{"id":571,"date":"2009-07-09T16:20:38","date_gmt":"2009-07-09T16:20:38","guid":{"rendered":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?page_id=571"},"modified":"2018-06-07T23:52:53","modified_gmt":"2018-06-07T21:52:53","slug":"per-nimn-del-piemontper-un-inno-del-piemonte","status":"publish","type":"page","link":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?page_id=571","title":{"rendered":"Imn d\u00ebl Piemont"},"content":{"rendered":"

\"\"<\/span>Gioventura Piemont\u00e8isa a propon a la Region Piemont l\u2019adossion ufissial \u00ebd l\u2019imn \u00ebst\u00f2rich ch\u2019a l\u2019ha son\u00e0 a l\u2019assedi \u2018d Turin e a la bataja dl\u2019Assieta<\/strong><\/p>\n

Gioventura Piemont\u00e8isa propone alla Regione Piemonte l\u2019adozione ufficiale dell\u2019inno storico che risuon\u00f2 all\u2019assedio di Torino e alla battaglia dell\u2019Assietta.<\/strong><\/p>\n

.<\/p>\n

L\u2019adossion motu proprio da part \u00ebd Gioventura Piemont\u00e8isa dla \u25ba\u00a0Marche de Savoye<\/a> an tan che Imn piemont\u00e8is a veul ampin\u00ec un veuid simb\u00f2lich che al Piemont a-j toca assolutament rang\u00e9 adess.<\/p>\n

La simbolog\u00eca a l\u2019\u00e9 amportanta, giusta ant un moment \u00ebst\u00f2rich andova che confrontesse a veul d\u00ec p\u00ebr t\u00f9it \u00ebvn\u00ec p\u00ec sgnor sota l\u2019aspet social e andova che la comunit\u00e0 aut\u00f2ctona d\u00ebl terit\u00f2ri a d\u00ebv, dnans \u00ebd tut, comunich\u00e9 n\u2019essensa coltural bin pressisa. La nassion, scond \u00ebl pens\u00e9 d\u00ebl fil\u00f2sof Johannes Messner (1891-1984), a l\u2019ha p\u00ec che tut na priorit\u00e0 spiritual; s\u00f2 mond a l\u2019\u00e9 f\u00e0it \u00ebd concession, d\u2019ideje, \u00ebd forme \u2018d vita, \u00ebd tradission, \u00ebd costumanse e d\u2019usanse comun.<\/p>\n

Ancheuj a-i \u00e9 v\u00e0ire manere \u2018d \u201cbataj\u00e9\u201d e la mira coltural a p\u00ebrm\u00ebtt \u00ebd pront\u00e9 \u2018l teren p\u00ebr un d\u00ebsserne concetual andova pod\u00e8j descrive but e drete. Ij Piemont\u00e8is a d\u00ebvo arpij\u00e9 \u2018l comand \u00ebd soa st\u00f2ria ch\u2019a l\u2019\u00e9 st\u00e0ita tutaf\u00e0it d\u00ebsform\u00e0 da d\u00eb speculassion storic\u00ecstiche preconcetuaj. A-i \u00e9 na diferensa bin marc\u00e0 antra l\u2019arcon\u00f2s-se ant na comunit\u00e0 teritorial lingu\u00ecstica e l\u2019arcon\u00f2s-se ant na dinast\u00eca che, p\u00ebr f\u00f2rsa, a ven f\u00f2ra se as parla \u2018d Piemont. Tutun a-i \u00e9 na realit\u00e0 ch\u2019as peul nen butesse an discussion: beless\u00ec as parla nen \u00ebd n\u2019astrassion, ma \u2018d n\u2019\u00cbstat indipendent an Europa p\u00ebr v\u00e0ire s\u00e9coj<\/strong> e ch\u2019a l\u2019ha fin-a rapresent\u00e0 un model ministrativ p\u00ebr tut \u00ebl continent arlongh \u00ebl govern \u00ebd Vit\u00f2rio Amed\u00e9 II (1666-1732). Chiel, an decidendse \u2018d comand\u00e9 na Marche de Savoye al p\u00ec nomin\u00e0, se nen al p\u00ec amportant, composidor \u00ebd l\u2019\u00e9poca, Jean-Baptiste de Lully (1632-1687), a l\u2019ha mostra \u2018d nen pat\u00ec d\u2019autut la sogession anvers Luis XIV e a l\u2019\u00e9 piassasse an manera impl\u00ecssita a s\u00f2 istess livel. Da la mira st\u00f2rica la m\u00f9sica ch\u2019a l\u2019\u00e9 st\u00e0ita scriv\u00f9a p\u00ebr \u00ebl Duca a l\u2019\u00e9 n\u2019arciam a col Piemont che ancheuj, divis an c\u00e0usa dle contingense pol\u00ectiche, a resta un\u00ec da na teritorialit\u00e0 d\u00ebdl\u00e0 dij finagi (Nissa, Sav\u00f2ja), an sinton\u00eca con l\u2019Europa dij P\u00f2poj.<\/p>\n

La grandiosit\u00e0 \u2018d costa m\u00f9sica bar\u00f2ca, p\u00ebr ariondeur ant s\u00f2 ansema, p\u00ebr grandor, a rapresenta col\u2019autonom\u00eca teritorial che la nassion a esprim tan\u2019me marca \u00f9ltima \u2018d soa identit\u00e0 e ant l\u2019istess temp a favoriss na duvertura completa al di\u00e0logh coltural polif\u00f2nich con tute j\u2019\u00e0utre identit\u00e0.<\/p>\n

\u2022 \u2022 \u2022<\/p>\n

A l\u2019\u00e9 da v\u00e0ire ani ch\u2019a l\u2019\u00e9 vnuje f\u00f2ra l\u2019esigensa \u2018d na m\u00f9sica ch\u2019a rapresenta \u2018l p\u00f2pol piemont\u00e8is. L\u2019arzult\u00e0 \u2013 com \u00ebd costuma \u2013 a l\u2019\u00e9 ch\u2019a l\u2019\u00e9 belf\u00e9 scot\u00e9, ant le manifestassion p\u00f9bliche, \u00ebd canson ch\u2019a ven-o present\u00e0 tan\u2019me \u201cimn piemont\u00e8is\u201d (i l\u2019oma contane set). Ij proponent e ij sostnidor \u00ebd cheidun-a \u2018d coste a l\u2019han gnanca pijasse \u2018l malpansa \u2018d propon-je, a l\u2019han f\u00e0it che \u201cancoroneje\u201d e pro par\u00e8j.
\n\u00cbl deb\u00e0 ch\u2019a l\u2019\u00e9 durbisse a Gioventura Piemont\u00e8isa<\/em> a l\u2019ha tir\u00e0 a diferensi\u00e9 l\u00f2n ch\u2019a peul vor\u00e8j d\u00ec na bela canson da la f\u00f2rsa ideal e \u2018d rapresentansa ch\u2019a d\u00ebv av\u00e8j n\u2019imn nassional. La potensa \u2018d ch\u00e8iche canson d\u2019Edith Piaf at p\u00f2rta via, ma La Marseillaise<\/em> a veul cariesse \u2018d bin d\u2019\u00e0utri s\u00ecmboj; l\u2019istess as podr\u00eca d\u00ec p\u00ebr Lili Marleen<\/em> dnans al Deutschland \u00fcber alles<\/em>, p\u00ebr ij Beatles e God save the Queen<\/em>, p\u00ebr Volare \u2018d Modugno…
\nTuti noj\u00e0utri i soma afession\u00e0 a le canson \u00ebd n\u00f2sta tradission \u2013 magara cheidun-a a l\u2019ha fin-a ancor cantanla n\u00f2sta n\u00f2na \u2013 e a cole dij n\u00f2sti cantautor, e i-j voroma bin a tute, cole ch\u2019a p\u00f2rto \u2018l magon e cole ch\u2019a p\u00f2rto l\u2019alegr\u00eca, e tute a l\u2019han andrinta \u2018d lor d\u2019arson ch\u2019an cisso un cheic\u00f2s \u00ebd p\u00ebrsonal e d\u2019ancreus ch\u2019as peul gnanca esprimse dabin.
\nE sens\u2019\u00e0utr i soma d\u2019ac\u00f2rde \u2018d travaj\u00e9 ansima n\u00f2sta tradission musical e d\u00eb speriment\u00e9, \u00ebd campeje dnans dij pont p\u00ebr fela seguit\u00e9 a marc\u00e9 e and\u00e9 anans ant \u00ebl temp; bin-\u00ebvn\u00f9 donca dc\u00f2 a le m\u00ebs-ce, a le par\u00f2le neuve e a l\u2019atualisassion \u2013 sempe con n\u2019euj al rispet \u2013 \u00ebd n\u00f2sta bela m\u00f9sica.
\nN\u2019Imn piemont\u00e8is a d\u00ebv esse n\u2019\u00e0utr af\u00e9. Un a dovr\u00eca nen tir\u00e9 f\u00f2ra na canson pit\u00f2st che n\u2019\u00e0utra mach p\u00ebrch\u00e8 a chiel (o a lor) a-j pias o p\u00ebrch\u00e8 p\u00ebr chiel\/lor \u00ebl Piemont a l\u2019\u00e9 tut l\u00ec-drinta. Tuti noj\u00e0utri i n\u2019avr\u00eco da propon-e. E gnanca a val la scusa che cola canson-l\u00ec a la con\u00f2sso tuti: i vivoma ant un contest andova che la coltura identitaria piemont\u00e8isa a ven \u00ebd r\u00e9gola st\u00ebrm\u00e0 p\u00ebr ch\u2019a pija nen consiensa \u2018d chila e as fasa da banda sensa and\u00e9 p\u00ec an l\u00e0 d\u00ebl b\u00ebrbot\u00e9 (magara ant\u00ebc\u00e0). E gnanca as peul deleghesse a la sensibilit\u00e0 \u2018d p\u00f2che p\u00ebrson-e autoreferensiaj la rapresentansa \u2018d tut un p\u00f2pol che \u2013 d\u00ebsmenti\u00f3m\u00ebslo mai \u2013 a f\u00e0 sent e sinquant\u2019ane ch\u2019a l\u2019\u00e9 st\u00e0it \u00ebspatar\u00e0 a p\u00f2sta ansima na mesa dosen-a d\u2019\u00cbstat e divid\u00f9 an d\u2019aut\u00ebrtante region. N\u00f2sta prop\u00f2sta a arpija na melod\u00eca veja \u2018d p\u00ec \u2018d t\u00ebrzent ane (a sar\u00eca un \u00ebd j\u2019imn p\u00ec vej d\u2019Europa) che, bele che ancheuj a la con\u00f2sso ancor an p\u00f2ich, a l\u2019\u00e9 st\u00e0ita scriv\u00f9a giusta p\u00ebr lol\u00ec: rapresent\u00e9 sota l\u2019aspet musical la part la p\u00ec ard\u00eca d\u2019un p\u00f2pol, ch\u2019a r\u00ebspond\u00eca al son \u00ebd La Generala e as mobilitava cand a-i na j\u2019era damanca, ch\u2019a pias\u00e8issa o ch\u2019a pias\u00e8issa nen. Cost Imn a l\u2019ha spanti\u00e0 soe n\u00f2te an mes a le bale \u2018d canon dl\u2019assedi \u2018d Turin e antra ij braj \u00ebd j\u2019er\u00f2e dl\u2019Assieta, disp\u00f2st a salv\u00e9 s\u00f2 Pais fin-a a colp \u00ebd r\u00f2ch. A p\u00f2rta la livrea \u2018d n\u00f2sta st\u00f2ria d\u00ebds\u00e0 e d\u00ebdl\u00e0 dij mont: lass\u00f3m\u00ebslo nen scap\u00e9 p\u00ebr un t\u00f2ch \u00ebd sentiment ch\u2019i podoma sempe port\u00e9 ant n\u00f2str cheur p\u00ebr condividlo con n\u00f2sta gent an tute j\u2019ocasion.
\nLa Marche de Savoye a l\u2019ha nen \u00ebd par\u00f2le, s\u00f2 us a l\u2019\u00e9 arzerv\u00e0 a j\u2019ocasion soas\u00ece. P\u00ebr cant\u00e9 ansema na v\u00f2ta i l\u2019oma na tradission ch\u2019a finiss p\u00ec nen, domse pit\u00f2st da f\u00e9 p\u00ebr most\u00e9jla ai cit, e mostomje dc\u00f2 n\u00f2sta st\u00f2ria, ch\u00e9 un di a sente costa Marcia tant evocatriss a peusso sav\u00e8j le rason p\u00ebr esse fier \u00ebd l\u00f2n ch\u2019a son.<\/p>\n

\n

L\u2019adozione, motu proprio, da parte di Gioventura Piemont\u00e8isa della \u25ba\u00a0Marche de Savoye<\/a><\/strong>\u00a0quale Inno piemontese vuole sanare un vuoto simbolico che il Piemonte deve assolutamente colmare.<\/p>\n

La simbologia \u00e8 importante proprio in un momento storico in cui il confronto rappresenta un reciproco arricchimento sociale e dove la comunit\u00e0 autoctona del territorio deve anzitutto comunicare una precisa essenza culturale. La nazione, secondo il pensiero del filosofo Johannes Messner (1891-1984), ha anzitutto una priorit\u00e0 spirituale; il mondo che la forma consiste in comuni concezioni, idee, forme di vita, tradizioni, costumi e usanze.
\nOggi esistono diversi modi di stare in \u201cbattaglia\u201d e il piano culturale permette di preparare un terreno di discernimento concettuale dove prospettare obiettivi ed orientamenti. I Piemontesi devono riprendere le redini della loro storia che \u00e8 stata assolutamente deformata da pregiudiziali speculazioni storicistiche. C\u2019\u00e8 una netta differenza tra il riconoscersi in una comunit\u00e0 territoriale linguistica e il riconoscersi in una dinastia che, per forza di cose, emerge quando parliamo del Piemonte.<\/p>\n

Resta un fatto inopinabile: non parliamo di un\u2019astrazione, ma di uno Stato indipendente in Europa per molti secoli<\/strong>, tanto da rappresentare un modello amministrativo per tutto il continente durante il governo di Vittorio Amedeo II (1666-1732). Egli, con la decisione di commissionare una Marche de Savoye al pi\u00f9 celebre, se non al pi\u00f9 importante, compositore dell\u2019epoca, Jean-Baptiste de Lully (1632-1687), dimostr\u00f2 di non subire affatto la sudditanza nei confronti di Luigi XIV e si pose implicitamente al suo livello. Storicamente la musica scritta per il Duca \u00e8 un richiamo a quel Piemonte che oggi, diviso a causa delle contingenze politiche, rimane per\u00f2 unito da una territorialit\u00e0 soprafrontaliera (Nizza, Savoia), in concerto e in sintonia con l\u2019Europa dei Popoli.
\nLa solennit\u00e0 di questa musica barocca, per rotondit\u00e0 d\u2019insieme, per fasto, rappresenta quell\u2019autonomia territoriale che la nazione esprime come estremo segno della sua identit\u00e0 e favorisce nel contempo apertura totale al dialogo polifonico culturale con tutte le altre identit\u00e0.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Gioventura Piemont\u00e8isa a propon a la Region Piemont l\u2019adossion ufissial \u00ebd l\u2019imn \u00ebst\u00f2rich ch\u2019a l\u2019ha son\u00e0 a l\u2019assedi \u2018d Turin e a la bataja dl\u2019Assieta Gioventura …<\/p>\n

Imn d\u00ebl Piemont<\/span> Leggi tutto \u00bb<\/a><\/p>\n","protected":false},"author":2,"featured_media":34097,"parent":0,"menu_order":15,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-571","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/pages\/571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=571"}],"version-history":[{"count":3,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/pages\/571\/revisions"}],"predecessor-version":[{"id":34096,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/pages\/571\/revisions\/34096"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/media\/34097"}],"wp:attachment":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}