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<\/p>\n<\/p>\n
Carl Emanu\u00e9l I Duca ‘d Sav\u00f2ja (1562-1630)
\nT\u00e9mpera ‘d Giovanna Garzoni (Palas Real \u00ebd Turin)<\/p>\n
Fieul d’Emanu\u00e9l Filibert \u00ebd Sav\u00f2ja e ‘d Margarita ‘d Valois, a l’\u00e9 st\u00e0it \u00ebl sovran dj’\u00cbstat \u00ebd Sav\u00f2ja dal 1580.<\/span><\/p>\n A l’\u00e9 st\u00e0it protetor d’\u00f2m \u00ebd litra e chiel midem \u00ebscritor an v\u00e0ire lenghe. Soa cort literaria a l’era l\u00eb splendrient Castel \u00ebd Mirafior<\/strong><\/a> (= <\/span>milafior<\/em>), che ‘l duca a l’av\u00eca f\u00e0it costru\u00ec dal 1585.<\/span><\/p>\n Da la mira pol\u00ectica Carl Emanu\u00e9l I, con la gu\u00e8ra franco-savojin-a, a l’ha port\u00e0 a j’\u00cbstat \u00ebl Marches\u00e0 ‘d Salusse, gav\u00e0nd\u00ebjlo a la Fransa.<\/span><\/p>\n \u00cbd l\u00f2n ch’a l’ha scriv\u00f9 an piemont\u00e8is i conossoma doi componiment an vers (ch’a prinsipio con\u00a0A l’\u00e9 quel bufon del fra<\/em> e Al son de la bater\u00eca \/ de la grossa artiller\u00eca \/ del castel \/ de Cavor<\/em>) e n’euvra teatral, Cloridoro<\/em>, andova che un p\u00ebrsonage a parla piemont\u00e8is. N’arserca d’archivi, a scriv Gianrens P. Clivio, a podr\u00eca port\u00e9 a l’ard\u00ebscuverta d’\u00e0utre euvre d\u00ebl duca.<\/span>\u00a0<\/span><\/p>\n .<\/span><\/p>\n .<\/span><\/p>\n A la vigilia dla gu\u00e8ra p\u00ebr la sucession d\u00ebl Monfr\u00e0 (la <\/span>gu\u00e8ra ‘d Casal<\/em> d\u00ebl 1613-’17) \u00ebl Duca Carl Emanu\u00e9l I a manda via malament l\u2019ambassador dij Gonzaga ch\u2019a vor\u00eca portelo a nen agred\u00ec \u2018l Monfr\u00e0.<\/span><\/p>\n La graf\u00eca a l\u2019\u00e9 st\u00e0ita normalis\u00e0.<\/span><\/p>\n .<\/span><\/p>\n A l’\u00e9 ch\u00ebl bufon d\u00ebl fra’<\/span><\/strong> \u00a0<\/span> Carl Emanu\u00e9l I Duca ‘d Sav\u00f2ja (1562-1630) T\u00e9mpera ‘d Giovanna Garzoni (Palas Real \u00ebd Turin) Fieul d’Emanu\u00e9l Filibert \u00ebd Sav\u00f2ja e ‘d Margarita ‘d Valois, a …<\/p>\n
\nCarl Emanu\u00e9l I \u00ebd Sav\u00f2ja<\/span><\/strong><\/p>\n
\nA l\u2019\u00e9 ch\u00ebl bufon d\u00ebl fra\u2019<\/span>
\nch\u2019ha p\u00ebrdut \u00ebl Monf\u00ebr\u00e0:<\/span>
\n\u00ebl pensava mincioner<\/span>
\ntut co\u2019l fluss d\u00eb s\u00f2 par\u00f2le:<\/span>
\nvard\u00e9 un p\u00f2ch che bele fole<\/span>
\nd\u00eb voler cos\u00ec inganer!<\/span>
\nFra’ salam e fra’ scarpon<\/span>
\nn\u00eb far\u00e0 p\u00ec d\u00ebl bufon.<\/span>
\n\u00a0<\/span>
\nA l\u2019\u00e9 ch\u00ebl bufon d\u00ebl fra\u2019<\/span>
\nch\u2019ha p\u00ebrdut \u00ebl Monf\u00ebr\u00e0:<\/span>
\na l\u2019ha persa la loquela<\/span>
\ncon sto prinsi da valor:<\/span>
\na l\u2019\u00e9 un magre imbassador<\/span>
\np\u00ebr t\u00ebn\u00ec \u00ebn sentinela!<\/span>
\nFra’ salam e fra’ scarpon<\/span>
\nn\u00eb far\u00e0 p\u00ec d\u00ebl bufon.<\/span>
\n\u00a0<\/span>
\nA l\u2019\u00e9 ch\u00ebl bufon d\u00ebl fra\u2019<\/span>
\nch\u2019ha p\u00ebrdut \u00ebl Monf\u00ebr\u00e0:<\/span>
\na l\u2019\u00e9 d\u00eb napolar\u00eca,<\/span>
\ne ven\u00f9 dal giudaim:<\/span>
\na l\u2019\u00e9 parent d\u00eb Caim,<\/span>
\nbon p\u00ebr st\u00e9 an ostar\u00eca.<\/span>
\nFra’ salam e fra’ scarpon<\/span>
\nn\u00eb far\u00e0 p\u00ec d\u00ebl bufon.<\/span><\/p>\n\u00a0<\/span>
\n(Cfr. G. Pacotto, C. Brero, R. Gandolfo, La Letteratura in piemontese dalle Origini al Risorgimento<\/em>, Turin 1967; e G. Gasca Queirazza, G.P. Clivio, D. Pasero, La Letteratura in Piemontese<\/em>– Dalle origini al Settecento, Turin 2003).<\/span>\u00a0<\/span><\/h5>\n
\n\u25c4<\/span>\u00a0Mila agn \u00ebd Literatura Piemont\u00e8isa<\/a><\/strong><\/em><\/h5>\n","protected":false},"excerpt":{"rendered":"