{"id":23117,"date":"2013-12-07T22:07:06","date_gmt":"2013-12-07T21:07:06","guid":{"rendered":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?p=23117"},"modified":"2013-12-07T22:07:06","modified_gmt":"2013-12-07T21:07:06","slug":"ernest-francot-1908-1968","status":"publish","type":"post","link":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?p=23117","title":{"rendered":"Ernest Franc\u00f2t (1908-1968)"},"content":{"rendered":"
\"\"
Ernest Franc\u00f2t (1908-1968)<\/figcaption><\/figure>\n

Franc\u00f2t, pitor e poeta<\/span><\/strong><\/span>\u00a0<\/span><\/p>\n

Parl\u00e9 d\u00ebl dotor Ernest Franc\u00f2t, m\u00f2rt \u00ebl 4 agost d\u00eb st’ann [1968] a Busca, p\u00ebr mi a l’\u00e9 mach p\u00ec un dolor. Da tr\u00f2pi ani a durava la n\u00f2stra amicissia p\u00ebrch\u00e8 i peussa rassegneme a p\u00ec nen parleje, a p\u00ec nen g\u00f2de la chiete d\u00ebl s\u00f2 studieul stracari\u00e0 ‘d qu\u00e0der e ‘d l\u00ecber, o ant \u00ebl silensi \u00ebd na stra ‘d campagna, cole ore soav \u00ebd conversassion e ‘d meditassion sl’art e sla vita, ch’a torn\u00ebran mai p\u00ec. Mai p\u00ec, an picand a la p\u00f2rta dla soa ca, da la faciada cos\u00ec delissiosament gozanian-a, i lo v\u00ebdrai a cavei ancut\u00ec compar\u00ec sla seuja e guarderne prima con un p\u00f2 d\u00eb stupor, e peui con un crij d’alegra marav\u00eca, ambrasseme p\u00ebrd\u00f9 come se i fusso p\u00ec nen v\u00ebdusse da chi s\u00e0 che temp. Mai p\u00ec ant \u00ebl s\u00f2 p\u00e8ilo, pien d’ombre dosse e sugnante, p\u00ebr n’invit afetuos imposs\u00ecbil da arfud\u00e9, im f\u00ebrmrai a f\u00e9 con chiel un-a ‘d cole sin-e modeste e dlic\u00e0, pien-e d’un anciarm squasi da mon\u00ebst\u00e9, gnanca d\u00ebstorb\u00e0 da t\u00f2ta Luss\u00eca, da p\u00ec ‘d sinquant’ani soa fedela cusinera, che, con \u00ebl pass \u00ebd f\u00e8lter e press\u00e0, an s\u00ebrv\u00eca atenta e precisa. Mai p\u00ec ant le neuit d’otonn, mentre na lun-a en\u00f2rme e bianca a viagia campand gi\u00f9 sle vigne tant \u00ebd col ci\u00e0ir, tanta ‘d cla pas da f\u00e9 vn\u00ec f\u00f2j, mai p\u00ec ant la sala ‘d m\u00f9sica d\u00ebl M\u00e8ist Romagna, a fnestre duverte sla colin-a ancant\u00e0, i sentrai con chiel surt\u00ec dal cheur d\u00ebl violin o da la tastera d\u00ebl piano un caprissi \u00ebd Paganini o un preludi \u00ebd Chopin. Mai p\u00ec. E as dis pro che ‘l ric\u00f2rd \u00ebd na g\u00f2j a l’\u00e9 sempe na g\u00f2j, ma, quand as fica ‘d mes l’ombra dla m\u00f2rt, a l’\u00e9 gi\u00e0 tant se, nomp\u00e0 dl’angossa, at ant\u00ebrvuja la malincon\u00eca. Cos\u00ec ora a l’\u00e9 grev p\u00ebr mi rilese le soe poes\u00ece p\u00ebr dene un giudissi cr\u00ectich, e a l’e dc\u00f2 dif\u00eccil p\u00ebrch\u00e8, mentre p\u00ebr afession i vorr\u00eca laud\u00e9 tuta la soa euvra, p\u00ebr amor dla vrit\u00e0 i devo distingue e but\u00e9 ‘d l\u00ecmit.<\/span><\/p>\n

E i dirai s\u00f9bit che tra ij s\u00f2 doi libret, un an italian: \u00abTremule foglie\u00bb<\/em>, e l’\u00e0utr an piemont\u00e8is: \u00ab\u00cbl n\u00f2str cioch\u00e9\u00bb<\/em>, \u00ebl p\u00ec genit e convincent a l’\u00e9 l\u00eb scond. Nen che an Tremule foglie<\/em> a-i sio nen \u00ebd bele str\u00f2fe e ‘d bej vers da tn\u00ec a ment e conserv\u00e9 come na rich\u00ebssa. […] Ma la soa lingua italian-a a riess nen a trov\u00e9 na m\u00f9sica p\u00ebrsonal e, ant l’impacc, a casca soens ant la pr\u00f2sa o ant la pressiosit\u00e0. E dc\u00f2 ant \u00cbl n\u00f2str cioch\u00e9<\/em> a comparisso ij ton dla poesia pascolian-a e crepuscolar, e dc\u00f2 l\u00ec \u00ebl mond a l’\u00e9 ristret e familiar, ma \u00ebl piemont\u00e8is […] a lo giuta a but\u00e9 an lus cola ch’a l’\u00e9 la soa originalit\u00e0, l’inchiet\u00f9din e la paura che a mnasso e a ofendo la pas che chiel a serca. Ch\u00e9 ‘d sicur la soa aspirassion p\u00ec profonda a l’era cola \u00ebd vive sempe an tranquilit\u00e0, f\u00f2ra dla gu\u00e8ra dj’\u00f2mini, lontan da le p\u00ebrfidie dl’ambission e dl’avarissia. Ij batibuj a-j pias\u00eco nen, e findi ant le discussion la soa vos, \u00ebl s\u00f2 acent pasi e rijent a l’era un continuo invit a la moderassion, a la prudensa o a la comprension. \u2500 P\u00ebrch\u00e8 scaudesse tant?<\/em> \u2500 a smijava d\u00ec. \u2500 Le c\u00f2se giuste, se a son pr\u00f2pi giuste, a trionferan. E ancomensoma, pit\u00f2st, a f\u00e9 ‘l n\u00f2str dover!<\/em> \u2500.<\/span><\/p>\n

E, an efet, quand \u00ebl dover a lo ciamava, chiel a sent\u00eca e a cap\u00eca p\u00ec n\u00e8n d’\u00e0utr che l’arciam dla soa cossiensa \u00e0uta e polida. E, se as tratava d’and\u00e9 an gu\u00e8ra, come a l’\u00e9 tocaje ant \u00ebl 1915, chiel a part\u00eca: e drinta la p\u00e0uta dla trincera ansangon\u00e0, a l’\u00e9 stait un m\u00e9dich er\u00f2ich (sensa av\u00e8j na midaja, naturalment) ; e quand a l’ha otn\u00f9 la condota a Busca, p\u00ebr quarant’ani, sensa mai na vacansa, a l’\u00e9 stait esemplar p\u00ebr sp\u00ecrit \u00ebd carit\u00e0. Basta d\u00ec che, p\u00ebr le soe v\u00ecsite, a l’ha mai mand\u00e0 ‘d parcele: e chi a lo pagava a l’era ringrassi\u00e0, e chi a lo pagava nen a l’era p\u00ec nen d\u00ebstorb\u00e0. \u00c9-gi\u00e0, i conto ‘d c\u00f2se che a smijo \u00ebd f\u00e0ule e anvece a son vere. Tant vere che am ven veuja’d d\u00ec che \u00ebl s\u00f2 ciadeuvra a l’\u00e9 st\u00e0ita la soa longa vita. E tuti a lo san, e a l’ha arconossulo dc\u00f2 \u00ebl S\u00ecndich \u00ebd Busca, che p\u00ebr la soa m\u00f2rt a l’ha proclam\u00e0 \u00ebl deul sitadin.<\/span><\/p>\n

Ma ‘d tuta sa legenda strasordinaria, squasi gnente a par\u00ebss ant la soa poes\u00eca: p\u00ebr umilt\u00e0, prima ‘d tut; ma dc\u00f2 p\u00ebr tn\u00ec lontan ij ric\u00f2rd \u00ebd tante fatighe, \u00ebd tanti dolor, \u00ebd tante ingiustissie ancontr\u00e0 e soport\u00e0: che, per\u00f2, come i l’oma dit, a manco nen \u00ebd ferilo con d\u00eb slussi inchietant. E na v\u00f2lta sola \u00ebl s\u00f2 cheur a l’\u00e9 lassasse and\u00e9: mach na v\u00f2lta (e fasend parl\u00e9 al s\u00f2 p\u00f2st na p\u00f2vra veja) a l’\u00e9 s’cionf\u00e0 an n\u00eb sf\u00f2gh, e a l’ha scrit la soa poes\u00eca p\u00ec \u00e0uta e bela: \u00ab\u00cbl piat \u00ebd cisi\u00bb<\/em>. Poesia f\u00e0ita con le par\u00f2le p\u00ec comun-e e sempie, come la mnestra ‘d cisi a l’\u00e9 la p\u00ec comun-a e s\u00e8mpia dle mnestre. E a conta \u00ebd c\u00f2se grande, ma, p\u00ebr gav\u00e9 \u00f2gni sospet \u00ebd blaga, a d\u00e0 ai s\u00f2 vers l’andi \u00ebd na filastr\u00f2cola con rime sempe uguale e con le quartin-e che a finisso sempe con l’istess vers. E pura la poes\u00eca a pija l’incant e ‘l sospir \u00ebd na confession religiosa.<\/span>\u00a0<\/span><\/p>\n

L’hai rusc\u00e0 p\u00ebr tanti ani<\/span><\/em>
\n p\u00ebr prov\u00ebde al m\u00e8 avn\u00ec;<\/span><\/em>
\n son vansame sto piat ‘d cisi<\/span><\/em>
\n e a l’\u00e9 tut l\u00f2n ch’i l’hai mi.<\/span><\/em>\u00a0<\/span><\/p>\n

E sorele d’umilt\u00e0 a sa l\u00ecrica a son tute j’\u00e0utre, \u00a0che a canto \u00ebl cioch\u00e9: (\u00abLo saluto da davzin, \/ lo saluto da lontan \/ coj ch’a ven-o, coj ch’a van…\u00bb)<\/em>; la vos (\u00abd\u00ebl biarl\u00f2t ch’a va a cont\u00e9 \/ e segret e drolar\u00ece \/ a le fior ch’a son fior\u00ece \/ p\u00ec ch’an pressa al s\u00f2 pass\u00e9\u00bb)<\/em>; e ‘l ci\u00e0ir dla lun-a, e ij parpajon dla fi\u00f2ca, e la r\u00f3ndola che \u00abtuta f\u00f2la ‘d lus, ‘d sol\u00bb<\/em> a voltegia e a crija ant \u00ebl cel. Donca, \u00ebl mond \u00ebd Pascoli? Si, ma con queic\u00f2s \u00ebd neuv. Ch\u00e9 mentre \u00ebl Pascoli con g\u00f2j a canta la g\u00f2j \u00ebd le fior, dj’oslin, dle ciovende, Franc\u00f2t an tute le g\u00f2j a sent na paura, na mnassa, na malincon\u00eca. Cos\u00ec se ‘l Pascoli a peul cant\u00e9 \u00abI canarini cantano la sera \/ per la mia cena piccola e canora\u00bb<\/em> p\u00ebr Franc\u00f2t l’oslin an gabia, bele che a canta,\u00abchiel sol, sar\u00e0, a l’\u00e9 n’afann ch’a canta\u00bb<\/em>. E l’arsigneul an libert\u00e0, drinta la boschin-a, \u00ebd neuit a canta \u00abla bl\u00ebssa ‘d vive\u00bb<\/em> e ij seugn dl’amor, ma dc\u00f2 \u00abla violensa \/ che tuti quanti an piega \/ d\u00ebl dolor\u00bb.<\/em><\/span>
\nTant che, quand d\u00f2p \u00ebl di fatig\u00e0, a riva la neuit o la fi\u00f2ca e a p\u00f2rta pas a le r\u00f2be stanche, chiel a prega e a ciama a tut \u00ebd f\u00e9 silensi, ch\u00e9 \u00abveulo deurme le c\u00f2se, nen esse d\u00ebsvi\u00e0\u00bb, e, come ant na nina-nana a-j canta:<\/span>\u00a0<\/span><\/p>\n

Deurme, deurme, p\u00f2vre c\u00f2se,<\/span><\/em>
\n tuti quanti l’oma bz\u00f2gn<\/span><\/em>
\n d\u00f2p la vita \u00ebd f\u00e9 un bel s\u00f2gn…<\/span><\/em>
\n Deurme, deurme, p\u00f2vre c\u00f2se!<\/span><\/em>\u00a0<\/span><\/p>\n

E a l’\u00e9 an cost sentiment inchiet \u00ebd g\u00f2j sempe m\u00ebs-ci\u00e0 a la paura e d’incant sempre lig\u00e0 al dolor (\u00abonde il mio canto \/ \u00e8 gioia \/ ed \u00e8 dolore \/ senza posa\u00bb)<\/em>, che a anfonga le r\u00e8is \u00ebdc\u00f2 la soa pitura: che a l’\u00e9, second mi, la manifestassion p\u00ec l\u00ecbera e f\u00f2rta d\u00ebl s\u00f2 spirit. Ch\u00e9 mentre ant la poes\u00eca chiel a manca ‘d col rigor, che a veul che ij vers a coro (come a dis \u00ebl Boileau) \u00abde merveille an merveille\u00bb<\/em> e soens a casca an ripetission e stanch\u00ebsse e ingenuit\u00e0, con el p\u00ebnel e ij color a s\u00e0 ampin\u00ec tut \u00ebl qu\u00e0der sensa sf\u00f2rs e riempitiv. […]<\/span>
\n\u00a0<\/span>
\nTant a l’ha f\u00e0it ant la prima stagion dla soa pitura Ernest Franc\u00f2t; ma n’\u00e0utra granda aventura chiel a l’ha viv\u00f9 peui an cola che i podoma ciam\u00e9 la soa sconda stagion. E a l’\u00e9 stait \u00ebl s\u00f2 aussesse ant \u00ebl regn misterios e miracolos dla lus, dzora tuti j’abiss, p\u00ebr d\u00ebscurvine e tochene la sorgent e la potensa: e lass\u00f9, novel \u00eccaro p\u00ec fortun\u00e0, a l’\u00e9 nen brusasse j’ale, a l’ha nen p\u00ebrd\u00f9 la soa \u00e0nima e ‘l s\u00f2 linguagi e […] a l’ha contane ‘l s\u00f2 viagi fant\u00e0stich e \u00f9nich. Ch\u00e9 tanti pitor, prima ‘d chiel, a l’han rapresent\u00e0 lus e tempeste, ma sempre an relassion a l’\u00f2m e a le soe c\u00f2se, che ant \u00ebl qu\u00e0der a resto ij p\u00ebrsonagi prim: Franc\u00f2t anvece a fa dvent\u00e9 uniche \u00abdramatis personae\u00bb<\/em> j’orissi, le fi\u00f2che, le luci. E an efet, ant coste soe piture l’\u00f2m a compariss mai; l\u00f2n ch’a lo interessa a l’\u00e9 la vicenda, \u00ebl misteri, la bataja e la vit\u00f2ria o la d\u00ebsfaita dle lus e dle selve, dij vent e dla t\u00e8ra: e as fa chiel istess vent e lus, fi\u00f2ca e b\u00f2sch p\u00ebr dene, an color, tut \u00ebl segret e la violensa, tut \u00ebl silensi o l’uch, tut l’anciarm o l\u00eb sparm dla natura primordial. […]<\/span><\/p>\n

Cost, \u00ebl pitor che a l’ha duvert \u00ebd mostre p\u00ebrsonaj a Turin e Milan, naturalment sensa che ij cr\u00ectich a n\u00eb capi\u00e8isso n\u00e8n; cost \u00ebl pitor e’l poeta, che mi l’hai av\u00f9 ‘l boneur \u00ebd con\u00f2sse e ‘d conserv\u00e9 amis p\u00ebr tuta la vita. E s\u00ec i duvr\u00eca rendje grassie p\u00ebr \u00ebl grand agiut che a l’ha dame quand mi, giovn\u00f2t \u00ebd vint ani e peuj \u00f2m \u00ebd tranta e quarant’ani, i sercava la mia stra ant la poesia e ant \u00ebl teatro e d\u00ebsp\u00ebrtut i trovava arfud e incomprension e chiel, chiel sol, a scotava da mi la letura dij m\u00e8 travaj (come mi i scotava ij s\u00f2), e am das\u00eca ‘d consej e incoragiament, e ant \u00ebl s\u00f2 sal\u00f2t, tra declamassion e discussion, da la s\u00e8ira i la mnavo magara fin a tre b\u00f2t dla matin. Ma tut so-s\u00ec a l’\u00e9 c\u00f2sa che a riguarda p\u00ec mi che chiel, e i taso. E p\u00ebr nen cede a l’angossa, i seugno: i seugno Busca che, a st’ora, ant la pas dla matin, a l’\u00e9 l\u00e0 chieta e ci\u00e0ira ai p\u00e9 dla colin-a, ch’a-j f\u00e0 sercc dantorn con le soe vigne, ij ciab\u00f2t, ij b\u00f2sch e ‘l castel d\u00ebl R\u00f2col, e lass\u00f9, s\u00ebl brich, bianch e solitari, l’\u00c9remo. E ‘l dotor Franc\u00f2t […] a l’\u00e9 gi\u00e0 p\u00ebr l\u00ec a f\u00e9 v\u00ecsite. Guardelo! A l’\u00e9 pr\u00f2pi come i l’hai vistlo ant na mia poes\u00eca e come i lo v\u00ebdrai fin che i vivo:<\/span>
\n\u00a0<\/span>
\nTesta un p\u00f2 chin-a, cavej gi\u00e0 un p\u00f2 gris,<\/span><\/em>
\n sla boca, ant j’euj sempre tranquij na fin-a<\/span><\/em>
\n sapiensa aleger\u00eca da un soris:<\/span><\/em>
\n lo v\u00ebddi?, a seurt adess da na portin-a,<\/span><\/em>
\n f\u00e0 silensios le stra d\u00ebl s\u00f2 pais…<\/span><\/em><\/p>\n

\u00a0<\/span>
\nSilvio Einaudi<\/span>
\nMusicalbrand\u00e9 | N. 40 – Dz\u00e8mber 1968<\/span><\/p>\n

\"\"
La ca d\u00ebl dotor Franc\u00f2t a Busca, ancheuj sede d\u00ebl bur\u00f2 tor\u00ecstich. Ernest Franc\u00f2t a l’ha lassajla an ardit\u00e0 a la Comun-a p\u00ebr ch’a na f\u00e8issa na sede d’ativit\u00e0 colturaj p\u00ebr ij sitadin \u00ebd Busca.<\/figcaption><\/figure>\n
\n

\u25c4<\/span>\u00a0Mila agn \u00ebd Literatura Piemont\u00e8isa<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Franc\u00f2t, pitor e poeta\u00a0 Parl\u00e9 d\u00ebl dotor Ernest Franc\u00f2t, m\u00f2rt \u00ebl 4 agost d\u00eb st’ann [1968] a Busca, p\u00ebr mi a l’\u00e9 mach p\u00ec un dolor. …<\/p>\n

Ernest Franc\u00f2t (1908-1968)<\/span> Leggi tutto \u00bb<\/a><\/p>\n","protected":false},"author":2,"featured_media":23123,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,10],"tags":[],"class_list":["post-23117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura-2","category-scritor"],"_links":{"self":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/23117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23117"}],"version-history":[{"count":0,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/23117\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/media\/23123"}],"wp:attachment":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}