{"id":11229,"date":"2013-01-09T21:22:19","date_gmt":"2013-01-09T20:22:19","guid":{"rendered":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?p=11229"},"modified":"2013-01-09T21:22:19","modified_gmt":"2013-01-09T20:22:19","slug":"musicalbrande-testimoniansa-viva","status":"publish","type":"post","link":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?p=11229","title":{"rendered":"MUSICALBRAND\u00c9 | TESTIMONIANSA VIVA"},"content":{"rendered":"

\u00abMars 1959!<\/span>
\nIj Brand\u00e9 \u2013 Giornal \u00ebd Poes\u00eca Piemont\u00e8isa<\/em><\/a><\/strong> a l\u2019era giumai da p\u00ec \u2018d n\u2019ani che a l\u2019av\u00eca chit\u00e0 \u2018d seurte, lassand an noi un veuid inchiet e malinconios, con n\u00eb bz\u00f2gn p\u00ebrfond d\u2019un rimedi.<\/span>
\nLa Compan\u00eca dij Brand\u00e9<\/strong><\/a> a seguitava a trovesse al Bar Patria, sota ij p\u00f2rti \u2018d Piassa Castel (Pinin Pac\u00f2t<\/a><\/strong>, Pare<\/a><\/strong>, Alban<\/a><\/strong>, Alfredino<\/a><\/strong>, Motura<\/a><\/strong>, Daverio<\/strong><\/a>, B\u00ebrtol\u00f2t<\/strong><\/a>, Spaldo<\/strong><\/a>, Brero<\/a><\/strong>, Taverna, etc.). Peui, con la partensa \u2018d Pac\u00f2t p\u00ebr Anon, Alfredino e quaidun dij giovo a l\u2019av\u00eco comens\u00e0 a sugn\u00e9 n\u2019arvista neuva: un pens\u00e9 che a l\u2019ha fin\u00ec p\u00ebr cre\u00e9 na situassion neuva, squasi gen\u00e0 e fin-a \u2018n p\u00f2ch dr\u00f2la, bele ant \u00ebl rispet d\u2019una amicissia antica e ancreusa.<\/span><\/p>\n

Noi \u201cgiovo\u201d (ij giovo che Pinin Pac\u00f2t a l\u2019av\u00eca soagn\u00e0 \u2018d soa fiusa e \u2018d s\u00f2 ancoragiament) is trovavo, sempe p\u00ec sovens con Alfredino, coma aranda a la riva dla speransa.<\/span>
\nLa poes\u00eca e la coltura piemont\u00e8isa\u00a0 a l\u2019av\u00eca da manca d\u2019un giornal neuv \u2013 magara torna con \u00ebl t\u00ectol \u201cIj Brand\u00e9\u201d \u2013 che a pod\u00e8issa garant\u00ec la continuit\u00e0.<\/span>
\nA l\u2019era un desideri!<\/span>
\nA Pinin Pac\u00f2t, costa n\u00f2stra veuja \u2018d vive \u2013 bele sensa soa presensa carism\u00e0tica \u2013 a-j sonava \u2018n p\u00f2 an sle n\u00f2te dla gelos\u00eca. A Chiel, noi giovo, i fin\u00eco p\u00ebr \u00ebsmijeje \u2018d masn\u00e0 malarconossente! As sent\u00eca \u2013 come d\u00ec!? \u2013 un pare trad\u00ec!<\/span>
\nA l\u2019era un moment cr\u00ectich. E Pac\u00f2t as sent\u00eca nen \u00ebl cheur \u00ebd cede a gnun d\u2019\u00e0utri la test\u00e0 d\u2019\u201cIj Brand\u00e9\u201d, soa creatura, anche p\u00ebrch\u00e8 forse a pensava gi\u00e0 \u2018d f\u00e9 seurte, sota l\u2019istessa ans\u00ebgna, l\u2019Armanach \u00ebd Poes\u00eca Piemont\u00e8isa<\/em>. Chiel a vor\u00eca\u00a0 nen artiresse da l\u2019impegn \u00ebd manten-e viva la vos che p\u00ebr tanti ani a l\u2019era st\u00e0ita testim\u00f2ni, palestra e s\u00ecmbol \u00ebd la neuva stagion leteraria d\u00ebl Piemont.<\/span><\/p>\n

Quand che a calava a Turin, Pinin Pac\u00f2t a seguitava trovesse al \u201cPatria\u201d con Alban e Pare, e \u2018d v\u00f2lte con quaidun dij giovo al \u201cCaf\u00e8 dj\u00eb Specc\u201d.<\/span>
\nAntant Alfredino \u2013 con l\u00eb sp\u00ecrit, \u00ebl coragi, la competensa, l\u2019entusiasm e \u2018l sacrifissi che gi\u00e0 a l\u2019av\u00eco faje fond\u00e9 e a mantn\u00eco an vita la \u201cColan-a Musical dij Brand\u00e9<\/em>\u201d \u2013 a l\u2019ha decid\u00f9 (sostn\u00f9 da la bon-a volont\u00e0 \u2018d qu\u00e0ich giovo e qu\u00e0ich…. vej brand\u00e9) \u00ebd cariesse \u2018l bad\u00f2 dla neuva impr\u00e8isa.<\/span>
\nA l\u2019\u00e9 par\u00e8j che a Mars d\u00ebl 1959 \u00ebl MUSICALBRAND\u00c9<\/strong> a ancaminava la stra che […] \u2013 minca tre m\u00e8is \u2013 a l\u2019ha rapresent\u00e0 la vos piemont\u00e8isa p\u00ec significativa \u00ebd la coltura d\u00ebl Piemont an tute soe espression (da la poes\u00eca a la m\u00f9sica, a la pitura, a la cr\u00ectica leteraria e musical, a l\u00eb studi \u2018d gram\u00e0tica e a la dissertassion an sla lenga piemont\u00e8isa e sl\u2019autonom\u00eca \u2018d n\u00f2stra coltura, etc.)<\/span>
\nS\u00f2 prop\u00f2sit d\u2019esse testimoniansa viva \u2018d n\u00f2stra coltura po\u00e9tica e musical a l\u2019\u00e9 riuss\u00ec a realis\u00e9 […]\u00a0un monument leterari piemont\u00e8is mach paragon\u00e0bil a col realis\u00e0 da Pinin Pac\u00f2t con le 1060 p\u00e0gine d\u2019 Ij Brand\u00e9 \u2013 Giornal \u00ebd Poes\u00eca Piemont\u00e8isa<\/em> (dal 1946 al 1957), e , an manera diversa, a \u00cbl T\u00f2r \u2013 Arvista L\u00ecbera dij Piemont\u00e8is<\/em> realis\u00e0 da Luigi Olivero<\/a><\/strong> (dal 1945 al 1949).\u00a0[…]<\/span>
\nTestimoniansa viva!<\/span>
\nNa testimoniansa che (sambl\u00e0 a cola \u2018d Pac\u00f2t e d\u2019Olivero) a podr\u00e0 \u2018dc\u00f2 son\u00e9 a colpa e condana p\u00ebr ij savant e ij potent che, sbaluc\u00e0 dai benefissi e dal prestigi grop\u00e0 a la coltura d\u00ebl pod\u00e8j, a l\u2019han nen cuj\u00ec, n\u00ec scot\u00e0, n\u00ec cud\u00ec, n\u00ec difend\u00f9 \u00ebl m\u00ebssagi pressios \u00ebd coltura e \u2018d poes\u00eca esprim\u00f9 da l\u2019\u00e0nima dij Grand Piemont\u00e8is ant la verit\u00e0 \u2018d soa lenga: m\u00ebssagi che, forse (ahid\u00e9!), a l\u2019\u00e9 tn\u00f9 st\u00ebrm\u00e0 ai sapient e a l\u2019\u00e9 arvel\u00e0 a j\u2019\u00f9mij, conforma a l\u2019Evangeli bimilenari.<\/span>
\nTestimoniansa e document \u00ebd vita e \u2018d vitalit\u00e0!<\/span><\/p>\n

A l\u2019\u00e9 par\u00e8j che \u2013 \u00ebdc\u00f2 sota \u2018l profil est\u00e9tich, art\u00ecstich e lengh\u00ecstich \u2013 \u00ebl Musicalbrand\u00e9<\/em> a registra l\u2019evolussion, nen sempe positiva, che […]\u00a0l\u2019espression leteraria piemont\u00e8isa a l\u2019ha sufr\u00ec.<\/span>
\nA l\u2019\u00e9 bel f\u00e9, par\u00e8j, v\u00ebdde che da na forma \u2018d poes\u00eca e \u2018d pr\u00f2sa domin\u00e0 da la semplicit\u00e0 espressiva a l\u2019\u00e9 passasse, ant j\u2019\u00f9ltim temp, a na forma che a es\u00e0spera ant \u00ebl p\u00ebrfond \u00ebl sens \u00ebd la par\u00f2la ant una arserca \u2018d motiv e d\u2019arsonanse dialetaj (ant l\u2019ilusion \u00ebd rendla p\u00ec genita e p\u00ec vera).<\/span>
\nEvolussion \u00ebd mentalit\u00e0, \u00ebd temp e \u2018d coltura!<\/span><\/p>\n

[…]\u00a0A-i ero ancora tra \u2018d noi Pinin Pac\u00f2t<\/strong><\/a>, Pare (Arrigo Frusta)<\/strong><\/a>, Mario Albano<\/strong><\/a>, Giovanni B\u00f2no<\/strong><\/a>, Armando Mottura<\/strong><\/a>, Aldo Daverio<\/strong><\/a>, Renato Bertolotto<\/strong><\/a>, Alex<\/strong><\/a>, etc., tuta na generassion \u00ebd poeta che a fongava soe r\u00e8is ant j\u2019esperiense rom\u00e0ntiche, crepuscolar, futuriste, con j\u00eb sbeuj \u00ebd doe gu\u00e8re mondiaj ant \u00ebl sangh, con le speranse, j\u2019ilusion, le delusion, ij faliment grop\u00e0 a ideaj e filosof\u00ece: un mond che a noi ancheuj a n\u00eb smija giumaj mach p\u00ec un arc\u00f2rd \u00ebd savor secolar.<\/span>
\n[…]\u00a0L\u2019atension e l\u2019amor che la Compan\u00eca dij Brand\u00e9, ant la prima p\u00e0gina d\u00ebl n\u00f9mer un d\u00ebl Musicalbrand\u00e9<\/em> \u00ebd col Mars d\u00ebl 1959, a l\u2019av\u00eca dimostr\u00e0 al grand amis, poeta e fondator \u00ebd la neuva et\u00e0 leteraria piemont\u00e8isa, Pinin Pac\u00f2t, ofrendje la \u201cTarga dij Brand\u00e9\u201d p\u00ebr consacr\u00e9 la continuit\u00e0 ideal dij prop\u00f2sit e dl\u2019impegn che, ancora ancheuj, a l\u2019\u00e9 col \u00ebd manten-e viva \u201cla fiama che as d\u00ebstissa nen\u201d.<\/span>
\nFiama che a l\u2019\u00e9 viva e lusenta andrinta \u2018d noi e che noi i contoma \u2018d pod\u00e8j cons\u00ebgn\u00e9 an tuta soa lus e s\u00f2 calor ant le man \u00ebd giovo pront a cudila e a fela splende con l\u2019istess amor, impegn e sacrifissi che, da sempe, a caraterisa j\u2019amis \u00ebd la Compan\u00eca dij Brand\u00e9, e dimostr\u00e0 da Alfredino an costi ani \u2018d vita \u00ebd soa maravijosa creatura che a l\u2019\u00e9 \u2018l Musicalbrand\u00e9<\/em>.<\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Camillo Brero<\/strong><\/a><\/span>
\nMusicalbrand\u00e9 n. 100, Dz\u00e8mber d\u00ebl 1983<\/span>
\n\u00a0<\/span><\/p>\n

\"\"<\/p>\n

[…] \u201cIj Brand\u00e9\u201d a l\u2019av\u00eco bogi\u00e0 e anim\u00e0 na generassion d\u00eb scritor che a s\u2019arconoss\u00eca ant \u00ebl magisteri \u2018d Pac\u00f2t e a l\u2019av\u00eco ancaminane n\u2019\u00e0utra, p\u00ec o men cola che a compagna ij prim des agn d\u00ebl \u201cMusicalbrand\u00e9\u201d. L\u00f2n che a passr\u00e0 nen, o mej, l\u00f2n che a restr\u00e0 nen con l\u2019arnovesse dla reusa \u2018d colaborador a sar\u00e0 pr\u00f2pi cola consiensa coltural pol\u00ectica italian-a \u2018d marca p\u00f2st-rissorgimental che a l\u2019era franch cola \u2018d Pac\u00f2t; ansi, pa mach a intra an crisi, ma as cangia ant na caria pol\u00e9mica anvers col\u2019istessa identit\u00e0 che a l\u2019\u00e9 sent\u00f9a viamai \u2018d p\u00ec na manera \u2018d vive, \u00ebd pens\u00e9 e d\u2019esse diversa e genanta, concorenta e oponenta. [An s\u2019Ij Brand\u00e9] As fortisso motiv dominant coma: piemont\u00e8is-angage \u2018d sola poes\u00eca, lenga squis\u00eca (ant l\u2019opission lenga-dialet), piemont\u00e8is-lenga an mira con soe seure latin-e ant soa piassa coltural. Costi motiv, se a-j fan pro crij\u00e9 l\u2019alarm gi\u00e0 del 1927, a resto f\u00f2ra da minca sp\u00ecrit arvendicativ o pol\u00e9mich o \u2018d chista istitussional, l\u00f2n che, mal-f\u00e9 e pericolos d\u00ebl 1927 e p\u00ec an l\u00e0, a l\u2019era poss\u00ecbil apress la gu\u00e8ra. \u00cbl Piemont a restava, macass\u00eca, la cun-a d\u2019Italia e la region pil\u00f2ta d\u00ebl pais neuv, bele an tra ij milanta problema dle maree migrat\u00f2rie. La moderassion d\u2019un Pac\u00f2t, pol\u00ectica e p\u00ebrsonala, col p\u00f2ch e col pro d\u2019otimism (i dir\u00eca patri\u00f2tich) anvers \u00ebl futur, a j\u2019ero \u2018l contrautar anteletual d\u00ebl rassism da bon pat ch\u2019a montava: \u00ebl pessimism, tutun, a l\u2019era la r\u00ebsp\u00f2sta, antivista e p\u00ec che consienta, a col \u00ebsnobism turin\u00e8is ass\u00e8 cit borgh\u00e8is (o gnanca tan cit) ch\u2019a l\u2019ha voltaje la gaban-a a la piemonteisit\u00e0, amp\u00ebrmuv\u00e0 na coltura f\u00e0ita d\u2019aparense e da rever\u00ece da grimpeur social.<\/span><\/p>\n

[…] Sola ecession (e ancora!) al mond \u00ebd Pac\u00f2t, e pont con col arciam\u00e0 dal \u201cMusicalbrand\u00e9\u201d, as peul portesse la figura ecessional d\u2019Arrigo Frusta<\/a><\/strong>. P\u00ec vej \u00ebd Pac\u00f2t e \u2018d Nic\u00f2la d\u2019una generassion (n\u00e0 d\u00ebl 1875, a meuir d\u00ebl 1965 a norant\u2019agn) as peul quasi v\u00ebddse an chiel l\u2019\u00f9ltim ars\u00e0ut d\u00ebl Turin frap\u00e0 dai m\u00f2rt d\u00ebl 1864, an chista d\u2019un prim\u00e0 p\u00ebrd\u00f9 (bon-gr\u00e9 mal-gr\u00e9), e \u2018l prim frisson d\u00ebl Piemont neuv che, gonfi \u2018d ret\u00f2riche patriotarde, a dis l\u00f2n ch\u2019a pensa f\u00f2ra da tuta minciater\u00eca coma dai pastroj oportunista dla pol\u00ectica ufissiala.<\/span><\/p>\n

[…] \u00cbl \u201cMusicalbrand\u00e9\u201d, fedel al sorgh pacotian p\u00ebr soa part literaira, a marca tutun n\u2019\u00e0utr d\u00ebstach cand che as parla \u2018d gram\u00e0tica piemont\u00e8isa. An efet, p\u00ebr le testimonianse \u2018d chi ch\u2019a l\u2019ha viv\u00f9 an coj ani gomo a gomo con \u00ebl mag\u00ecster, chiel a l\u2019era pit\u00f2st malfident a l\u2019id\u00e8ja d\u2019un\u2019euvra \u2018d codificassion gramatical e a l\u2019av\u00eca gnanca tan pias\u00ec che ij s\u00f2 anlev-colaborador a poss\u00e8isso an cola diression.<\/span>
\n[…] An efet, da la surt\u00eca da la sena d\u2019 \u201cIj Brand\u00e9\u201d \u2018d Pac\u00f2t, ant \u00ebl 1957, fin-a al 1982, n\u00f9mer zero \u2018d \u201cPiemont\u00e8is Ancheuj\u201d, \u00ebl trimestral d\u2019Alfredino a resta la sola vos ch\u2019a deuvra \u2018l piemont\u00e8is coma prima lenga e an minca n\u2019ocassion. Soss\u00ec che a sia dit sensa vor\u00e8j-je gav\u00e9 d\u2019apressiament e d\u2019espression che a l\u2019han ancamin\u00e0 soa vita ant \u00ebl pass\u00e0 scasi lontan, par\u00e8j d\u00eb \u201c\u2019L caval \u2018d br\u00f4ns\u201d, o ch\u2019a l\u2019han av\u00f9 vita curta, par\u00e8j d\u2019\u201cAssion Piemont\u00e8isa\u201d, o bin p\u00ec longa, par\u00e8j d\u2019\u201cArn\u00e0ssita piemont\u00e8isa\u201d (peui\u00a0 dvent\u00e0 \u201cUnion Piemont\u00e8isa\u201d), ma tute anserci\u00e0 ant ij s\u00f2 termo, ora sitadin e assossiativ, ora pol\u00ectich e anformativ, coms\u00ebss\u00eca con \u00ebl denominator comun d\u00ebl piemont\u00e8is par\u00e8j d\u2019una lenga che as deuvra, e magara bin, ma nen coma la prima p\u00ebr petission \u00ebd prinsipi. A far\u00eca ecession l\u2019esperiensa d\u2019\u201cAlp\u201d, ma soa s-c\u00ebtta stampa biel\u00e8isa a na dis soa b\u00f2ina ant n\u00f2st contest.<\/span><\/p>\n

[…] \u00cbd costa mira d\u2019ombra a l\u2019av\u00eca gi\u00e0 dine chi che a scriv an adressandse ai letor an ocasion dij trant\u2019agn \u00ebd la publicassion e, p\u00ebr maleur, a l\u2019ha pa av\u00f9 manera \u2018d cambi\u00e9 id\u00e8ja: carater\u00ecstica \u2018d sigur pa mach subalpin-a, ma la r\u00ebsp\u00f2sta global \u00ebd j\u2019istitussion, f\u00f2ra \u2018d ch\u00e8ich arconossiment formal, a l\u2019\u00e9 st\u00e0ita scasi sempe d\u00ebsmalcoranta; ij media a l\u2019han bril\u00e0 o p\u00ebr soa latitansa o p\u00ebr l\u2019ocasion pij\u00e0 al v\u00f2l \u00ebd torn\u00e9 su vej pregiudissi, su veje imprecision, su veje suficense.<\/span>
\nAn efet, se la stampa piemont\u00e8isa a sb\u00ebrlus nen d\u2019anteresse p\u00ebr la coltura dla region, f\u00f2ra dle s\u00f2lite ecession, a l\u2019\u00e9 pa n\u00e8n d\u2019autut che \u2018l rifless dl\u2019\u00abim n\u2019ampipo\u00bb scasi general, pa nen \u00ebd divers che col ch\u2019a toca d\u2019\u00e0utre bronde dla coltura ant \u00ebl sens p\u00ec largh.<\/span><\/p>\n

[…] E d\u00ebsmentioma nen che ancheuj, cola local, a l\u2019ha scasi chit\u00e0 d\u2019esse na coltura popolar, p\u00ebr esse pit\u00f2st na r\u00ebsp\u00f2sta d\u2019identit\u00e0 a chi ch\u2019a l\u2019\u00e9 an chista \u2018d r\u00e8is. A l\u2019\u00e9 donca na dimension anteletual che a peul \u00ebsmon-e ansema na lenga literaria, na s\u00f2rta \u2018d puslagi scritural,\u00a0 un camp d\u2019assion nen control\u00e0 dai gr\u00f2ss gir editoriaj, n\u2019angagi pol\u00ectich ant \u00ebl fesse e ancor d\u2019\u00e0utre adoss, ma a l\u2019\u00e9 p\u00ec nen col element d\u2019agregassion che da un pession d\u2019agn a l\u2019\u00e9 pass\u00e0 \u2013 bele ant ij pais \u00ebd provinsa \u2013 a le mega-discoteche, a le piste \u2018d m\u00f2to-cr\u00f2ss, a le sale-gieu dij p\u00ec giovo, tute ansema mire reaj d\u2019arferiment che a l\u2019han \u00ebspiant\u00e0 coj moment agregativ d\u2019antan che a produv\u00eco e trasm\u00ebt\u00eco la coltura popolar.<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/p>\n

Giusep Gor\u00eca<\/span><\/strong><\/a>\u00a0<\/span>
\n(Da <\/span>Ij trantetr\u00e8 agn \u00ebd l\u2019Arvista piemont\u00e8isa \u00abMusicalbrand\u00e9\u00bb<\/em>,<\/span>
\nan VIII R\u00ebscontr Ant\u00ebrnassional d\u00eb Studi an sla Lenga e la Literatura Piemont\u00e8isa (1991),\u00a0 Alba 1994)<\/span><\/p>\n

Musicalbrand\u00e9 –\u00a0Arvista piemont\u00e8isa<\/em>\u00a0a l’ha chit\u00e0 le publicassion con l’\u00ebscartari 144 d\u00ebl dz\u00e8mber 1994.
\nDa mars 1995 s\u00f2 p\u00f2st a l’\u00e9 st\u00e0it pij\u00e0 da l’arvista La Sl\u00f2ira<\/em>.<\/p>\n

\n

\u25c4<\/span>\u00a0Mila agn \u00ebd Literatura Piemont\u00e8isa<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00abMars 1959! Ij Brand\u00e9 \u2013 Giornal \u00ebd Poes\u00eca Piemont\u00e8isa a l\u2019era giumai da p\u00ec \u2018d n\u2019ani che a l\u2019av\u00eca chit\u00e0 \u2018d seurte, lassand an noi un …<\/p>\n

MUSICALBRAND\u00c9 | TESTIMONIANSA VIVA<\/span> Leggi tutto \u00bb<\/a><\/p>\n","protected":false},"author":2,"featured_media":11240,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-11229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura-2"],"_links":{"self":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/11229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11229"}],"version-history":[{"count":0,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/posts\/11229\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/media\/11240"}],"wp:attachment":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}