol \u00ebd l\u2019indipendensa spiritual d\u00ebl Piemont che a parla Piemont\u00e8is.<\/span><\/p>\n

Par\u00e8j, ant j\u2019ani Tranta, la “Compan\u00eca dij Brand\u00e9” con Pinin Pac\u00f2t, Luigi Olivero, Oreste Gallina a riuss\u00eca a tir\u00e9 ant \u00ebl cheur \u00ebd soa fiama ideal: <\/span>“Fiama che as d\u00ebstissa nen”<\/em>, d\u2019\u00f2mo dla generassion d\u00ebl “Birichin”, coma <\/span>Mario Albano<\/strong><\/a>, Carlo Baretti<\/strong><\/a>, <\/span>Arrigo Frusta<\/strong><\/a>, Giovanni Gianotti<\/strong><\/a>, Giulio Segre<\/strong><\/a> … e \u2018d poeta giovo coma <\/span>Armando Mottura<\/strong><\/a>, <\/span>Nino Autelli<\/strong><\/a>, Renzo Brero<\/strong><\/a>, <\/span>Alfredo Nicola<\/a><\/strong>, <\/span>Giovanni Bono<\/strong><\/a>, Renato Bertolotto<\/strong><\/a>, Aldo Daverio<\/strong><\/a> […], Carlottina Rocco<\/strong><\/a>, Elisa Vanoni Castagneri<\/strong><\/a> (prime vos feminin-e \u2018d n\u00f2stra poes\u00eca), …, che, tuti, a sent\u00eco \u2018d pod\u00e8j e \u2018d dov\u00e8j esprime soa vitalit\u00e0 po\u00e9tica f\u00f2ra da j\u00eb schema e da le pian\u00e0 stere\u00f2tipe dla dialetalit\u00e0.<\/span><\/p>\n

La vos \u00ebd la “Compan\u00eca dij Brand\u00e9” a l\u2019ha trov\u00e0 soa espression scrita (d\u00f2p la tr\u00f2p curta vita dl\u2019Arvista <\/span>Ij Brand\u00e9<\/em> d\u00ebl 1927). oltra che ansima a l\u2019<\/span>Armanach Piemont\u00e8is<\/em> che dal 1931 a l\u2019\u00e9 st\u00e0it, p\u00ebr na dosen-a d\u2019ani, la publicassion piemont\u00e8isa leterariament p\u00ec vajanta, \u00ebdc\u00f2 an s\u00ebl peri\u00f2dich tradissionalista <\/span>\u2018L caval \u2018d bronz <\/em>e an sle r\u00e0ire p\u00e0gine che giornaj e arviste (p\u00ec o men ampegn\u00e0 con \u00ebl … Padron d\u2019antlora) as degnavo mincatant \u00ebd concede.<\/span>
\nA l\u2019\u00e9 da le p\u00e0gine \u2018d coste publicassion che a l\u2019\u00e9 surtije, p\u00ebr la prima v\u00f2lta, ij n\u00f2m dij poeta p\u00ec v\u00e0lid \u00ebd la “Compan\u00eca”. A l\u2019\u00e9 travers la validit\u00e0 \u2018d soa euvra che costi scritor a confermo la validit\u00e0 \u2018d soe id\u00e8je.<\/span><\/p>\n

Cos\u00ec come Pinin Pac\u00f2t che, dzora soe id\u00e8je ci\u00e0ire e soa p\u00ebrsonalit\u00e0, a l\u2019\u00e9 vn\u00f9 confermand con soa euvra la verit\u00e0 dij s\u00f2 prinsipi e \u2018l valor assolut \u00ebd soa poes\u00eca, forse la p\u00ec \u00e0uta d\u00ebl Neuvsent piemont\u00e8is, e, forse, \u00ebdc\u00f2 l\u2019espression l\u00ecrica p\u00ec bela \u2018d tuta la st\u00f2ria leteraria d\u00ebl Piemont. E se soa euvra a peul fene arson\u00e9, andrinta, d\u2019arciam a la granda poes\u00eca europea \u2013 sensibilit\u00e0 che a l\u2019\u00e9 an car\u00e0ter con l\u00eb sp\u00ecrit piemont\u00e8is, coma i podroma costat\u00e9 \u2018dc\u00f2 ant l\u2019euvra… c\u00f2smica \u00ebd <\/span>Luigi Olivero<\/strong><\/a> \u2013 a l\u2019\u00e9 per\u00f2 n\u2019euvra, ant l\u2019essensa e ant \u00ebl deuit, piemont\u00e8isa, sensa \u2018d p\u00e8is dialetaj.<\/span><\/p>\n

\"\"\"\"E se l\u2019euvra po\u00e9tica \u2018d Pinin Pac\u00f2t a l\u2019\u00e9 un monument a la poes\u00eca (da <\/span>Arsiv\u00f2li<\/em> (1926), <\/span>Crosiere<\/em> (1935), <\/span>Speransa <\/em>(1946), <\/span>Giovent\u00f9, p\u00f2vra am\u00eca<\/em> (1951), fin-a a <\/span>S\u00e8ira<\/em> (1964), a l\u2019\u00e9 un monument aut\u00ebrtant pressios soa euvra did\u00e0tica, sient\u00ecfica, st\u00f2rica e leteraria che a l\u2019\u00e9 sar\u00e0 ant <\/span>Ij Brand\u00e9 – Arvista Piemont\u00e8isa<\/em> (1927), ant <\/span>Ij Brand\u00e9 – Giornal \u00ebd poes\u00eca piemont\u00e8isa<\/em> (1946-1957) e ant <\/span>Ij Brand\u00e9 – Armanach \u00ebd Poes\u00eca Piemont\u00e8isa<\/em> (1960-1965), etc.<\/span>
\nAn costi peri\u00f2dich a l\u2019\u00e9 fiss\u00e0 tuta la St\u00f2ria dla “Compan\u00eca dij Brand\u00e9”, cola che a vent\u00ebr\u00e0 finalment \u00ebscrive, a testimoniansa d\u2019un moviment leterari che a s\u00e9guita a esse, ancheuj, fiama e nos din\u00e0mica dla vera coltura piemont\u00e8isa, cola che a viv ant \u00ebl cheur \u00ebd la gent piemont\u00e8isa, cola che a travaja tant e a parla misur\u00e0, pr\u00f2pi p\u00ebrch\u00e8 a parla piemont\u00e8is.<\/span><\/p>\n

La “Compan\u00eca” a l\u2019\u00e9 ancora, ancheuj, coma antlora, laud\u00e0 e d\u00ebsoresi\u00e0, e Ij Brand\u00e9 a son ancora ancheuj (i lo disoma con orgheuj) coma anlora trat\u00e0 da “poeta” e da “coragios” o da “ambalin\u00e0” e “rompaciap” se nen da… “blagheur”.<\/span><\/p>\n

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Pinin Pac\u00f2t d\u00ebl 1960<\/figcaption><\/figure>\n

A l\u2019\u00e9 ancora la “Compan\u00eca” che a l\u2019ha daje a Pinin Pac\u00f2t fier\u00ebssa e g\u00f2j. A l\u2019\u00e9 la materialisassion \u00ebd la continuit\u00e0 \u2018d s\u00f2 ideal, cos\u00ec coma a l\u2019\u00e9 stalo \u2018dc\u00f2 quand a l\u2019ha dov\u00f9 vive da sola, lontan-a da Chiel, che a l\u2019era artirasse a Castel d\u2019Anon.<\/span>
\nChiel, antlora, i lo savoma, a l\u2019ha sufr\u00ec \u2018l dolor e la gelos\u00eca dla mare trascur\u00e0. Da la pas e ant \u00ebl silensi \u2018d soa “Anon”, Pac\u00f2t a guardava \u2013 prima con p\u00f2ca fiusa, peui con t\u00ebmma, peui con tanta fiusa e, a la fin, con j\u2019ancoragiament \u2013 a soa “Compan\u00eca” che a ch\u00ebrs\u00eca e a s\u2019arnovava.<\/span>
\nP\u00ebr noi, che i sav\u00eco che a l\u2019era “<\/span>un mag\u00ecster<\/em>“, a stas\u00eca diventand \u00ebdc\u00f2 un “<\/span>s\u00ecmbol<\/em>“. L\u2019\u00f9ltima v\u00f2lta ch\u2019i j\u2019ero and\u00e0 a trovelo \u2013 a l\u2019era l\u2019agost d\u00ebl 1964, p\u00f2chi m\u00e8is prima che an manch\u00e8issa \u2013 a l\u2019av\u00eca dine: “<\/span>A-i \u00e9 nen da manca d\u2019esse vej, a basta esse strach… Ij giovo, a van p\u00ec d\u00ebsgen\u00e0… e a van p\u00ec lontan…<\/em>“. A sorid\u00eca, passandse la man an sj\u2019euj… e a sufr\u00eca quand che a l\u2019ha dit: “<\/span>A toca a voj\u00e0utri!…<\/em>“… e a l\u2019av\u00eca posane soa man an sla spala.<\/span><\/p>\n

A l\u2019era na cons\u00ebgna. Noi i l\u2019oma acetala!<\/span><\/p>\n

A l\u2019\u00e9 m\u00f2rt \u00ebl 14 d\u00eb Dz\u00e8mber d\u00ebl 1964, seguitand a vive ant la “Compan\u00eca dij Brand\u00e9”… e Soa presensa an giuta a esse fedej a la cons\u00ebgna, p\u00ebrch\u00e8\u00a0<\/span>\u00abla fiama as d\u00ebstissa nen\u00bb!<\/em><\/span><\/p>\n

Camillo Brero an s’\u00abIj Brand\u00e9, Armanach \u00ebd Poes\u00eca Piemont\u00e8isa\u00bb, 1980<\/em><\/span><\/h6>\n

\"\"<\/p>\n

\u25ba<\/span>\u00a0Censin Pich<\/a>:\u00a0Un poeta e ‘n magister: Pinin Pac\u00f2t<\/a><\/em><\/span><\/strong>
\n\u00a0<\/span>
\n\u25c4\u00a0<\/span>Mila agn \u00ebd Literatura Piemont\u00e8isa<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

AN L\u00c0UDA \u2018D N\u00d2STRA ST\u00d2RIA Camillo Brero\u00a0 Ij sinch\u00a0\u00ebd Mars d\u00ebl 1927 as dev consideresse na data importanta p\u00ebr la St\u00f2ria dla leteratura piemont\u00e8isa e na …<\/p>\n

Pinin Pac\u00f2t, Ij Brand\u00e9 e la Compan\u00eca dij Brand\u00e9<\/span> Leggi tutto \u00bb<\/a><\/p>\n","protected":false},"author":2,"featured_media":3118,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[58,84,85,86,59,21,22,37,38,39,23,60,61,40,87,24,62,88,89,65,66,64],"class_list":["post-3087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura-2","tag-compania-dij-brande","tag-identita-piemonteisa","tag-identita-piemontese","tag-identite-piemontaise","tag-ij-brande","tag-langue-piemontaise","tag-lenga-piemonteisa","tag-letteratura-piemontese","tag-lettere-piemontesi","tag-lettres-piemontaises","tag-lingua-piemontese","tag-literatura","tag-literatura-piemonteisa","tag-litterature-piemontaise","tag-piedmont","tag-piedmontese-language","tag-piedmontese-literature","tag-piemont","tag-piemonte","tag-poesia-piemonteisa","tag-poesia-piemontese","tag-poesie-piemontaise"],"_links":{"self":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/3087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3087"}],"version-history":[{"count":5,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/3087\/revisions"}],"predecessor-version":[{"id":34373,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/3087\/revisions\/34373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/media\/3118"}],"wp:attachment":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}