{"id":2895,"date":"2010-12-28T13:14:24","date_gmt":"2010-12-28T12:14:24","guid":{"rendered":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?page_id=2895"},"modified":"2018-07-11T18:55:48","modified_gmt":"2018-07-11T16:55:48","slug":"mila-agn-ed-literatura-piemonteisa","status":"publish","type":"page","link":"https:\/\/www.gioventurapiemonteisa.net\/2020\/?page_id=2895","title":{"rendered":"MILA AGN \u00cbD LITERATURA PIEMONT\u00c8ISA"},"content":{"rendered":"<p><em>\u00a0<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.gioventurapiemonteisa.net\/2020\/wp-content\/uploads\/2010\/12\/Mila-ani-1.jpg\" alt=\"\" width=\"1500\" height=\"540\" \/><\/p>\n<p><strong><em>\u25ba<\/em> <a href=\"..\/..\/?p=23858\" target=\"_blank\" rel=\"noopener\">\u00cbL PROG\u00c9T<\/a><\/strong><br \/>\n<strong>\u25ba<a href=\"..\/..\/?p=23095\"> La Literatura piemont\u00e8isa | \u00ebd Sergi Maria Girardin<\/a><\/strong><\/p>\n<h3>Ij prinsipi<\/h3>\n<p><strong>\u25ba <a href=\"..\/..\/?p=9379&amp;preview=true\">Ij trobador e ij giuglar<\/a><\/strong><\/p>\n<hr size=\"2\" \/>\n<p><strong><img loading=\"lazy\" decoding=\"async\" title=\"sermon.JPG\" src=\"..\/..\/wp-content\/uploads\/2007\/07\/sermon-1.jpg\" alt=\"\" width=\"153\" height=\"215\" \/><\/strong><\/p>\n<ul>\n<li>\u25ba <a href=\"..\/..\/?p=9393\">Ij Sermon Subalpin<\/a><\/li>\n<\/ul>\n<p>La lenga piemont\u00e8isa (i lo arcordoma na vira \u2019d p\u00ec) a l\u2019\u00e9 nen un dialet \u00ebd l\u2019italian, ma na lenga che, riv\u00e0 p\u00ebr ligna drita dal latin, a l\u2019ha peui av\u00f9 soa normalisassion gr\u00e0fica e gramatical e na soa literatura nen mach po\u00e9tica: doe carater\u00ecstiche che a la slontan-o dai dialet \u00ebd l\u2019italian e a la qual\u00ecfico &#8211; giusta &#8211; coma na lenga.<\/p>\n<p>Ij s\u00f2 prim document, ch\u2019a son nen mach \u00ebd sempie testimonianse lengh\u00ecstiche, ma \u2019dc\u00f2 literarie, a son ij <a href=\"..\/..\/?p=9393\" target=\"_blank\" rel=\"noopener\">Sermon Subalpin<\/a>, n\u2019ansema \u2019d 22 pr\u00e9diche festive, euvra \u2019d n\u2019an\u00f2nim. As s\u00e0 pa con sigur\u00ebssa, an efet, n\u00ec chi ch\u2019a l\u2019ha scrivuje n\u00ec andova, n\u00ec la data giusta \u2018d composission, bele che as peusso colochesse apopr\u00e9 a la fin d\u00ebl s\u00e9col XII.<\/p>\n<p><strong>\u25ba <a href=\"..\/..\/?p=9450\">Sermo in Natale Domini<\/a><\/strong><\/p>\n<p><strong>\u25ba <a href=\"..\/..\/wp-content\/uploads\/2018\/03\/scheda-sermoni-subalpini.pdf\" target=\"_blank\" rel=\"noopener\">L&#8217;arstampa anast\u00e0tica<\/a><\/strong><\/p>\n<h3>D&#8217;\u00e0utre testimonianse dij s\u00e9coj XIII-XV<\/h3>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <a href=\"..\/..\/?p=3077\">La dita d\u00ebl R\u00e8 e dl\u2019Argin-a<\/a><\/strong><\/p>\n<p>A l\u2019\u00e9 \u2019n poemet (con ij vers ant\u00ebrcal\u00e0 da \u2019d proverbi) dont \u00ebl test as treuva ant un c\u00f2des d\u00ebl s\u00e9col XIII (o, p\u00ec plaus\u00ecbil, d\u00ebl XIV) ant la Biblioteca capitolar \u00ebd Noara &#8211; a smija ch&#8217;a sia st\u00e0it \u00ebscamot\u00e0 da p\u00f2ch. L\u2019autor (o \u2019l trascritor) a l\u2019\u00e9 fra Colomba da Vincc. (\u00c0ut Monfr\u00e0).<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <a href=\"..\/..\/?p=9492\">J\u2019\u00ebstatut \u00ebd l\u2019ospissi dla Societ\u00e0 \u2019d San Gi\u00f2rs d\u00ebl p\u00f2pol \u00ebd Ch\u00e9r<\/a><\/strong> (1321)<\/p>\n<p>A l\u2019\u00e9 \u2019l p\u00ec antich document \u00ebscriv\u00f9 an piemont\u00e8is dont i n\u00eb conossoma la datassion. A s&#8217;agiss \u00ebd la Costitussion, dl\u2019\u00cbstatut e d\u00ebl sarament dij Resior \u00ebd la <a href=\"..\/..\/?p=9492\">Compan\u00eca \u2019d San Gi\u00f2rs a Ch\u00e9r<\/a>, cola che ant la Comun-a a rapresentava la part popolar.<br \/>\n\u00cbl test a l\u2019\u00e9 goern\u00e0 ant l\u2019archivi comunal \u00ebd Ch\u00e9r.<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <a href=\"..\/..\/?p=23079\">La legenda d\u00ebl Chronicon imaginis mundi \u00ebd Fra&#8217; Giaco d&#8217;Aich<\/a><\/strong><\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <\/strong><a href=\"..\/..\/?p=23133\"><strong>Canson p\u00ebr la pr\u00e8isa \u2019d Pancal\u00e9<\/strong><\/a> (1410)<\/p>\n<p>As treuva ant un volum \u00ebd j\u2019<em>Ordin\u00e0 dla Sit\u00e0 &#8216;d Turin<\/em>\u00a0e a l\u2019\u00e9 \u2019n componiment rim\u00e0 \u2019d 24 vers \u00ebd g\u00e9ner \u00e9pich e d\u2019autor \u00ebsconoss\u00f9.<\/p>\n<hr size=\"2\" \/>\n<p><strong>La Sentensa \u2019d Riv\u00e0uta (1446)<\/strong><\/p>\n<p>Goern\u00e0 a l\u2019Archivi d\u2019\u00cbstat \u00ebd Turin, a l\u2019\u00e9 \u2019n document ch\u2019a r\u00ebsguarda n\u2019amprom\u00ebssa \u2019d n\u00f2sse nen mantn\u00f9a. Ant\u00ebressant a l\u2019\u00e9 \u2019l f\u00e0it che \u2019n document p\u00f9blich (na sentensa \u2019d tribunal) a fussa scrit tut an piemont\u00e8is.<\/p>\n<hr size=\"2\" \/>\n<p><strong>Le L\u00e0ude<\/strong><\/p>\n<p>A s&#8217;agiss \u00ebd ch\u00e8ich \u00ebs-cianch \u00ebd poes\u00eca religiosa, dont i arcordoma:<\/p>\n<p>&#8211; la <em><strong><a href=\"..\/..\/?p=12339\">Lamentatio Mariae<\/a><\/strong><\/em> \u2018d Turin (biblioteca Real \u00ebd Turin)<br \/>\n&#8211; la <em>Lamentatio Domini \u2018d Ch\u00e9r<\/em> (sec. XV)<br \/>\n&#8211; la <em>Laudatio Mariae<\/em>d\u00ebl laudari \u2019d Salusse<br \/>\n&#8211; le <em>Laudationes<\/em>\u00ebd Carmagn\u00f2la e \u2019d Bra (n\u2019orassion e doi sermon an piemont\u00e8is)<br \/>\n&#8211; la ansidita <em>Pastorela sempia<\/em>, public\u00e0 la prima vira da <a href=\"..\/..\/?p=3428\" target=\"_blank\" rel=\"noopener\">Pinin Pac\u00f2t<\/a> an s\u2019 &#8220;Ij Brand\u00e9&#8221; d\u00ebl prim \u00ebd gen\u00e9 d\u00ebl 1947 (costa redassion a l\u2019\u00e9 dij prim d\u00ebl \u2018600).<\/p>\n<hr size=\"2\" \/>\n<p><strong>Le &#8220;Recomandaciones&#8221;<\/strong><\/p>\n<p>A son d\u2019orassion an piemont\u00e8is ch\u2019a compagno le l\u00e0ude d\u00ebl laudari \u2019d Salusse (fin d\u00ebl s\u00e9c. XV).<\/p>\n<hr size=\"2\" \/>\n<p><strong><img loading=\"lazy\" decoding=\"async\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/GGArion.jpg\" alt=\"GGArion\" width=\"104\" height=\"153\" \/><\/strong><strong>Gioann Gi\u00f2rs Alion<\/strong><\/p>\n<p>Gioann Gi\u00f2rs Alion a l\u2019ha viv\u00f9, bele ch\u2019as sapia pa \u2019d sigur la d\u00e0ita, a caval dij s\u00e9coj XV e XVI, da gi\u00e0 che soe des farse (<em>Opera Jocunda<\/em>) a son \u00ebst\u00e0ite public\u00e0 la prima vira d\u00ebl 1521 e scriv\u00f9e apopr\u00e9 ant j\u2019agn dantorn al 1490.<br \/>\nN\u00e0 an Ast, l\u2019\u00ebscritor a d\u00f2vra ant soe euvre soa parlada genita astzan-a, an m\u00ebs-ciandla con d\u2019\u00e0utre lenghe (milan\u00e8is, frans\u00e8is, latin) conforma ai p\u00ebrsonage ch\u2019a parlo.<br \/>\nA l\u2019\u00e9 un dij p\u00f2ch \u00ebscritor piemont\u00e8is conoss\u00f9 \u2019dc\u00f2 f\u00f2ra \u2019d Piemont e nomin\u00e0 ant le st\u00f2rie dla literatura italian-a (d\u2019\u00e0utri a son Tana, Calvi, Broferi, Bersess, C\u00f2sta e <a href=\"..\/..\/?p=3428\" target=\"_blank\" rel=\"noopener\">Pac\u00f2t<\/a>).<\/p>\n<hr size=\"2\" \/>\n<h3>Ij S\u00e9coj XVI e XVII<\/h3>\n<p>Gav\u00e0 dij prim s\u00e9coj \u00ebd j\u2019or\u00ecgin, a son ij doi s\u00e9coj manch rapresent\u00e0 ant \u00ebl camp \u00ebd n\u00f2stre litre. An tra le p\u00f2che euvre ch\u2019i conossoma (f\u00f2ra-via d\u2019Alion) i podoma arcord\u00e9:<\/p>\n<p>\u25ba doe comedie pastoraj, visad\u00ec la <em>Commedia pastorale di nuovo composta<\/em> \u2018d B\u00ebrtrom\u00e9 Brayda dla Somariva (1556) e la <em>Margarita<\/em> \u2018d Marcant\u00f2ni Gorena \u2019d Savian (1608). A venta armarch\u00e9 che an coste comedie mach ch\u00e8ich p\u00ebrsonage (\u00ebl Vilan ant \u00ebl Brayda, T\u00f2ni e d\u2019\u00e0utri doi ant la Margarita) a parlo piemont\u00e8is;<br \/>\n\u25ba doe poes\u00ece d\u00ebl duca \u2019d Sav\u00f2ja <a href=\"..\/..\/?p=23622\">Carl Emanuel I<\/a> (1562-1630): un-a scriv\u00f9a p\u00f2ch anans \u00ebd la gu\u00e8ra p\u00ebr la sucession d\u00ebl Monfr\u00e0 (1613) ch\u2019a ancamin-a con \u00ebl vers A l\u2019\u00e9 quel bufon del fra; n&#8217;\u00e0utra, ch&#8217;a s&#8217;arferiss a na bataja ch&#8217;i na savoma &#8216;d n\u00e8n, ch&#8217;a ancamin-a con \u00ebl vers <em>Al son de la bateria<\/em>.<br \/>\n\u25ba Prosper Torel \u00ebd Borban\u00e9, autor \u00ebd na canson c\u00f2mica ansima n\u2019incursion f\u00e0ita an Valsesia d\u00ebl 1678 (conserv\u00e0 ms. a la biblioteca Ambrosian-a \u2019d Milan).<\/p>\n<hr size=\"2\" \/>\n<p><strong>Gioann Batista Tana<\/strong><\/p>\n<p>N\u00e0 d\u00ebl 1649 e m\u00f2rt d\u00ebl 1713, a l\u2019\u00e9 autor \u00ebd la comedia <em>\u00cbl Cont Piolet<\/em>, rapresent\u00e0 ant j\u2019ani \u201970\/\u201980 d\u00ebl s\u00e9col (soa prima edission a stampa a l\u2019\u00e9 tutun d\u00ebl 1784) e scriv\u00f9a (coma gi\u00e0 cole ch\u2019i l\u2019oma arcord\u00e0 dzora) p\u00ebr na part an piemont\u00e8is (quatr p\u00ebrsonage su eut e \u2019l c\u00f2ro). P\u00ec che \u2018d na comedia a s&#8217;agiss \u00ebd na comedia p\u00ebr m\u00f9sica (visad\u00ec n\u2019opera buffa), con la presensa d\u00ebl c\u00f2ro e d\u2019ari\u00ebtte musicaj ch\u2019a saro v\u00e0ire sene.<\/p>\n<hr size=\"2\" \/>\n<h3>\u00cbl S\u00e9col XVIII<\/h3>\n<p><strong>L\u2019Arpa d\u00ebscord\u00e0<\/strong><\/p>\n<p>A l\u2019\u00e9 \u2019n poemet \u00ebd 1812 vers, ch\u2019a s\u00e9guita la tradission piemont\u00e8isa dla Canson \u00ebd gu\u00e8ra (cfr. la Canson \u00ebd Pancal\u00e9 d\u00ebl 1410). L\u2019autor a l\u2019\u00e9 \u2019n pr\u00e8ive canavzan \u00ebd Favria, Fransesch Ant\u00f2ni Tariss, che, present a l\u2019assedi \u2019d Turin d\u00ebl 1706, a l\u2019ha vors\u00f9 f\u00ebrm\u00e9 \u2019n s\u00ebl pap\u00e9 la cr\u00f2naca \u2019d cole giorn\u00e0, con \u00ebd quadret \u00ebd vita &#8216;d t\u00f9it ij di vista a travers \u00ebd mist\u00e0 ora tr\u00e0giche ora c\u00f2miche, ma sempe pien-e d\u2019umanit\u00e0.<\/p>\n<hr size=\"2\" \/>\n<p>\u25ba<strong><a href=\"..\/..\/?p=10888\" target=\"_blank\" rel=\"noopener\">\u00cbl T\u00f2ni<\/a><\/strong><\/p>\n<p>\u00cbl <a href=\"..\/..\/?p=10888\">T\u00f2ni <\/a>a l\u2019\u00e9 \u2019n g\u00e9ner literari d\u2019autut carater\u00ecstich \u00ebd Piemont. A s&#8217;agiss d\u2019un componiment d\u2019or\u00ecgin popolar e d\u2019argoment an g\u00e9ner facessios o sat\u00ecrich, dont ij prim esempi a armonto al s\u00e9col XVII (ma a l\u2019\u00e9 prob\u00e0bil che \u2019l g\u00e9ner a sia p\u00ec antich), organis\u00e0 an str\u00f2fe \u2019d quatr (o eut) vers rim\u00e0 an manera varia.<\/p>\n<p>J\u2019ip\u00f2tesi an sl\u2019or\u00ecgin d\u00ebl n\u00f2m a son doe: dal n\u00f2m \u00ebd p\u00ebrson-a T\u00f2ni (Cibrario e Collino), an arc\u00f2rd d\u00ebl p\u00ebrsonage che, ant le comedie, a rapresentava \u2019l campagnin, sovens p\u00f2ch istru\u00ec ma \u2019d bon sens; costa ip\u00f2tesi a l\u2019\u00e9 fort\u00eca dal f\u00e0it che a-i \u00e9 \u2019d t\u00f2ni ch\u2019a pijo an torta ij campagnin (Su le batiaje d\u2019un paisan \u00ebd Ventura Cartiermetre) e che tuti ij t\u00f2ni a mostro n\u2019\u00ebsp\u00ecrit genit e popolar, sat\u00ecrich e pien \u00ebd bon sens; da la par\u00f2la spagneula tonos, dal latin tonus (<a href=\"..\/..\/?p=3122\" target=\"_blank\" rel=\"noopener\">Brero<\/a>), che a veul d\u00ec canson (an efet ij n\u00f2stri t\u00f2ni scasi sempe a son defin\u00ec \u2019dc\u00f2 canson e a dov\u00eco esse compagn\u00e0 da \u2019d m\u00f9sica) e ch\u2019a marca \u2019n g\u00e9ner po\u00e9tich-musical nass\u00f9 d\u00ebl s\u00e9col XVII an \u00cbspagna, motobin davzin a n\u00f2stri t\u00f2ni.<\/p>\n<p>Che ij t\u00f2ni a sio \u2019d composission an\u00f2nime a dipend tant da soa or\u00ecgin popolar tant dal f\u00e0it che, dzortut ant la sconda mit\u00e0 d\u00ebl Setsent, a pod\u00eca esse tr\u00f2p arzigos p\u00ebr l\u2019autor sotsignesse, da gi\u00e0 che con ij s\u00f2 vers sat\u00ecrich a tacava sovens j\u2019\u00ebsgnor e coj che a comandavo.<\/p>\n<p>\u00cbl s\u00e9col d\u2019\u00f2r p\u00ebr \u00ebl t\u00f2ni a l\u2019\u00e9 \u2019l Setsent, ma noj\u00e0utri i l\u2019oma \u2019dc\u00f2 quatr t\u00f2ni an\u00f2nim d\u00ebl Sessent (<em><a href=\"..\/..\/?p=23394\">Canson \u00ebd Mad\u00f2na Luchin-a<\/a>, La canson dij d\u00ebsbauci\u00e0, Canzone della ballovria, Canson p\u00ebr \u00ebl tramu\u00e9 \u2019d San Mich\u00e9l<\/em>), artrov\u00e0 da A. Clivio a la Biblioteca Real \u00ebd Turin e public\u00e0 d\u00ebl 1968.<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <a href=\"..\/..\/?p=13399\">Pare Ignassi Isler<\/a><\/strong><\/p>\n<p>Pare Ignassi \u00ecsler, n\u00e0 1699 e m\u00f2rt d\u00ebl 1778, a l\u2019era \u2019n monio dij T\u00ebrnitari, \u00f3rdin dont a n\u00eb sar\u00e0 \u2019dc\u00f2 superior provinsial. A l&#8217;ha pass\u00e0 scasi tuta soa vita ant la gesia turin\u00e8isa dla Cros\u00ebtta, che an coj agn-l\u00e0 a l\u2019era f\u00f2ra dij termo dla sit\u00e0 e che chiel a n\u00eb sar\u00e0 \u2019dc\u00f2 parco.<br \/>\nSoa euvra po\u00e9tica a l\u2019\u00e9 na cuj\u00eca \u2019d 52 canson (t\u00f2ni) che, mai public\u00e0 antan ch&#8217;a l\u2019era al mond, a son \u00ebst\u00e0ite stamp\u00e0 na prima vira da Morissi Pipin (d\u00ebl 1783, ma mach 26 canson e nen tute sota \u2019l n\u00f2m d&#8217;Isler e, p\u00ec che tut, motobin casti\u00e0 ant \u00ebl test) e peui dal 1799 (prima edission antrega) al 1968, p\u00ebr un total \u00ebd des edission.<br \/>\nJ\u2019argoment ch&#8217;a trata Isler a son coj tradissionaj dla poes\u00eca popolar ch\u2019a varda con d\u2019euj obietiv la vita \u2019d tuti ij di (fomne malcontente dl\u2019\u00f2m e \u00f2mini malcontent \u00ebd la fomna, monio e monie ch\u2019a l\u2019han pij\u00e0 ij vot contra soa volont\u00e0, canson vin\u00f2ire e l\u00e0ude d\u00ebl vin, mariagi e seporture, ruse tra n\u00f2re e mad\u00f2ne); la sena dle canson a l\u2019\u00e9 sempe sitadin-a e la lenga a l\u2019\u00e9 n\u2019esempi voajant \u00ebd cola ch\u2019a dov\u00eca esse la manera \u2019d parl\u00e9 dij popolan turin\u00e8is \u00ebd coj temp-l\u00e0, con n\u2019usage ass\u00e8 l\u00ecber \u00ebd termo sovens triviaj e volgar.<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <a href=\"..\/..\/?p=18904\">Vit\u00f2rio Amed\u00e9 Borel<\/a><\/strong><\/p>\n<p>\u00cbl cavajer Vit\u00f2rio Amed\u00e9 Borel a l\u2019era nass\u00f9 a Valensa d\u00ebl 1723 e m\u00f2rt ant ij prim agn d\u00ebl s\u00e9col XIX. A l\u2019\u00e9 autor \u00ebd v\u00e0ire sonet \u00ebd ton linger e arc\u00e0dich e \u2019d v\u00e0ire t\u00f2ni che a l\u2019han nen \u00ebd sigur, tutun, la f\u00f2rsa lessical \u00ebd coj d\u2019Isler n\u00ec la novit\u00e0 argomentativa \u2019d coj \u00ebd Ventura, ma a rapresento na s\u00f2rt d\u2019adatament d\u00ebl g\u00e9ner d\u00ebl t\u00f2ni a la mzura e a l\u2019elegansa dla poes\u00eca d\u2019Arcadia. A son anteressante peui v\u00e0ire soe litre d\u2019argoment lingu\u00ecstich e gramatical.<br \/>\nA venta peui arcord\u00e9 che ij prim doi \u00ebstudios amportant d\u00ebl g\u00e9ner d\u00ebl t\u00f2ni (visad\u00ec Armando e Collino) a ch\u00ebrd\u00eco che Borel e Ventura a fusso la midema p\u00ebrson-a (Ventura a sar\u00eca st\u00e0it n\u2019\u00ebstran\u00f2m \u00ebd Borel); nen mach, ma Armando a pensava fin-a che Ventura Cartiermetre a pod\u00e8issa esse l\u2019\u00ebstran\u00f2m \u00ebd n\u2019\u00e0utr autor \u00ebd t\u00f2ni, visad\u00ec Burzio.<\/p>\n<hr size=\"2\" \/>\n<p><strong>Ventura Cartiermetre<\/strong><\/p>\n<p>Con l\u2019\u00ebstran\u00f2m \u00ebd Ventura Cartiermetre (ch\u2019a j\u00eb vnis\u00eca da l\u2019esse giusta cartiermetre dl\u2019arm\u00e8ja sab\u00e0uda) a l\u2019\u00e9 conoss\u00f9 Giusep Ignassi Ant\u00f2ni Aventura, n\u00e0 a Turin d\u00ebl 1733 e m\u00f2rt, pr\u2019un &#8220;incident&#8221;, d\u00ebl 1777. P\u00ebr l\u2019identificassion \u00ebd cost autor v\u00ebdde \u2019dc\u00f2 l\u00f2n ch\u2019as dis an coa a la figura &#8216;d V.A. Borel.<br \/>\nL\u2019euvra d\u00ebl Ventura a son 16 t\u00f2ni, ma d\u2019\u00e0utri, an\u00f2nim, a podr\u00eco esse s\u00f2. An v\u00e0ire \u2019d coste canson \u00ebl poeta a lassa da banda j\u2019argoment p\u00ec familiar e la s\u00e0tira moral\u00ecstica d&#8217;Isler p\u00ebr andene a toch\u00e9 d\u2019\u00e0utri p\u00ec arzigos e pont\u00f9, com a son coj grop\u00e0 a la s\u00e0tira sossial e pol\u00ectica, anti-nobiliar e anti-clerical. An costa manera \u2019l Ventura a duverta na stra neuva a la poes\u00eca piemont\u00e8isa, stra ch\u2019a sar\u00e0 peui bat\u00f9a fin al fond da E.I. Calvi vint agn apress.<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <a href=\"..\/..\/?p=11093\">Silvi B\u00e0lbis<\/a><\/strong><\/p>\n<p>N\u00e0 a Caraj d\u00ebl 1737 e m\u00f2rt a Salusse d\u00ebl 1796, B\u00e0lbis, pr\u00e8ive e predicator bin avos\u00e0, a l\u2019\u00e9 st\u00e0it s\u00f2cio dl\u2019Arcadia e poeta tant an piemont\u00e8is che an italian. Ij s\u00f2 vers a l\u2019han pa v\u00e0ire d\u2019amportansa se nen coma testimoniansa dla lenga dij s\u00f2 temp e com esempi \u2019d poes\u00eca arc\u00e0dica piemont\u00e8isa, poes\u00eca che an coj agn-l\u00e0 a l\u2019ha av\u00f9 an n\u00f2stra t\u00e8ra \u2019n p\u00ebrfond d\u2019imitator e \u2018d sostnidor (dont un a l\u2019\u00e9 st\u00e0it Onor\u00e0 Pelic\u00f2, pare \u2018d Silvio Pellico) ch\u2019a l\u2019han \u00ebscriv\u00f9 soe rime p\u00ebr selebr\u00e9 n\u00f2sse e batiaje o p\u00ebr arcord\u00e9 na monacassion o la n\u00f2mina d\u2019un v\u00ebsco o ancora p\u00ebr pior\u00e9 &#8216;n m\u00f2rt. Scasi tute coste euvre (dle vire an\u00f2nime, dle vire d\u2019autor ch\u2019as firmo ma dont i n\u00eb savoma p\u00f2ch o n\u00e8n) a son manuscrite o public\u00e0 an cuj\u00ece o an \u00ebscartari p\u00ebr n\u00f2sse o p\u00ebr d\u2019\u00e0utre arcorense.<\/p>\n<hr size=\"2\" \/>\n<p><strong>Ij poeta Astzan e ij sonet d\u00ebl Palio<\/strong><\/p>\n<p>La tradission dij sonet p\u00ebr \u00ebl Palio d\u2019Ast a forma miraco scasi na s\u00f2rt \u00ebd g\u00e9ner literari dasp\u00ebrchiel, dont i n\u2019arcordoma v\u00e0ire esempi d\u2019\u00ebscritor coma Giusep Cacran \u00ebd la R\u00f2ca e Coasseul e d\u2019\u00e0utri an\u00f2nim. Costi sonet a son fondamentaj p\u00ebr con\u00f2sse ij car\u00e0ter \u00ebd la parlada astzan-a dla fin d\u00ebl Setsent, par\u00e8j coma l\u2019euvra d\u00eb Stevo Ansisa, ch\u2019as firmava con l\u2019\u00ebstran\u00f2m d\u2019<em>Astzan dra contr\u00e0 M\u00e8istra<\/em>).<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <a href=\"..\/..\/?p=13609\">Morissi Pipin e la Gram\u00e0tica piemont\u00e8isa<\/a><\/strong><\/p>\n<p>As agiss pa d\u2019un poeta, ma dla p\u00ebrson-a che p\u00ebr prim a l\u2019ha arconoss\u00f9 l\u2019amportansa \u2019d na codificassion ortogr\u00e0fica e gramatical e \u2019d na normalisassion gr\u00e0fica dla lenga piemont\u00e8isa. M\u00e9dich a la cort \u00ebd Turin, Morissi Pipin (n\u00e0 a Coni as s\u00e0 nen an che ani e m\u00f2rt an su na nav davzin a R\u00f2di d\u00ebl 1788) a l\u2019ha av\u00f9 \u2019l m\u00e9rit d\u2019\u00ebscrive la prima gram\u00e0tica piemont\u00e8isa (Stampar\u00eca Real, Turin 1783), compagn\u00e0 da \u2019n dissionari e da n\u2019antolog\u00eca esemplificativa dij mej \u00ebscritor piemont\u00e8is \u00ebd coj agn-l\u00e0. Cost prog\u00e9t, ch\u2019a l\u2019\u00e9 ancor adess significativ p\u00ebr la st\u00f2ria \u2019d n\u00f2stra lenga, da gi\u00e0 che Pipin a fonda \u2019l conc\u00e9t \u00ebd <em>koin\u00e9 <\/em>piemont\u00e8isa, a l\u2019era nass\u00f9 da la veuja \u2019d most\u00e9 la manera \u2019d parl\u00e9 cotidian-a dla cort sab\u00e0uda (n.b. piemont\u00e8is e pa italian) a Maria Adl\u00e0ida Clotilde Saveria \u2019d Fransa, dvent\u00e0 p\u00ebr n\u00f2sse prinsip\u00ebssa \u2019d Piemont.<\/p>\n<hr size=\"2\" \/>\n<p><strong>Peg\u00e9made<\/strong><\/p>\n<p>D\u00ebl 1777 a son tre comedie (o mej &#8220;s\u00e0tire&#8221;, visad\u00ec tragicomedie compagn\u00e0 da \u2018d m\u00f9sica) d\u2019un nen mej identific\u00e0 scritor ch\u2019as sotsigna mach con s\u00f2 n\u00f2m d\u2019Arcadia: Peg\u00e9made. Ij tre travaj, ant\u00e9 che, conform na tradission ch\u2019i l\u2019oma gi\u00e0 vist, ch\u00e8ich p\u00ebrsonage a parla piemont\u00e8is d\u2019\u00e0utri italian, a son: <em>Il Notajo onorato, Adelasia, Adelaide regina d\u2019Italia e poi imperatrice<\/em>.<br \/>\nMach la prima euvra a l\u2019\u00e9 ambient\u00e0 ant ij temp \u00ebd l\u2019autor, antramentre che j\u2019\u00e0utre doe a presento n\u2019ambientassion \u00ebst\u00f2rica (s\u00e9coj X-XI).<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <a href=\"..\/..\/?p=13506\">Edoard Ignassi Calvi<\/a><\/strong><\/p>\n<figure id=\"attachment_3497\" aria-describedby=\"caption-attachment-3497\" style=\"width: 157px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" title=\"calvi\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/calvi.jpg\" alt=\"\" width=\"157\" height=\"186\" \/><figcaption id=\"caption-attachment-3497\" class=\"wp-caption-text\">Edoard Ignassi Calvi<\/figcaption><\/figure>\n<p>\u00cbl m\u00e9dich Edoard Ignassi Calvi, n\u00e0 a Turin d\u00ebl 1773 e m\u00f2rt \u00ebd tifo d\u00ebl 1804 antramentre ch\u2019a cud\u00eca ij s\u00f2 malavi a l\u2019\u00ebspidal \u00ebd San Gioann a Turin, a l\u2019\u00e9 \u2019d sigur un dij n\u00f2m ij p\u00ec grand \u00ebd n\u00f2stra literatura (e pa mach dij s\u00f2 temp).<br \/>\nSoa produssion po\u00e9tica, tuta amp\u00ebrgn\u00e0 da \u2019d sentiment giacobin e anti-religios d\u2019arvangia pr\u2019\u00ebl ters \u00ebstat visav\u00ec dij n\u00f2bij e dij pr\u00e8ive, a va dal 1796 fin-a al 1804 e (oltrap\u00ec d\u2019\u00e0utre composission, an pr\u00f2sa e poes\u00eca, an frans\u00e8is e an italian) e a comprend:<\/p>\n<p>\u2022 <em>Canson quasi po\u00e9tica pr\u2019\u00ebl matrim\u00f2ni \u2019d t\u00f2ta Teobalda Turinet con l\u2019intendent Morand (ant\u00e9 ch\u2019as treuvo ij vers motobin famos e program\u00e0tich: ognidun ant s\u00f2 vilagi \/ dev av\u00e8j la gelos\u00eca \/ d\u2019\u00ebspieghesse \u2019nt s\u00f2 linguagi, vv. 62-64) \u2022 Passap\u00f2rt dj\u2019aristocrat \u2022 L\u2019aurora dla libert\u00e0 piemont\u00e8isa \u2022 Campan-a a martel pr\u2019ij piemont\u00e8is \u2022 Sair\u00e0 dij piemont\u00e8is \u2022 Sui pr\u00e8ive \u2022 Fol\u00ece religiose (un poemet an otave an tre cant) \u2022 A un scol\u00e9 \u2019d Zenon \u2022 Al s\u00f2 amis compare T\u00f2ni d\u00e0 \u2019l bond\u00ec barba Gir\u00f2ni \u2022 Contra \u2019l m\u00e9dich Archin \u2022 Su le fije d\u2019arforma \u2022 F\u00e0ule moraj (d\u00f3des f\u00e0ule po\u00e9tiche an t\u00ebrsin-e, con protagonista &#8216;d bestie o \u2018d figure aleg\u00f2riche, ch\u2019a-j dan \u00ebl prinsipi a \u2019n g\u00e9ner ch\u2019a sar\u00e0 motobin avos\u00e0 an n\u00f2stra literatura) \u2022 Su la vita \u2019d campagna \u2022 Ritrat d\u00ebl cont Ciavarin-a \u2022 Petission dij can a l\u2019ecelensa Ministr dla Poliss \u2022 Stanse a m\u00ebss\u00e9 Edoard \u2022 Avis al p\u00f9blich \u2022 A-i ven p\u00ebr t\u00f9it la soa ossia l\u2019Artaban baston\u00e0 (na comedia an doi at)<\/em>.<\/p>\n<hr size=\"2\" \/>\n<p><strong>Ij poeta giacobin<\/strong><\/p>\n<p>Aranda dla figura &#8216;d Calvi i podoma arcord\u00e9 ch\u00e8ich d\u2019\u00e0utri scritor ch\u2019a peulo esse inser\u00ec ant \u00ebl panorama dla stagion giacobin-a:<\/p>\n<ul>\n<li><em>il Cittadino C.C.<\/em>, autor \u00ebd na canson d\u2019antonassion giacobin-a (<em>La bissa-copera p\u00ebr p\u00f2sta<\/em>) scriv\u00f9a d\u00ebl 1798\/99;<\/li>\n<li><em>Le ridicole illusioni dell\u2019anno IX<\/em>, na comedia d\u2019autor an\u00f2nim (cheidun a pensa ch\u2019a peussa esse Calvi), \u00ebd sigur un-a dle ciadeuvre d\u00ebl teatro piemont\u00e8is;<\/li>\n<li>le <em>Poesie dopo l\u2019insorgimento seguito in Carignano<\/em>: un sonet, na canson e \u2019n madrigal \u00ebstamp\u00e0 a Carmagn\u00f2la d\u00ebl 1797;<\/li>\n<li><em>\u00ebl Testament d\u2019un pito aristocr\u00e0tich<\/em>, scriv\u00f9 da Giusep Cant\u00f9 (1741-1817) e cant\u00e0 a Carignan d\u00ebl 1799.<\/li>\n<\/ul>\n<hr size=\"2\" \/>\n<h3>\u00cbl S\u00e9col XIX<\/h3>\n<p><strong>La literatura ant l\u2019et\u00e0 dla Restaurassion<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" title=\"composission\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/composission1.jpg\" alt=\"\" width=\"298\" height=\"615\" \/>Ant j\u2019agn \u00ebd l\u2019ansidita Restaurassion (1815-1848), visad\u00ec, p\u00ebr l\u00f2n ch\u2019a r\u00ebsguarda n\u00f2stra literatura, ant j\u2019agn ch\u2019a van antrames Calvi e Broferi, i podoma pa signal\u00e9 d\u2019autor vajant, ma mach ch\u00e8ich \u00ebscritor \u00ebd livel \u00ebmzan, da arcord\u00e9 p\u00ec che \u00e0utr coma testimoniansa dla lenga dij s\u00f2 temp o coma esempi dla p\u00ebrsistensa \u2019d ch\u00e8ich g\u00e9ner literari (epigrama, t\u00f2ni, <strong><a href=\"..\/..\/?p=11393\">f\u00e0ula moral<\/a><\/strong>). A venta nomp\u00e0 armarch\u00e9 che a l\u2019\u00e9 pr\u00f2pi an costi agn-s\u00ec che as f\u00e0 viaman p\u00ec f\u00f2rta la tradission \u00ebdc\u00f2 dla pr\u00f2sa che, gav\u00e0 d\u00ebl teatro, p\u00ebr tut \u00ebl Setsent a l\u2019av\u00eca lass\u00e0 \u2019l pass a la poes\u00eca.<br \/>\nAnans e, p\u00ebr ch\u00e8ich cas, \u00ebd l\u2019istess temp \u00ebd l\u2019euvra &#8216;d Broferi e &#8216;d Rosa, i podoma arcord\u00e9 le figure \u2019d:<\/p>\n<p>\u25ba Ciafr\u00e9 Casal, autor d\u2019un poemet \u00ebd 90 quartin-e (Amor marcand da m\u00f2da, 1807), un-a dle mej euvre antrames cole scriv\u00f9e an costi agn-s\u00ec.<br \/>\n\u25ba Carlo Cas\u00e0lis: a l\u2019\u00e9 l\u2019autor \u00ebd n\u2019euvra dle mej \u00ebd cost moment, visad\u00ec <em>La festa dla Pignata, oss\u00eca amor e conveniensa<\/em>, na comedia an tre at \u00ebstamp\u00e0 a Turin d\u00ebl 1804; oltrap\u00ec \u2019d costa comedia, ch\u2019as peul disse soa ciadeuvra, a l\u2019ha \u2019dc\u00f2 scriv\u00f9 \u2019n <em>Quaresimal sacoci\u00e0bil an vers Piemont\u00e8is-Italian<\/em> (1805), d\u2019\u00e0utri poem\u00e8t d\u2019argoment divers e 25 F<em>\u00e0ule Esopian-e<\/em> an tersa rima.<br \/>\n\u25ba Raimond Fer\u00e0ud \u00ebd Salusse: monio duminican, a l\u2019ha scriv\u00f9 con l\u2019\u00ebstran\u00f2m \u00ebd F\u00e0uride Nicomedan v\u00e0ire poemet didasc\u00e0lich, dont ij p\u00ec avos\u00e0 a son <em>Rimedi sicur\u00ecssim contra le petechie<\/em> (1817) e <em>Ij fumeur &#8211; Facessia pol\u00e9mica<\/em> (1836).<br \/>\n\u25ba Giusep Ellena: con l\u2019\u00ebstran\u00f2m \u00ebd Solitari dla val Breuss a l\u2019\u00e9 autor d\u2019un <em>Galateo piemont\u00e8is<\/em> an quartin-e e \u2019d v\u00e0ire pr\u00f2se d\u2019argoment divers \u00ebstamp\u00e0 an s\u00ebl &#8220;Parnas Piemonteis&#8221;, armanach, ch\u2019a surt\u00eca a Turin na vira a l\u2019ann (dal 1831 al 1849), ch\u2019a l\u2019han colaboraje scasi tuti j\u2019autor \u00ebd costi agn-s\u00ec e che tant Broferi che Rosa a l\u2019han polemisaje ansema an manera pit\u00f2st cagnin-a, considerandlo l\u2019esempi p\u00ec voajant \u00ebd la &#8220;decadensa&#8221; dla poes\u00eca piemont\u00e8isa dij s\u00f2 agn, nen angagi\u00e0 da la mira pol\u00ectica e sivil.<br \/>\n\u25ba <a href=\"..\/..\/wp-content\/uploads\/2010\/12\/burat-pare-frio.pdf\" target=\"_blank\" rel=\"noopener\"><strong>pare Giusep Frio<\/strong><\/a> (1745?-1850?): autor \u00ebd v\u00e0ire t\u00f2ni (public\u00e0 mach d\u00ebl 1881) che an arp\u00f2rto apopr\u00e9 al mond d\u2019Isler, con ij s\u00f2 quadret \u00ebd vita turin\u00e8isa; aranda a l\u2019euvra \u2019d pare Frio i podoma arcord\u00e9 ch\u00e8ich t\u00f2ni an\u00f2nim, coma\u2019l <em>T\u00f2ni dle servente<\/em> (d\u00ebl 1812).<br \/>\n\u25ba Gioann Ignassi Pans\u00f2ya: autor \u00ebd doi volum an vers <em>Ricreassion dl\u2019autunn<\/em> (1827) e <em>Tre caprissi piemont\u00e8is<\/em> (1830), dont \u00ebl p\u00ec avos\u00e0 a l\u2019\u00e9 \u2019l caprissi-t\u00f2ni <em>D\u00f2ira gr\u00f2ssa ant l\u2019ambrun\u00ec<\/em>, componiment moralegiant e sat\u00ecrich \u00ebd costum.<br \/>\n\u25ba Giassint Buniva: a l\u2019ha f\u00e0it la parod\u00eca d\u00ebl caprissi-t\u00f2ni su <em>D\u00f2ira gr\u00f2ssa<\/em> d\u00ebl Pans\u00f2ya an \u00ebscrivendne \u2019dc\u00f2 chiel un, <em>D\u00f2ira gr\u00f2ssa vers mesd\u00ec<\/em>.<br \/>\n\u25ba Enr\u00ec Bussolin: n\u00e0 a Turin d\u00ebl 1774, con l\u2019\u00ebstran\u00f2m \u00ebd <em>L\u2019Armita \u2019d Cavoret<\/em> a l\u2019ha scriv\u00f9 \u2019n poemet antitol\u00e0 L\u2019amis dle Muse piemont\u00e8ise, ant\u00e9 ch\u2019a d\u00ebsfend \u00ebl valor e la dignit\u00e0 \u2019d n\u00f2stra lenga e la necessit\u00e0 \u2019d dovrela an d\u2019euvre literarie \u2019d profil \u00e0ut; tutun, pr\u00f2pi ant la convinsion \u00ebd nobilit\u00e9 n\u00f2stra lenga a l\u2019ha f\u00e0it l\u2019eror d\u2019empila d\u2019italianism: ansima a costa stra a son andaje dapress Pans\u00f2ya e Peyron, antan che d\u2019\u00e0utri (coma Buniva e Pelic\u00f2) a l\u2019han arfud\u00e0 costa id\u00e8ja.<br \/>\n\u25ba Agustin B\u00f2sch \u00ebd Poirin (1741-1817); a l\u2019ha scriv\u00f9 doi volum \u00ebd Rime piemontesi (1801-1802) e \u2019n volum in\u00e9dit d\u2019epigrama italian e piemont\u00e8is, tra ij mej \u00ebscriv\u00f9 an n\u00f2stra lenga (con le nuanse d\u00ebl parl\u00e9 \u2019d Poirin).<br \/>\n\u25ba <a href=\"..\/..\/?p=22575\">Gioann Maria R\u00e9gis<\/a>: autor mach d\u2019un libret d\u2019epigrama, le Fol\u00ece Piemont\u00e8ise (1830), stamp\u00e0 sota \u2019l n\u00f2m d\u2019Armita Canavzan.<br \/>\n\u25ba <a href=\"..\/..\/?p=19148\">Giusep Arn\u00e0ud<\/a>: un dij p\u00ec vajant faulista piemont\u00e8is, autor \u00ebd 16 f\u00e0ule moraj an pr\u00f2sa (le prime an n\u00f2stra literatura, antramentre che j\u2019\u00e0utre ch\u2019i conossoma a son an poes\u00eca).<br \/>\n\u25ba <a href=\"..\/..\/?p=22488\">Vissent-Andrea Peyron<\/a>: a l\u2019\u00e9 autor \u00ebd na cuj\u00eca \u2019d F\u00e0ule Piemont\u00e8ise po\u00e9tiche, cr\u00ectiche, leterarie e moraj (1830-1831).<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <a href=\"..\/..\/?p=12273\">\u00c0ngel Broferi<\/a><\/strong><\/p>\n<p>N\u00e0 d\u00ebl 1802 a Castelneuv Brus\u00e0, apress \u00ebd j\u2019\u00ebstudi an Ast e a Turin a l\u2019\u00e9 dotorasse \u2019n Lege, ancaminand tant la profession d\u2019avocat che l\u2019ativit\u00e0 giornal\u00ecstica (a l\u2019ha colabor\u00e0 a v\u00e0ire giornaj, dont \u00ebl p\u00ec avos\u00e0 a l\u2019era \u2019l &#8220;Messaggere Torinese&#8221;) e pol\u00ectica. Republican e democr\u00e0tich, sostnidor \u00ebd la c\u00e0usa rissorgimental italian-a, ant j\u2019agn \u201930 a l\u2019\u00e9 st\u00e0it v\u00e0ire vire an p\u00ebrzon. Elegi\u00f9 d\u00ebl 1848 deput\u00e0 al Parlament piemont\u00e8is, nemis \u00ebd Cavour e dla pol\u00ectica governativa, ant j\u2019\u00f9ltim agn a l\u2019\u00e9 peui avzinasse a ca Sav\u00f2ja, a la mira che \u2019l r\u00e8 a l\u2019ha daje l\u2019angage d\u2019\u00ebscrive, an italian, la Storia del Parlamento Subalpino. An italian a l\u2019\u00e9 \u2019dc\u00f2 \u2019n l\u00ecber autobiogr\u00e0fich (I miei tempi) e v\u00e0ire piesse teatraj, antramentre che soa n\u00f2mina a l\u2019\u00e9 assicur\u00e0 da soa produssion an piemont\u00e8is, le Canson piemont\u00e8ise, dont chiel \u00ebd v\u00e0ire a l\u2019ha scrivune \u2019dc\u00f2 la m\u00f9sica.<br \/>\nA l\u2019\u00e9 m\u00f2rt d\u00ebl 1866, an \u00cbsvissra, ant na vila davzin a Locarno.<br \/>\nDavzin a la lession \u00ebd Calvi, \u2019dc\u00f2 Broferi a l\u2019ha privilegi\u00e0 j\u2019argoment \u00ebd s\u00e0tira pol\u00ectica e social, anti-nobiliar e anti-clerical, bele sensa d\u00ebsmenti\u00e9 j\u2019argoment amoros e p\u00ebrsonaj.<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <a href=\"..\/..\/?p=23197\">Norbert R\u00f2sa<\/a><\/strong><\/p>\n<p>N\u00e0 a Vian-a d\u00ebl 1803 e m\u00f2rt a Susa, ant\u00e9 ch\u2019a l\u2019era proveditor a j\u2019\u00ebstudi, d\u00ebl 1862, amis e compagn \u00ebd bataje &#8216;d Broferi, a l\u2019\u00e9 l\u2019\u00f9ltim grand poeta sat\u00ecrich e pol\u00ectich d\u00ebl s\u00e9col. \u00cbdc\u00f2 chiel avocat, \u00f2m pol\u00ectich e gas\u00ebtti\u00e9 (a l\u2019ha colabor\u00e0 al &#8220;Messaggere Torinese&#8221; e a la &#8220;Gazzetta del Popolo&#8221;), soa produssion po\u00e9tica piemont\u00e8isa a l\u2019\u00e9 st\u00e0ita, an prinsipi, an sla ligna d\u00ebl &#8220;Parnas Piemont\u00e8is&#8221;, dont a l\u2019\u00e9 slontanass-ne an manera motobin pol\u00e9mica apress d\u2019av\u00e8j conoss\u00f9 Broferi e soa poes\u00eca, vers \u00ebl 1840. Da cost moment soa poes\u00eca a ven, da sat\u00ecrica, moral\u00ecstica e b\u00ebrnesca ch\u2019a l\u2019era, d\u2019antonassion p\u00ec pol\u00ectica e sivil, bele che nen a\u00f9ssa e violenta par\u00e8j &#8216;d cola d&#8217; Broferi, ma p\u00ec echilibr\u00e0 e &#8220;filos\u00f2fica&#8221;, fin-a a che, d\u00ebl 1848, a pija la decision (a j\u2019ero ij temp ch\u2019a &#8220;ventava&#8221; esse an tut e p\u00ebr tut italian) d\u2019\u00ebscrive mach p\u00ec an lenga italian-a, lassand da na banda soa lenga genita (gav\u00e0 che p\u00ebr na composission d\u00ebl 1852 an sla m\u00f2rt \u00ebd Napolion).<br \/>\nSoa euvra po\u00e9tica, spatar\u00e0 ansima a giornaj e feuj volant, a l\u2019\u00e9 st\u00e0ita public\u00e0 an volum mach d\u00ebl 1988.<\/p>\n<hr size=\"2\" \/>\n<p><strong>Ij minor d\u00ebl S\u00e9col XIX<\/strong><\/p>\n<p>\u25ba <a href=\"..\/..\/?p=23432\">C\u00e9sar \u00ebd Salusse<\/a> (1778-1853): anteletual e \u00f2m pol\u00ectich ch\u2019a l\u2019ha compon\u00f9 \u2019d vers piemont\u00e8is d\u2019argoment an g\u00e9ner patri\u00f2tich.<br \/>\n\u25ba C\u00e9sar Balb (1789-1853): pensator e \u00f2m pol\u00ectich bin avos\u00e0, a l\u2019ha \u2019dc\u00f2 scriv\u00f9 \u2019d vers piemont\u00e8is (pa tuti public\u00e0) dont \u00ebl p\u00ec famos a l\u2019\u00e9 l\u2019\u00f2da La vos d\u2019Italia.<br \/>\n\u25ba <a href=\"..\/..\/wp-content\/uploads\/2010\/12\/alberto_arnulfi.pdf\" target=\"_blank\" rel=\"noopener\">Fulberto Alarni<\/a>: stran\u00f2m d\u2019Albert Arnolf (1849-1889), poeta d\u2019ispirassion p\u00ec che \u00e0utr sat\u00ecrica e moral\u00ecstica, antramentre che soe \u00f9ltime composission (a l\u2019era st\u00e0it trasfer\u00ec a Roma d\u00ebl 1884) as tenzo d\u2019un sens \u00ebd ringr\u00e9t e \u2019d magon p\u00ebr s\u00f2 pais, \u00ebl Canav\u00e8is e \u2019l Piemont.<br \/>\n\u25ba <a href=\"..\/..\/?p=23053\">sac. Gioann B\u00f2sch<\/a>: a s&#8217;agiss d\u00ebl sant fondador \u00ebd la congregassion dij Salesian, autor \u00ebd v\u00e0ire t\u00f2ni d\u2019ispirassion sat\u00ecrica e moral\u00ecstica e \u2019d ch\u00e8ich vers (Giandoja e s\u00f2 codin) \u00ebd ton ass\u00e8 conservador.<br \/>\n\u25ba <a href=\"..\/..\/?p=19260\">Cl\u00e0udi Calandra<\/a> (1818-1882): pare d\u2019Edoard (scritor an piemont\u00e8is e an italian) e \u2019d D\u00e0vid (scultor), a l\u2019ha scriv\u00f9 \u2019d vers p\u00ec che tut ambib\u00ec \u2019d nostalg\u00eca p\u00ebr l\u00f2n che na vira a l\u2019era \u2019l Piemont.<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u00cbl teatro dla sconda mit\u00e0 dl\u2019Eutsent<\/strong><\/p>\n<p>Antrames a j\u2019autor teatraj ch\u2019a l\u2019han \u00ebscriv\u00f9 mach o \u2019dc\u00f2 an piemont\u00e8is (na lista d\u00ebl 1887 a arc\u00f2rda, p\u00ebr j\u2019agn dal 1859 al 1887, ij n\u00f2m \u00ebd 60 scritor e ij t\u00ectoj \u00ebd p\u00ec che 300 comedie) i memorioma:<\/p>\n<p>\u25ba Gioann Toselli (1819-1886): ator e cap-c\u00f2mich, a l\u2019\u00e9 consider\u00e0 \u2019l fondador d\u00ebl teatro nassional piemont\u00e8is, \u00ebdc\u00f2 mers\u00ec a soa compan\u00eca st\u00e0bil ch\u2019a l\u2019ha d\u00e0it \u00ebl prinsipi a \u2019n teatro popolar e professional (d\u00ebl 1859, con la rapresentassion a Turin \u00ebd soa Cichin-a\u2019d Moncal\u00e9, ispir\u00e0 a la Francesca da Rimini \u2018d Silvio Pellico).<br \/>\n\u25ba <a href=\"..\/..\/?p=19065\">Feder\u00ec Garel<\/a> (1831-1885): autor \u00ebd Ij pciti fastidi e dle piesse militar-patri\u00f2tiche Gu\u00e8ra o pas?, La partensa dij contingent p\u00ebr l&#8217;armada e La sc\u00f2la dij sold\u00e0; a l\u2019\u00e9 \u2019dc\u00f2 st\u00e0it autor \u00ebd poes\u00ece.<br \/>\n\u25ba <a href=\"..\/..\/?p=22598\">Gioann Z\u00f2ppis<\/a> (1830-1876): i arcordoma Marioma Clarin, Clarin mari\u00e0, La paja vzin al feu e l\u2019autobiogr\u00e0fica La neuja.<br \/>\n\u25ba <a href=\"..\/..\/?p=11338\">Luis Pietraqua<\/a> (1832-1901): turin\u00e8is d\u2019adossion (a l\u2019era n\u00e0 a Voghera) a l\u2019\u00e9 l\u2019autor ch\u2019a l\u2019ha dovr\u00e0 an soe euvre la lenga la p\u00ec ant\u00ebmn\u00e0 d\u2019italianism, tant an cole teatraj (\u00cbl p\u00f2ver p\u00e0roco, \u00cbl cotel, Question d\u00ebl pan) che ant soe poes\u00ece e pr\u00f2se (ij romanz \u00ebst\u00f2rich Don Pipeta l\u2019asil\u00e9, Lucio dla Vener\u00eca, La c\u00f2ca d\u00ebl g\u00e0mber).<br \/>\n\u25ba Vit\u00f2rio Bersess (1828-1900): giornalista oltrap\u00ec che scritor, a l\u2019\u00e9 l\u2019autor \u00ebl p\u00ec famos ch\u2019a l\u2019abia scriv\u00f9 an piemont\u00e8is: a sar\u00eca pro memori\u00e9 s\u00f2 ciadeuvra Le miserie \u2019d mons\u00f9 Travet (d\u00ebl 1863 soa prima rapresentassion a Turin, al teatro Alf\u00e9), ma d\u2019\u00e0utre euvre a peulo esse arcord\u00e0, coma s\u00f2 \u00f9ltim travaj teatral, \u00ebl Bastian contrari d\u00ebl 1882.<br \/>\n\u25ba <a href=\"..\/..\/?p=3883\">Mario Leoni<\/a> (stran\u00f2m \u00ebd Giaco Albertin, 1847-1931): a l\u2019\u00e9 autor \u00ebd comedie che, ispir\u00e0 an manera direta a la vita \u2019d tuti ij di dla p\u00f2vra gent, coma \u00cbl bibi, Ij mal nutr\u00ec, La fija d\u00ebl b\u00f2rgno, An n\u00f2m dla lege, a rapresento na s\u00f2rt \u00ebd teatro &#8220;social&#8221;; a l\u2019\u00e9 autor \u00ebdc\u00f2 \u2019d na pr\u00f2sa \u2019d car\u00e0ter \u00ebst\u00f2rich \u00cbl s\u00e0ut dla bela \u00c0uda, scriv\u00f9a ant un piemont\u00e8is bin apopr\u00e9.<br \/>\n\u25ba <a href=\"..\/..\/?p=18815\">Eraldo Baret<\/a> (1846-1895): autor \u00ebd na vera ciadeuvra, Ij fastidi d\u2019un grand \u00f2m, traduv\u00f9a an Italia, Fransa e Almagna e rapresent\u00e0 ancor sovens al di d\u2019ancheuj.<br \/>\n\u25ba <a href=\"..\/..\/?p=3918\">Luigi Vado<\/a> (c.a 1842-1872?), autor d\u00eb \u00cbl Carl\u00ebv\u00e9 \u2018d Turin, n&#8217;euvra ch&#8217;a sar\u00e0 ant \u00ebl repert\u00f2ri dle compan\u00ece piemont\u00e8ise p\u00ebr p\u00ec &#8216;d sent ani.<\/p>\n<p><strong>\u25ba <a href=\"..\/..\/?page_id=3878\">\u00cbl Te\u00e0ter piemont\u00e8is<\/a><\/strong><\/p>\n<hr size=\"2\" \/>\n<p><strong>&#8220;\u2018L Birichin&#8221; e ij s\u00f2 poeta<\/strong><\/p>\n<p>Ij giornaj a j&#8217;ero un mojen p\u00ebr spatar\u00e9 la convinsion che \u2019l &#8220;dial\u00e8t&#8221; a dov\u00e8issa t\u00f2st o tard lass\u00e9 \u2019l p\u00f2st a la &#8220;lingua&#8221; e che la situassion piemont\u00e8isa a pod\u00e8issa pa p\u00ec identifichesse con un senari &#8220;nassional&#8221; ma pit\u00f2st regional e provinsial: la convinsion, ansoma, che \u2019l Piemont a l\u2019\u00e9 pa p\u00ec na nassion e Turin soa capital, ma na region d\u2019Italia, e Turin mach un-a dle tante sit\u00e0 italian-e.<br \/>\nCost\u2019euvra \u2019d &#8220;provinsalisassion&#8221; da la mira literaria a l\u2019\u00e9 st\u00e0ita sostn\u00f9a, miraco an forma nen consienta, da \u2019d publicassion peri\u00f2diche com \u00ebl giornal <em>\u2018L Birichin-Giornal Piemont\u00e8is<\/em>, che, surt\u00ec a Turin dal 1884 al 1928, a l\u2019ha giut\u00e0 a spanti\u00e9 costa id\u00e8ja dla lenga coma &#8220;dial\u00e8t&#8221; (le poes\u00ece a j\u2019ero scriv\u00f9e an &#8220;turin\u00e8is&#8221;) e dla literatura piemont\u00e8isa com espression \u00ebd na societ\u00e0 provinsial e &#8220;minor&#8221;. A l\u2019\u00e9 tut un mond \u00ebd sartoir\u00ebtte e d\u2019\u00ebstudent, \u00ebd cocottes o \u2019d madamin \u00ebd la bon-a societ\u00e0, \u00ebd comendator e cavajer da na part e \u2019d mantn\u00f9e da l\u2019\u00e0utra: tut ant la curnis \u00ebd la vita &#8216;d tuti ij di d\u00ebl Turin \u00ebd la belle \u00e9poque, an mes a le giojere dij neg\u00f2ssi e a le prime viture, con an sl\u2019\u00ebsfond, ch\u00e8ich vira, \u00ebl p\u00f2pol ch\u2019a travaja e ch\u2019a b\u00ebrb\u00f2ta o ch\u2019a s&#8217;amusa.<br \/>\nA-i \u00e9 giumai la costuma \u2019d d\u00e9 \u2019l n\u00f2m \u00ebd &#8220;generassion d\u00ebl Birichin&#8221; e \u2019d poes\u00eca birichin\u00f2ira ai poeta ch\u2019a l\u2019han \u00ebscriv\u00f9 an tra j\u2019agn \u201980 dl\u2019Eutsent e ij \u201920 d\u00ebl s\u00e9col neuv. Ma d\u00ebsmentioma nen che, ansima a le col\u00f2ne d\u00ebl Birichin, a l\u2019han \u00ebdc\u00f2 scrivuje doi grand coma Alfons Fre e Arrigo Frusta, e che an s\u00ebl giornal turin\u00e8is (a j\u2019ero giumai ij prim agn d\u00ebl s\u00e9col) a l\u2019ha d\u00ebsbut\u00e0 coma poeta \u2019dc\u00f2 <a href=\"..\/..\/?p=3418\">Nino C\u00f2sta<\/a>. Antrames ai tanti n\u00f2m dij colaborador dij p\u00ec \u2019d quarant\u2019agn \u00ebd vita d\u00ebl giornal i memorioma:<\/p>\n<p>\u25ba <a href=\"..\/..\/?p=10910\">Albert Virij<\/a> (1851-1913): p\u00ec conoss\u00f9 com arsercador e divulgator \u00ebd curiosit\u00e0 e notissie \u2019d g\u00e9ner diferent (lengh\u00ecstich, \u00ebst\u00f2rich, folcl\u00f2rich &#8230;) \u00ebd la coltura turin\u00e8isa e piemont\u00e8isa, a l\u2019\u00e9 \u2019dc\u00f2 st\u00e0it autor \u00ebd poes\u00ece e \u2019d pr\u00f2se.<br \/>\n\u25ba <a href=\"..\/..\/?p=18396\">Gioann Gastald<\/a> (1865-1914): con l\u2019\u00ebstran\u00f2m \u00ebd <em>Tito Livido<\/em> a l\u2019ha scriv\u00f9 v\u00e0ire composission, p\u00ec che tut p\u00ebr m\u00f9sica, dont na part a l&#8217;\u00e9 public\u00e0 ant \u00ebl volum <em>Chitarade<\/em> (1904).<br \/>\n\u25ba Oreste Faseul (1864-1914): un \u00ebd j\u2019esponent ij p\u00ec carater\u00ecstich \u00ebd la poes\u00eca &#8220;birichin\u00f2ira&#8221;, com a l\u2019\u00e9 dimostr\u00e0 da s\u00f2 volum <em>Car\u00ebsse e sgrafignon<\/em> (1888).<br \/>\n\u25ba <a href=\"..\/..\/?p=18510\">Lion Fin<\/a> (1861-1935): con l\u2019\u00ebstran\u00f2m \u00ebd Rico a l\u2019ha public\u00e0 tre l\u00ecber \u00ebd poes\u00ece <em>M\u00e8 fieul<\/em> (1890, dedic\u00e0 al fieul e miraco \u2019l mej riuss\u00ec), <em>Gri\u00f2te<\/em> (1906) e <em>Fr\u00f2le, frolon<\/em> (1925).<\/p>\n<p>Apress \u00ebd costi n\u00f2m i memorioma coj \u00ebscritor che a l\u2019han f\u00e0ila a aussesse dzora dla mediocrit\u00e0 dla produssion &#8220;birichin\u00f2ira&#8221; e, ansema a Alfons Fre, a son riv\u00e0 a d\u2019arzult\u00e0 dabon significativ se confront\u00e0 con coj \u00ebd j\u2019\u00e0utri colaborador d\u2019\u00ebs giornal.<\/p>\n<p>\u25ba <a href=\"..\/..\/?p=18659\">Gioann Gian\u00f2t<\/a> (1867-1947): autor \u00ebd <em>F\u00ebrvaje d\u2019\u00e0nima<\/em>, a l\u2019ha god\u00f9 la stima \u2019d Pinin Pac\u00f2t, ch\u2019a v\u00ebdd\u00eca an chiel e an Alfons Fre j\u2019\u00f9nich doi poeta \u2019d soa generassion ch\u2019a l\u2019av\u00e8isso lass\u00e0 ant\u00ebrv\u00ebdde na spluva \u2019d modernit\u00e0 e ch\u2019a pod\u00e8isso adonch ciamesse dabon &#8220;precursor&#8221; \u00ebd la poes\u00eca piemont\u00e8isa moderna.<\/p>\n<p>\u25ba Amilcare Solferini (stran\u00f2m \u00ebd Vit\u00f2rio Actis, 1870-1929): poeta e scritor p\u00ebr \u00ebl teatro (a son s\u00f2 ij drama <em>Feu e fiame<\/em>, <em>Brava gent<\/em>, <em>La canaja<\/em> e d\u2019\u00e0utri) a l\u2019\u00e9 st\u00e0it paragon\u00e0 da Pinin Pac\u00f2t, p\u00ebr soa produssion po\u00e9tica, a \u2019n po\u00e8te maudit, dzoratut p\u00ebr s\u00f2 \u00f9ltim volum Mentre la t\u00e8ra a gira (1923).<\/p>\n<dl id=\"attachment_14550\">\n<dt><img loading=\"lazy\" decoding=\"async\" title=\"frusta1\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/frusta11.jpg\" alt=\"\" width=\"132\" height=\"167\" \/><\/dt>\n<\/dl>\n<p>\u25ba <a href=\"..\/..\/?p=3451\">Arrigo Frusta<\/a> (stran\u00f2m d\u2019Augusto Ferraris, 1875-1965): a l\u2019ha ancamin\u00e0 con s\u00f2 volum \u00ebd poes\u00ece <em>Farav\u00f2sche<\/em> (1901) a s\u00ebrch\u00e9 \u2019d seurte dai termo \u2019mp\u00f2 genant \u00ebd l\u2019esperiensa d\u00ebl Birichin, ma a l\u2019\u00e9 soa produssion an pr\u00f2sa, e an \u00ebspece cola surt\u00eca, apress \u00ebd l\u2019ancontr con <a href=\"..\/..\/?p=3428\" target=\"_blank\" rel=\"noopener\">Pac\u00f2t<\/a>, an s\u2019Ij Brand\u00e9 dal 1946 an peui, a march\u00e9 soa vajantisa literaria. Soe euvre an pr\u00f2sa e an volum a son <em>Ij sent ani d\u00ebl c\u00ecrcol dj\u2019artista<\/em> (1951), <em>Fassin-e \u2019d sabia<\/em> (1970) e <em>Pr\u00e9diche ai givo<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<hr size=\"2\" \/>\n<p><strong>\u25ba <\/strong><a href=\"..\/..\/?p=19059\"><strong>Alfons Fre<\/strong><\/a><\/p>\n<p>N\u00e0 d\u00ebl 1873 a Turin a l\u2019\u00e9 m\u00f2rt, apress d\u2019av\u00e8j prov\u00e0 p\u00ebr des agn \u00ebdc\u00f2 l\u2019esperiensa d\u00ebl manic\u00f2mi, d\u00ebl 1933. Paragon\u00e0 \u2019dc\u00f2 chiel da <a href=\"..\/..\/?p=3428\" target=\"_blank\" rel=\"noopener\">Pinin Pac\u00f2t<\/a> a \u2019n po\u00e8te maudit (par\u00e8j d&#8217;Amilcare Solferini), \u00ebd sigur Fre a mostra ant ij s\u00f2 vers na p\u00f2sa da contestador e da rivoltos ciss\u00e0 da l\u2019arvangia. Fre a l\u2019ha toc\u00e0 scasi tute le forme d\u2019art literaria, da la comedia (<em>La Regin-a d\u2019un R\u00e8<\/em> e v\u00e0ire d\u2019\u00e0utre) al romanz (<em>Basin vend\u00f9<\/em>) e la conta (<em>A l\u2019\u00e9 mach na sart\u00f2ira<\/em>) a la poes\u00eca (soe composission, mai surt\u00ece an volum, a speto ancor n\u2019edission definitiva e completa, da gi\u00e0 che fin-a adess a l\u2019\u00e9 mach surtijne na sernia con \u00ebl t\u00ectol \u00ebd <em>L\u00e9tere a Mim\u00ec e \u00e0utre poes\u00ece<\/em> d\u00ebl 1970).<\/p>\n<hr size=\"2\" \/>\n<p><strong>La pr\u00f2sa dla sconda mit\u00e0 dl\u2019Eutsent<\/strong><\/p>\n<p>\u00cbdc\u00f2 la pr\u00f2sa narativa (romanz e conte), da gi\u00e0 ch\u2019a s&#8217;adressava p\u00ebr la p\u00ec part a \u2019n p\u00f9blich popolar, a l\u2019\u00e9 st\u00e0ita an g\u00e9ner dovr\u00e0, com a l\u2019\u00e9 capitaje con \u00ebl teatro e con ij giornaj, p\u00ebr s\u00ebrch\u00e9 \u2019d d\u00e9 d\u2019esempi \u2019d na lenga, ch\u2019i podr\u00eco defin\u00ec &#8220;piemontarda&#8221;, ass\u00e8 d\u00ebsferensi\u00e0 dal piemont\u00e8is v\u00e9r e genit, an essend motbin italianis\u00e0 tant ant \u00ebl l\u00e9ssich che ant le struture sint\u00e0tiche. Con tut s\u00f2n la pr\u00f2sa piemont\u00e8isa dla fin d\u00ebl s\u00e9col XIX an \u00ebsmon d\u2019esempi ass\u00e8 significativ, an \u00ebspece ant \u00ebl camp \u00ebd l\u2019an\u00e0lisi social e dle costume e dla narassion \u00ebst\u00f2rica. Oltrap\u00ec \u2019d coj autor ch\u2019i l\u2019oma gi\u00e0 sit\u00e0 anans (Luis Pietraqua, Mario Leoni, Arrigo Frusta, Alfons Fre&#8230;) i podoma ancor arcord\u00e9:<br \/>\n\u25ba Ciro Bolaro (stran\u00f2m \u00ebd Carlo B\u00f2rio; 1882-1920): autor d\u00ebl romanz <em>\u00cbl ciavatin dle Tor<\/em>.<br \/>\n\u25ba Capitani Mania R\u00e8ida (stran\u00f2m, as pensa, ma a l\u2019\u00e9 nen d\u2019autut sigur, \u00ebd Giusep D\u00f2ria): autor d\u2019un romanz umor\u00ecstich d\u2019aventure antitol\u00e0 <em>Le straordinarie aventure \u2019d Martin Cassul an \u00c0frica<\/em>.<br \/>\n\u25ba Carlo B\u00ebrnardin Fre (m\u00f2rt d\u00ebl 1917): frel d&#8217;Alfons, a l\u2019\u00e9 autor \u00ebd v\u00e0ire romanz sociaj (com a-j definiss chiel midem), visad\u00ec <em>Ij m\u00f2rt \u00ebd fam, La cracia, La bassa Russia<\/em> e d\u2019\u00e0utri.<\/p>\n<hr size=\"2\" \/>\n<h3>\u00cbl S\u00e9col XX<\/h3>\n<figure id=\"attachment_14553\" aria-describedby=\"caption-attachment-14553\" style=\"width: 172px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" title=\"NinoCosta\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/NinoCosta1.jpg\" alt=\"\" width=\"172\" height=\"302\" \/><figcaption id=\"caption-attachment-14553\" class=\"wp-caption-text\">Nino C\u00f2sta<\/figcaption><\/figure>\n<p>\u25ba <a href=\"..\/..\/?p=3418\">Nino C\u00f2sta<\/a><br \/>\nN\u00e0 a Turin d\u00ebl 1886, a l\u2019\u00e9 m\u00f2rt sempe a Turin d\u00ebl 1945. Apress d\u2019av\u00e8j ancamin\u00e0 con \u00ebd composission an italian e an frans\u00e8is, C\u00f2sta a p\u00f9blica soe prime poes\u00ece piemont\u00e8ise an s\u00ebl Birichin (p\u00ec\u2019d dosent fin-a a la surt\u00eca \u2019d <em>Mamina<\/em>), dont as n\u2019\u00ebslontan-a bin t\u00f2st, da gi\u00e0 che s\u00f2 ideal a l\u2019era col d\u2019auss\u00e9 la poes\u00eca piemont\u00e8isa a \u2019n livel motobin diferent visav\u00ec dla produssion lingera e provinsial \u00ebd bon-a part \u00ebd j\u2019autor \u00ebd la generassion birichin\u00f2ira. Par\u00e8j, d\u00ebl 1922, a-j seurt s\u00f2 prim volum \u00ebd poes\u00ece <em>Mamina <\/em>(che a cheuj ij sonet za surt\u00ec an s\u00ebl <em>Birichin <\/em>e d\u2019\u00e0utri scriv\u00f9 espress), n\u2019euvra ch\u2019a conta an poes\u00eca la st\u00f2ria bin f\u00f2ra-via (p\u00ebr coj temp-la) \u00ebd na &#8220;fija-mare&#8221;. Apress \u00ebd cost prim travaj a-j \u00ebvnir\u00e0 <em>Sal e p\u00e8iver<\/em> (1924, ant\u00e9 ch\u2019a s&#8217;arpija \u2019dc\u00f2 la tradission tuta piemont\u00e8isa dla f\u00e0ula moral), <em>Brassab\u00f2sch <\/em>(1928), <em>Fruta madura<\/em> (1931),<em> R\u00f2ba n\u00f2stra<\/em> (1938), <em>Tempesta <\/em>(1945; surt\u00ec apress \u00ebd soa m\u00f2rt ma ancor pront\u00e0 da chiel), tut pien d\u00ebl magon p\u00ebr la gu\u00e8ra e, dzortut, p\u00ebr la m\u00f2rt d\u00ebl fieul partisan, Mario. D\u00ebl 1977 a l\u2019\u00e9 ancor surtije <em>Tornand<\/em>, ch\u2019a sambla ansema v\u00e0ire in\u00e9dit e \u2019d poes\u00ece mai stamp\u00e0 an volum p\u00ebr un total d\u2019\u00ebscasi 300 componiment. Nino C\u00f2sta a l\u2019ha scriv\u00f9 \u2019dc\u00f2 p\u00ebr \u00ebl teatro (<em>T\u00e8ra monfrin-a<\/em>, <em>Testa \u2019d fer<\/em> e d\u2019\u00e0utre comedie) e a l\u2019ha colabor\u00e0 a v\u00e0ire test \u00ebscol\u00e0stich.<\/p>\n<hr size=\"2\" \/>\n<h3>La &#8220;Compan\u00eca dij Brand\u00e9&#8221; e Pinin Pac\u00f2t<\/h3>\n<p><strong><a href=\"..\/..\/?p=3428\"><img loading=\"lazy\" decoding=\"async\" title=\"Artweaver Free 4.0\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/Pinin_Pac\u00f2t-294x300.jpg\" alt=\"\" width=\"212\" height=\"216\" \/><\/a><\/strong><a href=\"..\/..\/?p=3428\">Pinin Pac\u00f2t<\/a> (a l&#8217;an\u00e0grafe italian-a Giuseppe Pacotto) a nass d\u00ebl 1899 a Turin, originari d\u2019Anon. A ancamin-a soa ativit\u00e0 po\u00e9tica, an italian, ant ij m\u00e8is \u00ebd soa p\u00ebrzon\u00eca ant la prima gu\u00e8ra mondial, ma da j\u2019agn Vint a passa decis a la poes\u00eca an piemont\u00e8is, an publicand \u00ebl volum <em>Arsiv\u00f2li <\/em>(1926). Apress \u00ebd l\u2019esperiensa dla prima serie d\u2019<em>Ij Brand\u00e9 &#8211; Arvista Piemont\u00e8isa<\/em>, fond\u00e0 d\u00ebl 1927 ansema a <a href=\"..\/..\/?p=18564\">Oreste Galin-a<\/a> e Alfred Formica (Vigin Fioch\u00e8t) e ch&#8217;a l&#8217;\u00e9 f\u00ebrmasse al quint n\u00f9mer, Pac\u00f2t a p\u00f9blica ancor <em>Crosiere <\/em>(1935) e <em>Speransa <\/em>(1946), antramentre che a anviara la sconda serie d\u2019<em>Ij Brand\u00e9 &#8211; Giornal \u00ebd Poes\u00eca Piemont\u00e8is<\/em>a (1946-1957), publicassion ch\u2019a l\u2019\u00e9 st\u00e0it \u00ebl mojen p\u00ebr \u00ebspanti\u00e9 j\u2019id\u00e8je \u2019d Pac\u00f2t e \u2019d cola ch\u2019a sar\u00e0 la <em><strong><a href=\"..\/..\/?p=3087\" target=\"_self\">Compan\u00eca dij Brand\u00e9<\/a><\/strong><\/em>, angagi\u00e0 ant la bataja p\u00ebr la valorisassion \u00ebd la lenga e dla literatura piemont\u00e8isa. An sj\u2019ideaj \u00ebd Pac\u00f2t e dij Brand\u00e9 as \u00e9 entasse tut \u00ebl travaj an pro d\u00ebl piemont\u00e8is e \u2019d soa literatura ant la sconda mit\u00e0 \u2019d n\u00f2str s\u00e9col. Apress \u00ebd la fondassion d\u2019Ij Brand\u00e9 Pac\u00f2t a l\u2019ha ancor public\u00e0 <em>Giovent\u00f9, p\u00f2vra am\u00eca<\/em> (1951), le <em>Poes\u00ece <\/em>(1954) e <em>S\u00e8ira<\/em> (1964), antan che tuta soa produssion po\u00e9tica con na gionta \u2019d p\u00e0gine\u2019d pr\u00f2sa a l\u2019\u00e9 st\u00e0ita public\u00e0 an Poes\u00ece e p\u00e0gine\u2019d pr\u00f2sa (1967). A l\u2019\u00e9 m\u00f2rt d\u00ebl 1964.<br \/>\nAn sij feuj d\u2019Ij Brand\u00e9 Pac\u00f2t a l\u2019ha public\u00e0 soe poes\u00ece e s\u00f2 ant\u00ebrvent an pr\u00f2sa, tant d\u2019argoment literari (studi e arserche) coma d\u2019argoment pol\u00e9mich (le bataje p\u00ebr la t\u00f9a e la nobilitassion \u00ebd n\u00f2stra lenga e \u2019d n\u00f2stra literatura), antan che j\u2019\u00e0utri component \u00ebd la &#8220;bela Compan\u00eca&#8221; a l\u2019han pod\u00f9 esprime soa vajantisa po\u00e9tica e s\u00f2 ideaj \u00ebd pol\u00ectica lengh\u00ecstica. An mes ai colaborador \u00ebd j\u2019\u00f3ndes agn d\u00ebl giornal i trovoma ij n\u00f2m d&#8217;<a href=\"..\/..\/?p=3451\">Arrigo Frusta<\/a>, <a href=\"..\/..\/?p=11212\">Mario Alban<\/a>, <a href=\"..\/..\/?p=18749\">Carlo Baret<\/a>, <a href=\"..\/..\/?p=18564\">Oreste Galin-a<\/a>, <a href=\"..\/..\/?p=18726\">Giulio Segre<\/a>, <a href=\"..\/..\/?p=18610\">Renzo Brero<\/a>, <a href=\"..\/..\/?p=3454\">Armand Motura<\/a>, <a href=\"..\/..\/?p=3462\">Alfred Nic\u00f2la<\/a>, <a href=\"..\/..\/?p=9915\">Nino Autelli<\/a>, <a href=\"..\/..\/?p=13131\">Aldo Daverio<\/a>, <a href=\"..\/..\/?p=24121\">Renato Bertolotto<\/a>, <a href=\"..\/..\/?p=23419\">Attilio Spaldo<\/a>, <a href=\"..\/..\/?p=11283\">Gioann B\u00f2no<\/a>, <a href=\"..\/..\/?p=3122\">Camillo Brero<\/a>, <a href=\"..\/..\/?p=3410\">Luis Oliv\u00e9<\/a>, <a href=\"..\/..\/?p=18775\">Carlottina Rocco<\/a>, <a href=\"..\/..\/?p=18668\">Elisa Vanoni Castagneri<\/a>\u00a0e v\u00e0ire d\u2019\u00e0utri.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/brande_1967b-1.jpg\" alt=\"\" width=\"539\" height=\"344\" \/><\/p>\n<p>St\u00f2rica fotograf\u00eca (public\u00e0 an s&#8217;\u00abLa Sl\u00f2ira\u00bb N.7|st\u00e8mber 1996) pij\u00e0 a Turin, a la Dogan-a Veja, ai 29 d&#8217;avril d\u00ebl 1967. Da mancin-a: Spaldo, Alessio, Brero, Alfredino, Motura, Galucio, Bodr\u00ece e Roasio; an prima fila, Burat e Pich.<\/p>\n<p><strong>\u25ba<a href=\"..\/..\/?p=24062\" target=\"_blank\" rel=\"noopener\">Camillo Brero: Pinin Pac\u00f2t e la prima \u00abCompan\u00eca dij Brand\u00e9\u00bb<\/a><\/strong><br \/>\n\u25ba\u00a0<a href=\"..\/..\/?p=24337\" target=\"_blank\" rel=\"noopener\"><strong>Giusep Gor\u00eca: 1946: Pinin Pac\u00f2t e la sconda serie d&#8217;<em>Ij Brand\u00e9<\/em><\/strong><\/a><\/p>\n<hr size=\"2\" \/>\n<h2>La literatura ant la sconda mit\u00e0 d\u00ebl Neuvsent<\/h2>\n<p>A venta d\u00ec che j\u2019\u00ebscritor che a son riv\u00e0 a av\u00e8j na n\u00f2mina bon-a ant la sconda mit\u00e0 d\u00ebl s\u00e9col pass\u00e0 a son da s\u00ebrchesse an mes a le file dij Brand\u00e9, tant coj ch\u2019a l\u2019han conoss\u00f9 <a href=\"..\/..\/?p=3428\" target=\"_blank\" rel=\"noopener\">Pac\u00f2t<\/a> e colabor\u00e0 con chiel al giornal coma coj che, bele sensa con\u00f2sse Pac\u00f2t, a son ispirasse ai s\u00f2 ideaj e a soe euvre p\u00ebr port\u00e9 anans \u00ebl drap\u00f2 (e \u2019l bad\u00f2&#8230;) dla lenga e dla coltura piemont\u00e8isa.<\/p>\n<p>A l\u2019\u00e9 pa gnanca \u2019l cas \u00ebd d\u00ec che f\u00e9 bele mach na lista sempia d\u2019\u00ebscritor d\u00ebl di d\u2019ancheuj (e dle vire fin-a vivent) da arcordesse a l\u2019\u00e9 pa bel-f\u00e9; tutun, sensa vor\u00e8j n\u00ec d\u00e9 \u2019d giudissi n\u00ec f\u00e9 \u2019d class\u00ecfiche i armarcroma ij n\u00f2m (e j\u2019euvre) ch\u2019an \u00ebsmija ch\u2019as peussa nen fess-ne sensa p\u00ebr av\u00e8j un qu\u00e0der precis \u00ebd la situassion literaria piemont\u00e8isa d\u2019ancheuj. S\u00f2n sensa vor\u00e8j d\u00ebsmenti\u00e9 ch\u2019a-i \u00e9 v\u00e0ire d\u2019\u00e0utri scritor che, bele sensa av\u00e8j scriv\u00f9 \u2019d ciadeuvre, a l\u2019han un p\u00f2st \u00ebd r\u00ebsguard ant le litre piemont\u00e8ise.<\/p>\n<dl id=\"attachment_3508\">\n<dt>\n<p><figure style=\"width: 150px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" title=\"Autelli\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/Autelli.jpg\" alt=\"\" width=\"150\" height=\"206\" \/><figcaption class=\"wp-caption-text\">Nino Autelli<\/figcaption><\/figure><\/dt>\n<dd><strong>\u25ba<a href=\"..\/..\/?p=9915\">Nino Autelli<\/a><\/strong> (1903-1945): con tut che da la mira cronol\u00f2gica a ventr\u00eca colochelo \u2019nt la prima mit\u00e0 d\u00ebl Neuvsent i lo arcordoma ambeless\u00ec p\u00ebrch\u00e8 che soa euvra an pr\u00f2sa (<em>Pan \u00ebd coa<\/em> d\u00ebl 1931 e <em>Masn\u00e0 <\/em>d\u00ebl 1937), studi\u00e0 e apressi\u00e0 dzortut ant ij n\u00f2stri agn, a l\u2019\u00e9 \u2019d sigur un \u00ebd j\u2019esempi ij p\u00ec \u00e0ut \u00ebd pr\u00f2sa piemont\u00e8isa \u2019dc\u00f2 p\u00ebr j\u2019autor dij n\u00f2stri di.<\/dd>\n<\/dl>\n<p><strong>\u25ba<\/strong><a href=\"..\/..\/?p=3454\" target=\"_self\"><strong>Armand Motura<\/strong><\/a> (1905-1976): autor \u00ebd teatro (a l\u2019ha scriv\u00f9 \u2019d comedie motobin avos\u00e0 com <em>E la roa a l\u2019\u00e9 ancantasse<\/em>, d\u00ebl 1948, e <em>A peul sempre desse<\/em>, d\u00ebl 1955) e poeta, dont le cuj\u00ece le p\u00ec arnom\u00e0 a son Reuse rosse (1947), <em>La patria cita<\/em> (1955), <em>E adess p\u00f2vr \u00f2m<\/em> (1969) e <em>Vita, st\u00f2ria bela<\/em> (1973).<\/p>\n<p><strong>\u25ba <\/strong><a href=\"..\/..\/?p=3462\" target=\"_self\"><strong>Alfred &#8220;Alfredino&#8221; Nic\u00f2la<\/strong><\/a> (1902-1995): apress \u00ebd la fin d\u2019Ij Brand\u00e9 a l\u2019ha fond\u00e0 e dirigi\u00f9 fin-a al 1994 \u00ebl <strong><a href=\"..\/..\/?p=11229\">Musicalbrand\u00e9<\/a><\/strong>&#8211; Arvista piemont\u00e8isa, portavos \u00ebd la Compan\u00eca dij Brand\u00e9; oltrap\u00ec \u2018d poeta (a l\u2019ha public\u00e0 v\u00e0ire l\u00ecber ch&#8217; a s&#8217;\u00e0usso a \u2019n livel motobin \u00e0ut: <em>Spers <\/em>d\u00ebl 1968 e <em>Samada <\/em>d\u00ebl 1982) a l\u2019\u00e9 st\u00e0it musicista e music\u00f2logh bin vajant, arsercador \u00ebd canson popolar piemont\u00e8ise, da chiel public\u00e0 ant la &#8220;Colan-a musical dij Brand\u00e9&#8221;.<\/p>\n<dl id=\"attachment_14557\">\n<dt>\n<p><figure style=\"width: 189px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" title=\"olivero_giovo\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/olivero_giovo1.jpg\" alt=\"\" width=\"189\" height=\"251\" \/><figcaption class=\"wp-caption-text\">Luis Oliv\u00e9<\/figcaption><\/figure><\/dt>\n<dd><strong>\u25ba<a href=\"..\/..\/?p=3410\">Luis Oliv\u00e9<\/a><\/strong>(1909-1996): n\u00e0 a la Vila d\u00eb Stlon, a l\u2019ha pass\u00e0 scasi tuta soa vita an gir p\u00ebr \u00ebl mond, ant\u00e9 ch\u2019a lo portava soa profession \u00ebd giornalista e ant\u00e9 ch\u2019a l\u2019ha conoss\u00f9 na bela part\u00eca d\u2019anteletuaj e d\u00eb scritor (Federico Garc\u00eca Lorca, Jean Cocteau, Ezra Pound e d\u2019\u00e0utri), e peui a Roma, ant\u00e9 ch\u2019a l\u2019\u00e9 m\u00f2rt d\u00ebl 1996 e ant\u00e9 ch\u2019a l\u2019ha fond\u00e0 n\u2019arvista (<em>\u00cbl T\u00f2r &#8211; Arvista l\u00ecbera dij Piemont\u00e8is<\/em>, surt\u00eca belavans mach dal\u201945 al \u201947 p\u00ec \u2019n n\u00f9mer d\u00ebl\u201948). Prosador e poeta, a l\u2019\u00e9 ansema a Pac\u00f2t \u00ebl p\u00ec grand \u00ebscritor piemont\u00e8is d\u00ebl s\u00e9col. An soa poes\u00eca i v\u00ebddoma n\u2019\u00ebsp\u00ecrit universal che, combin ch\u2019as fonga \u2019nt la tradission n\u00f2stra, a s\u00e0 butesse aranda dj\u2019esempi ij p\u00ec grand \u00ebd la poes\u00eca mondial. Soe euvre le p\u00ec avos\u00e0 a son <em>L&#8217;Aeropoema dl\u2019\u00e9lica piemont\u00e8isa<\/em> (1939), Roma andalusa (1945), <em>Ij faunet<\/em> (1955), <em>Rever\u00ece<\/em> (1953-1959), <em>Rond\u00f2 dle Masche<\/em> (1971), tre volum \u00ebd pr\u00f2se l\u00ecriche e pol\u00e9miche (<em>\u00cbl sangh d\u00ebl T\u00f2r, Cartabel e C\u00e0uss al vent<\/em>; 1924-1970) e, da \u00f9ltim, <em>Romanz\u00ece<\/em> (1983).<\/dd>\n<\/dl>\n<p><strong>\u25ba<\/strong><a href=\"..\/..\/?p=11149\"><strong>Umberto Luigi Ronco<\/strong><\/a> (1913-1997): n\u00e0 a Pampar\u00e0, a l\u2019\u00e9 m\u00f2rt a Roma, ant\u00e9 ch\u2019a l\u2019era trasferisse p\u00ebr \u00ebsteje davzin a s\u00f2 mag\u00ecster F.T. Marinetti. Pitor, giornalista e scritor an piemont\u00e8is e italian, a l\u2019\u00e9 esponent \u00ebd l\u2019esperiensa futur\u00ecsta. I l\u2019oma \u2019l volum \u00ebd poes\u00ece <em>Nov\u00e8mber vi\u00f2la-gi\u00e0un<\/em> (1962).<\/p>\n<p><strong>\u25ba<a href=\"..\/..\/?p=10931\">Dumini Badalin<\/a><\/strong> (1917-1980): soa poes\u00eca as caraterisa coma &#8220;paisan-a&#8221; (a s&#8217;esprim a la m\u00f2da \u2019d Carianet), ant ch\u2019a d\u00f2mino mist\u00e0 e figure ch\u2019a armando a la tradission monfrin-a. Soa euvra p\u00ec avos\u00e0 a l\u2019\u00e9 <em>Listeurii dij var\u00e8j<\/em> (1978).<\/p>\n<p><strong>\u25ba <a href=\"..\/..\/?p=23979\">Tavio Cosio<\/a><\/strong> (1923-1989): n\u00e0 a la Vila \u2019d Coni (Villafalletto), p\u00ebr rason \u00ebd travaj a l\u2019\u00e9 tramuvasse al Mel (Val Var\u00e0ita), an amprendend \u00ebdc\u00f2 \u2019l patois provensal \u00ebd cost pais. An costa manera soa euvra a l\u2019ha bat\u00f9 le doe carz\u00e0 lengh\u00ecstiche, privilegiand coms\u00eca \u2019l piemont\u00e8is, an esprimendse an v\u00e0ire poes\u00ece, ma dzortut ant ij s\u00f2 travaj an pr\u00f2sa ch\u2019i podoma lese spatar\u00e0 ansima a \u2019d giornaj e d\u2019arviste, e \u2019dc\u00f2 ant ij volum <em>Pere, gramon e lionsa<\/em> (1975) e <em>Sota \u00ebl chinch\u00e9<\/em> (1980).<\/p>\n<p><strong>\u25ba <a href=\"..\/..\/?p=3436\" target=\"_self\">Bep Ross <\/a><\/strong>(1935-1995): n\u00e0 al Borgh (San Dalmass), anlev \u00ebd barba T\u00f2ni, a l\u2019\u00e9 \u2019dc\u00f2 chiel bogiasse an sle doe stra (provensal e piemont\u00e8isa), an lassandne \u2019n p\u00ebrfond \u00ebd pr\u00f2se e \u2019d poes\u00ece ant le doe lenghe ch\u2019an dan cont \u00ebd soa vajantisa literaria e lengh\u00ecstica, ma \u2018dc\u00f2 \u2019d soa conossensa ancreusa dle tradission popolar e dle costume \u2019d soe valade. Oltrap\u00ec \u2018d v\u00e0ire euvre spatar\u00e0 ansima a \u2019d giornaj e a d\u2019arviste an resta \u2019l l\u00ecber <em>B\u00e0uss <\/em>(1989).<\/p>\n<dl id=\"attachment_14558\">\n<dt>\n<p><figure style=\"width: 158px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" title=\"barba-toni\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/barba-toni.jpg\" alt=\"\" width=\"158\" height=\"223\" \/><figcaption class=\"wp-caption-text\">Barba T\u00f2ni B\u00e0ud-r\u00ece<\/figcaption><\/figure><\/dt>\n<dt>\u25ba <a href=\"..\/..\/?p=3066\" target=\"_self\">Barba T\u00f2ni B\u00e0ud-r\u00ece\u00a0<\/a>(1921-1999): n\u00e0 a Frasso (Val Var\u00e0ita), soa prima lenga dla poes\u00eca a l\u2019\u00e9 st\u00e0it \u00ebl provensal \u00ebd soa valada (<em>Fraisse e m\u00e9el<\/em>, 1965; <em>Solestrelh \u00f2ucitan<\/em>; 1971), p\u00ebr pass\u00e9 peui al piemont\u00e8is comun, bele con \u00ebd nuanse \u2019d soe part (<em>Val d\u2019Inghildon<\/em>; 1974; <em>Sust<\/em>; 1985). \u00d2m \u00ebd na coltura strasordinaria, soa poes\u00eca a l\u2019\u00e9 bogiasse sempe \u2019d p\u00ec an sla carz\u00e0 religiosa, scasi fransescan-a ant s\u00f2 anteresse e soa grinor p\u00ebr le bestie che, s\u00ecmbol \u00ebd na vita sempia e natural \u00ebmnass\u00e0 \u2019d m\u00f2rt da la sivilt\u00e0 d\u00ebl di d\u2019ancheuj, a dvento na met\u00e0fora dle lenghe e dij p\u00f2poj pcit.<\/dt>\n<\/dl>\n<figure style=\"width: 144px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" title=\"brero\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/brero-1.jpg\" alt=\"\" width=\"144\" height=\"141\" \/><figcaption class=\"wp-caption-text\">Camillo Brero<\/figcaption><\/figure>\n<p><strong>\u25ba <a href=\"..\/..\/?p=3122\" target=\"_self\">Camillo Brero<\/a><\/strong> (L&#8217;Anvod dij Br\u00e9, Milo Br\u00e9), 1926-2018): a l\u2019\u00e9 a bon drit l\u2019ardit\u00e9 \u2019l p\u00ec avos\u00e0 \u2019d Pinin Pac\u00f2t, oltrap\u00ec che s\u00f2 anlev p\u00ec car; soa poes\u00eca a l\u2019\u00e9 sempe st\u00e0ita \u2018d car\u00e0ter religios, d\u2019un sens religios (\u00ebvn\u00f9it ch\u00ebrsend ant j\u2019\u00f9ltim agn) ant\u00e9 ch\u2019a s&#8217;ancontro la religiosit\u00e0 tradissional dij Grand e cola ch\u2019a nass da la grinor p\u00ebr la lenga e la poes\u00eca, la bin p\u00ebr la t\u00e8ra e la nostalg\u00eca dl\u2019infansia. Soe euvre po\u00e9tiche p\u00ec avos\u00e0 a son <em>Spluve <\/em>(1949), <em>Bin a la t\u00e8ra<\/em> (1977), <em>Breviari dl\u2019\u00e0nima<\/em> (1994), <em>An brass al sol<\/em> (1996) e le pr\u00f2se \u2019d <em>La bela stagion <\/em>e d&#8217;<em>Amor polid<\/em> (1987).<br \/>\nBrero a l\u2019\u00e8 \u2019dc\u00f2 autor \u00ebd la <em>Gram\u00e0tica piemont\u00e8isa<\/em> (1967), d\u00ebl dissionari italian-piemont\u00e8is (1976) e piemont\u00e8is-italian (1982) e dla <em>Storia della letteratura piemontese<\/em> (1981-1983).<\/p>\n<p><strong>\u25ba<\/strong><a href=\"..\/..\/?p=3442\" target=\"_self\"><strong>Gioann Mor\u00e9l<\/strong><\/a> (1928-2015): an soe poes\u00ece, ch\u2019a nasso sovens da \u2019d mist\u00e0 marenghe e da soa esperiensa \u2019d p\u00ebscador, a l\u2019ha sav\u00f9 dovr\u00e9 na lenga nen mach soas\u00eca ma \u2019dc\u00f2 creativa \u2019nt \u00ebl feje cad\u00f2 a n\u00f2stra literatura d\u2019un vocabolari spess\u00ecfich r\u00ebsguardant \u00ebl mar e la p\u00ebsca; soa produssion a l\u2019\u00e9 p\u00ec che tut \u00ebspatar\u00e0 ansima giornaj e arviste, ma a l\u2019ha \u2019dc\u00f2 public\u00e0 \u2019l volum \u00ebd poes\u00ece <em>La t\u00e8ra ancant\u00e0<\/em> (1991).<\/p>\n<p><strong>\u25ba<a href=\"..\/..\/?p=12401\" target=\"_blank\" rel=\"noopener\">Censin Pich<\/a><\/strong> (1930): organisador coltural e prosador, a l\u2019\u00e9 co-autor \u00ebd <em>Sap\u00e9j &#8211; Pr\u00f2se piemont\u00e8ise<\/em> (1996), oltrap\u00ec che col\u00f2na \u2018d &#8220;La Sl\u00f2ira-Arvista piemont\u00e8isa&#8221;.<\/p>\n<p><strong>\u25ba Rico Gulin<\/strong>: n\u00e0 a Salusse, poeta e prosador vajant, a l\u2019ha \u2019dc\u00f2 public\u00e0 doi libret \u00ebd tradussion dal latin (Catul) e dal grech cl\u00e0ssich (ij l\u00ecrich \u00ebd l\u2019et\u00e0 arc\u00e0ica).<\/p>\n<dl id=\"attachment_14559\">\n<dt>\n<p><figure style=\"width: 183px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" title=\"burat1\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/burat1.jpg\" alt=\"\" width=\"183\" height=\"270\" \/><figcaption class=\"wp-caption-text\">Tavo Burat<\/figcaption><\/figure><\/dt>\n<dd><strong>\u25ba <a href=\"..\/..\/?p=3611\" target=\"_self\">Tavo Burat<\/a><\/strong>(1932-2009): brand\u00e9 biel\u00e8is (combin ch\u2019a sia n\u00e0 davzin a B\u00e8rghem), a l\u2019\u00e9 anlev \u00ebd Pac\u00f2t tant da la mira po\u00e9tica che da cola pol\u00e9mica e militanta, essend che Burat a l&#8217;ha bataj\u00e0 tuta soa vita p\u00ebr l\u2019arconossiment \u00ebd tute le lenghe pcite, mnass\u00e0 e taj\u00e0 (e pa mach \u00ebl piemont\u00e8is). A l\u2019\u00e9 un dij mej prosador piemont\u00e8is (soe pr\u00f2se a son \u00ebspatar\u00e0 ansima a \u2019d giornaj e d\u2019arviste), ma \u2019dc\u00f2 grand conosseur \u00ebd la sivilt\u00e0 b\u00ebrgera e campagnin-a e dle tradission popolar.<\/dd>\n<\/dl>\n<dl id=\"attachment_14560\">\n<dt>\n<p><figure style=\"width: 206px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" title=\"bianca_dorato1\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/bianca_dorato11.jpg\" alt=\"\" width=\"206\" height=\"299\" \/><figcaption class=\"wp-caption-text\">Bianca Dorato<\/figcaption><\/figure><\/dt>\n<\/dl>\n<p><strong>\u25ba <a href=\"..\/..\/?p=3152\" target=\"_self\">Bianca Dorato<\/a><\/strong> (1933-2007): scritris turin\u00e8isa bin avos\u00e0 \u2019dc\u00f2 f\u00f2ra \u2019d Piemont; soa euvra, ch\u2019as caraterisa \u2019dc\u00f2 p\u00ebr na creativit\u00e0 lengh\u00ecstica vajanta, as d\u00ebsrola tant ant la poes\u00eca che ant \u00ebl teatro tr\u00e0gich e ant la pr\u00f2sa.<\/p>\n<p><strong>\u25ba <a href=\"..\/..\/?p=3446\" target=\"_self\">Anita Giraudi<\/a><\/strong>: poet\u00ebssa &#8216;d C\u00e0ire, ressidenta a Toronto che, apress d\u2019av\u00e8j public\u00e0 v\u00e0ire pcite ciadeuvre ansima a d\u2019arviste ant j\u2019ani \u201970\/\u201980, a l\u2019\u00e9 peui belavans scasi d\u00ebscompar\u00eca da la sena literaria piemont\u00e8isa.<\/p>\n<p><strong>\u25ba <a href=\"..\/..\/?p=12943\" target=\"_blank\" rel=\"noopener\">Remigio Bertolino<\/a><\/strong> (1948): poeta ant la parlada \u2019d Mont\u00e0ud (\u00cbl Mondv\u00ec), a l\u2019\u00e9 un dij rapresentant \u00ebd la ansidita &#8220;poes\u00eca neodialetal&#8221;.<\/p>\n<p><strong>\u25ba <a href=\"..\/..\/?p=13061\" target=\"_blank\" rel=\"noopener\">Dario Pas\u00e9<\/a><\/strong> (1952): studios \u00ebd n\u00f2stra st\u00f2ria literaria e tradutor an piemont\u00e8is \u00ebd test antich (ij l\u00ecrich grech arc\u00e0ich, v\u00e0ire s-cianch dij fil\u00f2sof pre-socr\u00e0tich), a l\u2019\u00e8 \u2019dc\u00f2 poeta e prosador. Ant soe euvre po\u00e9tiche a d\u00f2mino \u2019d mist\u00e0 gav\u00e0 dal mit o da la coltura cl\u00e0ssica e giudeo-el\u00e9nica, antramentre che soe pr\u00f2se an \u00ebsmon-o \u2019d mist\u00e0 noir o grotesche. Oltrap\u00ec \u2019d v\u00e0ire composission surtije ansima d\u2019arviste e &#8216;d giornaj, a l\u2019\u00e9 co-autor \u00ebd <em>Sap\u00e9j &#8211; Pr\u00f2se piemont\u00e8ise<\/em> (1996).<\/p>\n<p><strong>\u25ba <\/strong><a href=\"..\/..\/?p=24205\"><strong>Giusep Gor\u00eca<\/strong><\/a> (1953): un dij p\u00ec grand poeta e prosador \u00ebd j\u2019\u00f9ltime generassion. Ant soe poes\u00ece an \u00ebsmon \u00ebd mist\u00e0 sovens grop\u00e0 a \u2019d seugn e a \u2019d rever\u00ece o a j\u2019arch\u00e9tip \u00ebd la coltura ossidental; soa pr\u00f2sa as caraterisa p\u00ebr ij ton g\u00f2tich e sovens \u00ebsparmant. Soe euvre a son p\u00ec che tut public\u00e0 ansima a \u2019d giornaj e d\u2019arviste.<\/p>\n<hr size=\"2\" \/>\n<p><strong>Session da d\u00ebsvlup\u00e9<\/strong><\/p>\n<p><a href=\"..\/..\/?p=23089\">Alex<\/a> (Alessio Alvazzi Del Frate, 1890-1982)<br \/>\nDon Aldo Amprimo<br \/>\nGiuseppe Astrua<br \/>\nCleo Balbo (1919-1984)<br \/>\nP. Mario Battagliotti<br \/>\n<a href=\"..\/..\/?p=23325\">Franco Bertoni<\/a> (1908-1998)<br \/>\nGiuseppe Bonavia<br \/>\nWolfango Bosco<br \/>\nOscar Botto (1922-2008)<br \/>\nGiacinto Bozzi<br \/>\nDon Giuseppe Bruno<br \/>\nDomenico Buratti (1882-1960)<br \/>\nVincenzo Buronzo (1884-1976)<br \/>\n<a href=\"..\/..\/?p=19370\">Gioann Calchera <\/a>(1907-1994)<br \/>\nGiorgio Caranzano<br \/>\nPin\u00f2t Casalegno (1882-1953)<br \/>\nP. Silverio Luigi Cismondi<br \/>\n<a href=\"..\/..\/?p=18650\" target=\"_blank\" rel=\"noopener\">P\u00e9der Corzat Vign\u00f2t<\/a> (1850 &#8211; 1921)<br \/>\nMario Dadone<br \/>\nNeti Demaria\u00a0(1890 &#8211; 1962)<br \/>\nSilvio Einaudi (1898-1982)<br \/>\nMarco Fantini<br \/>\nMaria Ferrero (+ 1967)<br \/>\nSalvator Ferrero (+ 1964)<br \/>\nRemo Formica (1904-1965)<br \/>\nGiovanni Fracchia<br \/>\n<a href=\"..\/..\/?p=23117\">Ernest Franc\u00f2t<\/a> (1908-1968)<br \/>\n<a href=\"..\/..\/?p=10922\">Don Mich\u00e9l Fus\u00e9<\/a> (1916-2006)<br \/>\nCarlo Gallo (Galucio)<br \/>\n<a href=\"..\/..\/?p=18136\">Renzo Gandolfo<\/a> (1900-1987)<br \/>\n<a href=\"..\/..\/?p=23350\">Giuseppe Lazzarone<\/a> (1903-1970)<br \/>\n<a href=\"..\/..\/?p=22567\">Censin Lagna<\/a><br \/>\n<a href=\"..\/..\/?p=19190\">Luisein<\/a> (Luigi Silvi, 1889-1972)<br \/>\nSan Leonardo Murialdo (1828-1900)<br \/>\nFederico Olivero<br \/>\nDon Francesco Origlia (Cichin &#8216;d Barzan, 1885-1975)<br \/>\n<a href=\"..\/..\/?p=22631\">Barnaba Pecco<\/a> (1905-1995)<br \/>\nDon Michel\u00e0ngel Perin-Bert<br \/>\n<a href=\"..\/..\/?p=23889\">Sandro Platone<\/a> (1916-1941)<br \/>\nVigin Roccati (1906-1967)<br \/>\n<a href=\"..\/..\/?p=18740\">Teresio Rovere<\/a> (1891 &#8211; 1964)<br \/>\nLuisa Santavera<br \/>\n<a href=\"..\/..\/?p=23899\" target=\"_blank\" rel=\"noopener\">Don Luigi Tessitore<\/a> (1863-1949)<br \/>\nLuigi Timbaldi<br \/>\nMenotti Tomaselli<br \/>\n<a href=\"..\/..\/?p=43\">Luis Valsoan<\/a> (1862 &#8211; 1906)<br \/>\n<a href=\"..\/..\/?p=23561\" target=\"_blank\" rel=\"noopener\">Edoardo Vercelletti<\/a> (+ 1971)<\/p>\n<hr size=\"2\" \/>\n<h2>Profil \u00ebd la Literatura piemont\u00e8isa d&#8217;ancheuj<\/h2>\n<p>&nbsp;<\/p>\n<p>[\u00ebd D.P. &#8211; Con l\u2019autorisassion \u00ebd: http:\/\/www.poetidelparco.it]<\/p>\n<p>&nbsp;<\/p>\n<dl id=\"attachment_23011\">\n<dt>\n<p><figure style=\"width: 182px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" title=\"alfredino_nicola\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/alfredino_nicola.jpg\" alt=\"\" width=\"182\" height=\"227\" \/><figcaption class=\"wp-caption-text\">Alfred Nic\u00f2la<\/figcaption><\/figure><\/dt>\n<dt>La poes\u00eca piemont\u00e8isa d\u00ebl di d\u2019ancheuj, adonch, a presenta \u2018n vantaj d\u00eb scritor \u00ebd prim liv\u00e9l (cheidun, bele che p\u00f2ich, conoss\u00f9 \u2018dc\u00f2 a l\u2019anf\u00f2ra \u2018d Piemont), che, oltra a la lenga dzor-dialetala (l\u2019ansidita <em>koin\u00e8<\/em>, formasse a parte da la sconda mit\u00e0 d\u00ebl Setsent an sla base d\u00ebl turin\u00e8is, tut s\u00f9bit col \u00ebd la Cort e peui \u00ebd la borzoas\u00eca), a rapresento scasi tute le variant locaj \u00ebd la lenga piemont\u00e8isa.<\/dt>\n<dt><\/dt>\n<dt>Adonch a l\u2019\u00e9 giusta andasandje dapress a cost \u00ebschema \u201cgeogr\u00e0fich\u201d ch\u2019i v\u00ebdroma d\u2019ilustr\u00e9 ij poeta ij p\u00ec amportant d\u2019ancheuj: an ancaminand da j\u00eb scritor an koin\u00e8 p\u00ebr pass\u00e9 peui a le region \u00ebst\u00f2riche piemont\u00e8ise (da \u00f2vest a est e da n\u00f2rd a sud): Canav\u00e8is, Biela e Valsesia, V\u00ebrsej, Verban e \u00d2ssola, Noara, Monfr\u00e0, Lissandria, Langhe e Ro\u00e9, \u00cbl Mondv\u00ec, Coni.<\/dt>\n<\/dl>\n<p>Ancaminoma donca n\u00f2str viage ant la poes\u00eca piemont\u00e8isa d\u00ebl di d\u2019ancheuj da j\u00eb scritor an <em>koin\u00e8<\/em>, la lenga piemont\u00e8isa literaria che ancor ancheuj an v\u00e0ire \u2013 belavans \u2013 a ident\u00ecfico tut curt co\u2019l turin\u00e8is (bele ch\u2019a sia peui v\u00e8ra che la base dla koin\u00e8 a l\u2019\u00e9 a l\u201980% turin\u00e8isa): che costa a sia nen assolutament \u00ebl \u201cturin\u00e8is\u201d a lo preuva \u2018l f\u00e0it che v\u00e0ire poeta (e \u2018dc\u00f2 cheidun \u00ebd coj ch\u2019i faroma \u2018l n\u00f2m), bin ch\u2019a sio nen turin\u00e8is e che gnanca a stago a Turin, a d\u00f2vro costa forma lingu\u00ecstica (ch\u2019a l\u2019\u00e9 \u2018dc\u00f2 cola d\u00ebl parl\u00e0 dzor-dialetal) p\u00ebr ij s\u00f2 componiment.<\/p>\n<p>Antra ij poeta manch giovo an koin\u00e8 piemont\u00e8isa i l\u2019oma g\u00f2j d\u2019arcord\u00e9 ij doi dari\u00e9 diss\u00e9poj \u00ebd Pinin Pac\u00f2t, visad\u00ec <strong><a href=\"..\/..\/?p=3122\">Camillo Brero<\/a><\/strong> (1926-2018) e <a href=\"..\/..\/?p=3442\"><strong>Gioann Mor\u00e9l<\/strong><\/a>(1928-2015), tuti doi colaborador an giovent\u00f9 \u00ebd l\u2019arvista pacotian-a \u00ab<strong><a href=\"..\/..\/?p=3087\">Ij Brand\u00e9<\/a><\/strong>, giornal \u00ebd poes\u00eca piemont\u00e8isa\u00bb (1946-1957), che dai s\u00f2 feuj a l\u2019\u00e9 slargasse la \u201crivolussion\u201d po\u00e9tica \u2018d Pinin Pac\u00f2t. Dij doi, Brero a l\u2019\u00e9 col che, oltra a l\u2019ardit\u00e0 po\u00e9tica, a l\u2019ha arseiv\u00f9 da Pac\u00f2t \u2018dc\u00f2 \u2018l testim\u00f2ne dl\u2019ativit\u00e0 coltural (lingu\u00ecstica e literaria), che a l\u2019\u00e9 concretisasse an particolar ant la <em>Gram\u00e0tica piemont\u00e8isa<\/em> (1967), ant \u00ebl Vocabolario (italiano-piemontese, d\u00ebl 1976, e piemont\u00e8is-italian, d\u00ebl 1982) e ant la <em>St\u00f2ria dla leteratura piemont\u00e8isa<\/em> (an 3 volum; 1981-83), euvra merit\u00f2ria ai temp ch\u2019a l\u2019\u00e9 par\u00ebss\u00f9a, giumai g\u00e0ire sorpass\u00e0.<br \/>\nP\u00ebr riv\u00e9 al qu\u00e0der po\u00e9tich spess\u00ecfich, Brero as fa armarch\u00e9 p\u00ebr na poes\u00eca che a f\u00e0 dla tradission (an \u00ebspece cola religiosa) \u00ebd la gent \u00ebd Piemont s\u00f2 piv\u00f2, con \u00ebd composission s\u00e8mper originaj (bele che ant \u00ebl sorch \u00ebd la tradission) da la mira dla m\u00e9trica, che tutun da \u2018mp\u00f2 \u2018d temp, oltra che srairisse, a carca, bele se ant na vision cristian-a frema, ant \u00ebl segn \u00ebd la malincon\u00eca e d\u00ebl pessimism; ant le poes\u00ece \u2018d Mor\u00e9l i trovoma, nop\u00e0, oltra a na forma p\u00ec inmedi\u00e0, lesta e belf\u00e9, n\u2019atension nen ordinaria ai tema dla da d\u00ebscuverta d\u00ebl mal (e dla bin) \u00ebd la vita, sempe viv\u00f9a con partessipassion e con sodisfassion; Mor\u00e9l, \u00ebd sorpl\u00f9, passion\u00e0 \u2018d p\u00ebsca e \u2018d mar, a l\u2019ha sav\u00f9 deje a la poes\u00eca piemont\u00e8isa na dimension originala (con un l\u00e9ssich otan original): cola dl\u2019eva e dla mar, \u00ebd j\u2019onde e dj\u2019esse vivent \u00ebd l\u2019eva.<\/p>\n<dl id=\"attachment_23012\">\n<dt>\n<p><figure style=\"width: 206px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" title=\"censin_pich\" src=\"..\/..\/wp-content\/uploads\/2010\/12\/censin_pich.jpg\" alt=\"\" width=\"206\" height=\"229\" \/><figcaption class=\"wp-caption-text\">Censin Pich<\/figcaption><\/figure><\/dt>\n<\/dl>\n<p>Bele ch\u2019a l\u2019abia nen conoss\u00f9 Pac\u00f2t \u00ebd p\u00ebrson-a e ch\u2019a sia riv\u00e0 a la poes\u00eca e a la coltura piemont\u00e8isa mach ant j\u2019ani Stanta d\u00ebl s\u00e9col pass\u00e0, a costa generassion \u00ebd poeta i podoma \u2018dc\u00f2 giont\u00e9 <strong><a href=\"..\/..\/?p=12401\">Censin Pich<\/a><\/strong>. Autor sia \u2018d pr\u00f2sa che \u2018d poes\u00eca, da \u00f9ltim a l\u2019ha belavans \u00ebsrair\u00ec soa produssion, ch\u2019a resta tuta marc\u00e0 da <em>Sapej<\/em>, cuj\u00eca \u2018d pr\u00f2se d\u00ebl 1997, e da <em>P\u00ebr \u00ebl Piemont e \u2019l mond e d\u2019\u00e0utri mond<\/em> (poes\u00ece) d\u00ebl 2002. Soa produssion as bogia antra d\u2019arc\u00f2rd e d&#8217;imagi feminin-e, sbiaj\u00ecje e t\u00ebnn-re, d\u00ebstr\u00e0 sovens ansima \u2018d senari t\u00ecpich piemont\u00e8is (ma nen mach: pensoma, pr esempe, ai test dedic\u00e0 ai viage ant le Fiandre e an Almagna) sia \u2018d campagna che sitadin.<\/p>\n<p>D\u2019\u00e0utri esponent \u00ebd la poes\u00eca an koin\u00e8 a son un grup \u00ebd poeta grop\u00e0 sia da la gifra generassionala (t\u00f9it a son n\u00e0 giusta antra j\u2019ani Quaranta e ij Sinquanta d\u00ebl s\u00e9col pass\u00e0) sia da l\u2019istessa adoss turin\u00e8isa: <strong><a href=\"..\/..\/?p=3446\">Anita Gir\u00e0ud<\/a><\/strong>, nass\u00f9a a C\u00e0ire e che ancheuj a st\u00e0 an Canad\u00e0, a l\u2019\u00e9 la prima \u2018d costa session. Poet\u00ebssa soas\u00eca da la mira inteletual e rapresentanta \u2018d na s\u00f2rt \u00ebd trobar clus d\u2019ancheuj, ij s\u00f2 test a armando sovens a mit e legende dla coltura ossidentala, nen sensa na vision psicanal\u00ectica che \u2018d vire an men-a an sla seuja (ma sensa pass\u00e9 d\u00ebdl\u00e0\u2026) dla visionariet\u00e0.<\/p>\n<p><strong><a href=\"..\/..\/?p=23618\" target=\"_blank\" rel=\"noopener\"> Albina Malerba<\/a><\/strong>, diretris \u00ebd la \u00abCa de studi piemont\u00e8is\u00bb \u00ebd Turin, a l\u2019ha belavans chit\u00e0 la poes\u00eca da ch\u00e8iche ani, an lassandne mach la cuj\u00eca <em>\u00cbl meisin<\/em> (1983), ch\u2019a buta ansema \u2018d test andova che j\u2019anciarm \u00ebd j\u00eb scritor italo-piemont\u00e8is d\u00ebl \u2019900, da Pavese a Primo Levi da Fenoglio a Arpino, a son ci\u00e0ir bele ant l\u2019originalit\u00e0 dla scritura.<\/p>\n<p><a href=\"..\/..\/?p=13061\"><strong>Dario Pas\u00e9<\/strong><\/a> (Pasero) e <strong><a href=\"..\/..\/?p=24205\">Giusep Gor\u00eca<\/a><\/strong> a son miraco ij doi scritor ch\u2019a s\u2019\u00ebsmijo \u2018d p\u00ec, bele ant la diversit\u00e0 dij tema e dj\u2019arzult\u00e0: tuti doi a condivido, an ef\u00e9t, la sernia dla scritura po\u00e9tica tan\u2019me \u201cancontr-\u00ebscontr\u201d antra art e filosof\u00eca e antra rassionalit\u00e0 e fol\u00eca, oltra a la convinsion che \u2018l test po\u00e9tich a sia par\u00e8j d\u2019un tess\u00f9 \u2018d son e \u2018d par\u00f2le ch\u2019as traduv sovens ant un modern trobar clus; d\u2019avans la visionariet\u00e0, \u00ebl mit (cl\u00e0ssich e pagan), l\u2019arseugn e la profetissit\u00e0 dla poes\u00eca. A cost grup i podoma giont\u00e9, p\u00ebr \u00ebsmijansa d\u2019ideaj e \u2018d sernie m\u00e9triche e formaj, \u2018dc\u00f2 <strong><a href=\"..\/..\/?p=19183\">Umberto M. Gillio<\/a><\/strong>, scritor an koin\u00e8 bele che originari \u2018d Cassin\u00ebtte d\u2019Ivreja, ch\u2019a l\u2019\u00e8 mostrasse giusta da p\u00f2ch an sla sena po\u00e9tica piemont\u00e8isa.<\/p>\n<p>Da gi\u00e0 ch\u2019i l\u2019oma parl\u00e0 d\u2019Ivreja, restoma ant \u00ebl Canav\u00e8is e beicoma la figura \u2018d <strong>Caterina Menaldino<\/strong>, poet\u00ebssa popolar, un-a dj\u2019\u00f9ltim esponent \u00ebd na forma \u2018d poes\u00eca ch\u2019a fonga soe r\u00e8is almanch ant \u00ebl s\u00e9col XVII (per\u00ecod ch\u2019i n\u2019oma le prime testimonianse scrite), visad\u00ec l\u2019ansidit <em><strong><a href=\"..\/..\/?p=10888\">T\u00f2ni<\/a><\/strong><\/em>, balada popolar an quartin-e ch\u2019a trata an forma sat\u00ecrica d\u2019argoment d\u2019atualit\u00e0 (pol\u00ectica, sossial, \u00ebd costumansa\u2026), con un ton da t\u00f9it ij di e \u2018n l\u00e9ssich mincatant bass, oltratut an dovrand \u00ebl parl\u00e9 \u2018d soa borgi\u00e0, na frassion d\u00eb Strambin.<\/p>\n<p>Seguitand adess vers n\u00f2rd-est i trovoma Biela, soe valade, e la Valsesia, territ\u00f2ri ch\u2019a l\u2019\u00e9 st\u00e0it leu spess\u00ecfich \u00ebd \u201cmission\u201d p\u00ebr \u00ebl biel\u00e8is Tavo Burat, ch\u2019i l\u2019oma parlane dzora. An ef\u00e9t scasi t\u00f9it ij poeta biel\u00e8is e valsesian d\u2019ancheuj a-j d\u00ebvo a Burat sia p\u00ebr la decision \u00ebd dovr\u00e9 an poes\u00eca so parl\u00e9 local (cheidun, ma p\u00ec da r\u00e0ir, \u2018dc\u00f2 la koin\u00e8) sia p\u00ebr la sernia d\u2019argoment n\u00f2bij e nen \u201cdialetaj\u201d ant l\u2019acession manch complesanta d\u00ebl t\u00e8rmin.<br \/>\nMemorioma donca <strong>Nedo Bocchio Chiavetto<\/strong> e <strong>Maria Rita Nobili<\/strong>, valsesian, e <strong>Maria Pia Coda Forno<\/strong>, biel\u00e8isa, autris vajanta \u2018dc\u00f2 an pr\u00f2sa e arsercatris \u00ebd f\u00e0ule e legende popolar.<\/p>\n<p>An caland vers P\u00f2 i trovoma la pian-a v\u00ebrsl\u00e8isa, ch\u2019an d\u00e0 pa \u2018d poeta vajant, f\u00f2ra-via \u2018d <strong>Valerio Rollone<\/strong>, \u00ebd Livorn, che a l\u2019ha sern\u00f9 coms\u00ebss\u00eca \u2018dc\u00f2 chiel d\u2019esprimse an koin\u00e8 (bele che con ch\u00e8iche ansersion locala, spece ant \u00ebl l\u00e9ssich \u00ebd le risere) e che, p\u00ebr avzinansa generassional e comunansa d\u00eb stil e \u2018d tema, a peul esse but\u00e0 aranda al grup dij \u201cturin\u00e8is\u201d ch\u2019i l\u2019oma parlane anans, che, avend ancaminasse an pr\u00e0tica a poet\u00e9 t\u00f9it al prinsipi dj&#8217;ani Otanta d\u00ebl s\u00e9col pass\u00e0, a son st\u00e0it definiti \u2018dc\u00f2 la \u201cgenerassion \u00ebd coj \u2018d trant\u2019ani\u201d.<\/p>\n<p>[\u2026] Ant \u00ebl Verban-Cus-\u00d2ssola e ant la region \u00ebd <strong><a href=\"..\/..\/?p=13588\">Noara<\/a><\/strong>[\u2026] i l\u2019oma da signal\u00e9 almanch tre poeta \u2018d rilevansa piemont\u00e8isa: \u00ebl <strong>Nivod d\u00ebl Cavagnat<\/strong> (gnun a s\u00e0 chi ch\u2019a-i sia dar\u00e9 \u2018d cost stran\u00f2m) d\u2019Om\u00e8gna e <strong>Giorgio Rava<\/strong> \u2018d Crusnal, localit\u00e0 tute doe an sle rive d\u00ebl lach d\u2019\u00d2rta, dont le poes\u00ece as p\u00f2so sovens ansima d\u2019imagi natural\u00ecstiche, \u00ebd na natura s\u00ec urosa e malinc\u00f2nica ant cola, o an sl\u2019introspession e l\u00eb sgav andrin l\u2019essensa dl\u2019\u00f2m, an \u00ebspece p\u00ebr \u00ebl Nivod. \u00cbl ters n\u00f2m a l\u2019\u00e9 col \u00ebd la noar\u00e8isa <strong>Anna Maria Balossini<\/strong>, andova che \u2018l tema d\u00ebl destin \u00ebd l\u2019esse as declin-a mincatant con \u00ebd mist\u00e0 tir\u00e0 da la religiosit\u00e0 inteletual d\u00ebl fil\u00f2sof.<\/p>\n<p>Andasand torna verso mesd\u00ec i r\u00ebscontroma Lissandria e \u2018l Monfr\u00e0 [\u2026]. Lissandria [a l\u2019ha sern\u00f9 da p\u00f2ch] \u00ebd produve \u2018d test po\u00e9tich nen popolar an manera belf\u00e9 e ordinaria (m\u00e9 ch\u2019a j\u2019ero fin-a ancor a ch\u00e8iche desen-e d\u2019ani andarera j\u2019imitassion dle bosin\u00e0 d\u00ebl carv\u00e9), [con \u00ebd] poeta tan\u2019me la lissandrin-a Ginevra Bocchio e Domenico Bisio (\u00ebd Farsn\u00e8ra) e ij monfrin <strong><a href=\"..\/..\/?p=11481\">Lorenzo Magrassi<\/a><\/strong>, \u00ebd Villa Vernia, e Teresio Malpassuto, d\u2019Ambrusengh.<\/p>\n<p>Foma adess tut \u00ebl vir e andoma torna a \u00f2vest e anvers Turin e i trovoma col che p\u00ebr v\u00e0ire studios a l\u2019\u00e9 \u2018l \u201cs\u00f2co dur\u201d \u00ebd la lenga e dla coltura piemont\u00e8isa, la provinsa \u2018d Coni o, com a l\u2019han p\u00ec car ciamela coj \u00ebd l\u00ec, La Granda. An costa i conossoma, sia da la mira lingu\u00ecstica che po\u00e9tica, tre canton almanch, vzin e compagn ma nen istess: le Langhe (e ij Ro\u00e9), \u00ebl Monregal\u00e8is, la pian-a da Coni (vers mesaneuit) fin-a a Salusse e Pinareul. Spece ant la pian-a antra Coni e la provinsa \u2018d Turin la lenga ch\u2019as parla a l\u2019\u00e9 tant \u00ebvzin-a a la <em>koin\u00e8<\/em>, goernand p\u00ebrlop\u00ec, \u2018dc\u00f2 ant la costuma viventa, tuta na serie d\u2019arcaism, lessicaj e morfol\u00f2gich, sovens giumai nen-usuaj sia a Turin che ant la lenga literaria.<\/p>\n<p>An tra la Langa e \u00cbl Mondv\u00ec as bogio \u2018d poeta giovo, ch\u2019a son <strong>Bruno Massimino<\/strong> (\u00ebd Car\u00f9), <strong>Gianfranca Prato<\/strong> e <strong>Elisa Revelli Tomatis<\/strong>, chila \u2018dc\u00f2 \u2018d Car\u00f9 ma ressidenta a Coni, antan che n\u2019esponent \u00ebd la poes\u00eca langareula, e an particolar ant la venerassion p\u00ebr la campagna e la sombra vision d\u00ebspr\u00e0 dla vita testimoni\u00e0 da l\u2019abandon \u00ebd la t\u00e8ra e dl\u2019emigrassion, a l\u2019\u00e9 l\u2019alb\u00e8is <strong>Silvio Viberti<\/strong>.<\/p>\n<p>Restand nop\u00e0 p\u00ec davzin al Mondov\u00ec e a j\u2019Alp d\u00ebl Mar i trovoma un grup \u00ebd poeta che, bin se \u2018d generassion diferente, a son st\u00e0it but\u00e0 ansema da Giovanni Tesio sota la definission \u00ebd \u201cgrup d\u00ebl Mondv\u00ec\u201d, vzin sia p\u00ebr j\u2019asp\u00e9t lingu\u00ecstich (\u00ebl parl\u00e9 d\u00ebl Mondov\u00ec \u201ca sent\u201d \u00ebd Langa e dle v\u00f2te \u2018d Liguria, sensa esse n\u00ec langhet n\u00ec geno\u00e8is) sia p\u00ebr le sernie struturaj e stil\u00ecstiche (an general a l\u2019han la predilession p\u00ebr \u00ebd test curt e r\u00e0ir) sia p\u00ebr j\u2019argoment. I arcordoma ij p\u00ec vej <strong>Carlo R\u00e9gis<\/strong> e <strong>Barbafi\u00f2re<\/strong> (nom de plume \u00ebd Domenico Boeti), e ij p\u00ec giovo <strong>Marita Bellino<\/strong>, <strong>Felicina Bonino Priola<\/strong>, <strong>Carlo Dardanello<\/strong> e <strong><a href=\"..\/..\/?p=12943\">Remigio Bertolino<\/a><\/strong>, miraco l\u00eb scritor p\u00ec conoss\u00f9 a l\u2019anf\u00f2ra dij termo \u2018d Piemont.<\/p>\n<p>An tra Coni e Salusse as bogio peui <strong>Albino Barrel<\/strong>, \u00ebd Coni, ressident a Ivreja e vajant poeta \u2018dc\u00f2 ant \u00ebl patois provensal \u00ebd soa Val d\u2019\u00cbstura, <strong>Rico Gulin<\/strong>, <strong>C\u00e0ndida Rabia<\/strong>, ch\u2019a l\u2019\u00e8 \u2018dc\u00f2 na pitris vajanta, e <strong><a href=\"..\/..\/?p=24297\" target=\"_blank\" rel=\"noopener\">T\u00f2ni Tavela<\/a><\/strong> (Antonio Tavella, 1946-2016) \u2018d Racunis, che da ch\u00e8ich ani an s\u00e0 a l\u2019\u00e9 dasse, an sle pian\u00e0 (lingu\u00ecstiche e d\u2019argoment) \u00ebd s\u00f2 \u201cmag\u00ecster\u201d T\u00f2ni Bodr\u00ece, a selebr\u00e9 poeticament tute le comun-e piemont\u00e8ise, con \u00ebd test ch\u2019a gropo realit\u00e0 e legenda, st\u00f2ria e fantas\u00eca ant na s\u00ecntesi po\u00e9tica franch originala e con un l\u00e9ssich soas\u00ec e arcaicisant, sovens malf\u00e9 da ant\u00ebrpret\u00e9.<\/p>\n<hr size=\"2\" \/>\n<p><strong><em>Session da d\u00ebsvlup\u00e9<\/em><\/strong><\/p>\n<table border=\"0\" cellspacing=\"2\" cellpadding=\"2\">\n<tbody>\n<tr>\n<td>\n<p><strong><strong><a href=\"https:\/\/www.facebook.com\/valteragostini1922\/\" target=\"_blank\" rel=\"noopener\">Valter Agostini<\/a><\/strong><br \/>\n<strong>Genio Aimone<\/strong><br \/>\n<strong>Walter Alberisio<\/strong><br \/>\n<strong>Annamaria Albertinale Cappa<\/strong><br \/>\n<strong>Adelaide Amerio<\/strong><br \/>\n<strong>Celeste Elda Amerio<\/strong><br \/>\n<strong>Carlo G. Avalle<\/strong><br \/>\n<strong>Bruno Balossino<\/strong><br \/>\n<strong><a href=\"..\/..\/bianca-barbero\/\" target=\"_blank\" rel=\"noopener\">Bianca Barbero<\/a><\/strong><br \/>\n<strong>Stefania Barbiera<\/strong><br \/>\n<strong>Valter Bellando<\/strong><br \/>\n<strong>Carla Bellato Ortale<\/strong><br \/>\n<strong>Silvio Bellezza<\/strong><br \/>\n<strong><a href=\"..\/..\/?p=9772\">Remo dij Ber<\/a><\/strong><br \/>\n<strong>Angelo Bergero<\/strong><br \/>\n<strong>Sandro Bermani<\/strong><br \/>\n<a href=\"..\/..\/?p=22560\"><strong>Remigio Bermond<\/strong><\/a><br \/>\n<strong>Giuseppe Bertone<\/strong><br \/>\n<strong>Lidia Bianco<\/strong><br \/>\n<strong>Gianni Biglia<\/strong><br \/>\n<strong>Ernest Bill\u00f2<\/strong><br \/>\n<strong>Sergi Blin<\/strong><br \/>\n<strong>Gabriel B\u00f2ch<\/strong><br \/>\n<strong>Giovanni Bonino<\/strong><br \/>\n<strong>Giuseppe Bonino<\/strong><br \/>\n<strong>Guido Borroni<\/strong><br \/>\n<strong>Giuseppe Brandone<\/strong><br \/>\n<strong>Enzo Briatore<\/strong><br \/>\n<strong>Lucia Broglio Germanetti<\/strong><br \/>\n<strong>Massimo Buratti<\/strong><br \/>\n<strong>Secondo Cagliano<\/strong><br \/>\n<strong><a href=\"..\/..\/jaco-calleri-1928-2008\/\" target=\"_blank\" rel=\"noopener\">Jaco Calleri<\/a><\/strong><br \/>\n<strong>Nello Casale<\/strong><br \/>\n<strong>Mario Castagneri<\/strong><br \/>\n<strong>Gemma Cattero Bertato<\/strong><br \/>\n<strong>Franz Cielsin<\/strong><br \/>\n<strong>Leandro Cima<\/strong><br \/>\n<strong><a href=\"..\/..\/gianrens-p-clivio-des-agn-apress\/\" target=\"_blank\" rel=\"noopener\">Gianrens P. Clivio<\/a><\/strong><br \/>\n<strong>Carlo Coccio<\/strong><br \/>\n<strong>Carlo Comin<\/strong><br \/>\n<strong>Francesco Comin<\/strong><br \/>\n<strong>Carlo Costamagna<\/strong><br \/>\n<strong>W\u00e0lter Curreli<\/strong><br \/>\n<strong>Anna Dardanelli<\/strong><br \/>\n<strong>Malilla De Angelis<br \/>\nUmberto Del Pozzo<br \/>\nPietro De Paoli<\/strong><\/strong><\/p>\n<\/td>\n<td><strong><strong>Teresina Dutto<\/strong><br \/>\n<strong>Luisa Falzoni<\/strong><br \/>\n<strong>Gipo Farassino<\/strong><br \/>\n<strong>Lina Favetta<\/strong><br \/>\n<strong>Dino Fenoglio<\/strong><br \/>\n<strong>Alfredo Ferrari<\/strong><br \/>\n<strong>Angela Ferraris<\/strong><br \/>\n<strong>Pio Ferrero<\/strong><br \/>\n<strong>Cesare Filippi<\/strong><br \/>\n<strong>Antonio Garzulano<\/strong><br \/>\n<strong>Giusep Gastaldi<\/strong><br \/>\n<strong>Giuseppina Germanetti<\/strong><br \/>\n<strong>Vittoria Ghezzi<\/strong><br \/>\n<strong>Biagio Gho<\/strong><br \/>\n<strong>Rita Giacomino<\/strong><br \/>\n<strong>Mario Giai-Via<\/strong><br \/>\n<strong>Giuseppe Giangoia<\/strong><br \/>\n<a href=\"..\/..\/?p=19282\"><strong>Lussien dij Gib\u00e9<\/strong><\/a><br \/>\n<strong>Zulima Gilardino<\/strong><br \/>\n<strong>T\u00f2ni Giordan<\/strong><br \/>\n<strong>Gino Giordanengo<\/strong><br \/>\n<strong>Gineucc (Giulio Genocchio)<\/strong><br \/>\n<strong>Adriana Girodo Arena<\/strong><br \/>\n<a href=\"..\/..\/?p=23187\"><strong>Giovanna Giuglard Richetto<\/strong><\/a><br \/>\n<strong>Franchin Gonela<\/strong><br \/>\n<strong>Maria Domenica Granero<\/strong><br \/>\n<strong>Sergi Grib\u00e0ud<\/strong><br \/>\n<strong>Alessandro Griffa<\/strong><br \/>\n<strong>Giovanna Gullino<\/strong><br \/>\n<a href=\"..\/..\/?p=12728\"><strong>Sergi Hertel<\/strong><\/a><br \/>\n<a href=\"..\/..\/?p=22712\"><strong>Virginio Ilotti<\/strong><\/a><br \/>\n<strong>Paolo Maggi<\/strong><br \/>\n<strong>Gioanin Magnani<\/strong><br \/>\n<strong>Aldo Manassero<\/strong><br \/>\n<strong>Gi\u00f2rs Marin<\/strong><br \/>\n<strong>Ugo Marino<\/strong><br \/>\n<strong>Ezio Marinoni<\/strong><br \/>\n<a href=\"..\/..\/?p=11185\"><strong>Maris\u00f2t<\/strong><\/a><br \/>\n<strong>Silvio Martina<\/strong><br \/>\n<strong>Maria Teresa Miolli<\/strong><br \/>\n<a href=\"..\/..\/?p=3177\"><strong>Anin Molin Pradel Rabino<\/strong><\/a><br \/>\n<strong>Antonio Molinaro<\/strong><br \/>\n<a href=\"..\/..\/?p=24107\" target=\"_blank\" rel=\"noopener\"><strong>Mariolina Mongardi Passigli<\/strong><\/a><br \/>\nCarlo Morra<br \/>\nGuido Muss (barba Guido)<br \/>\nVincenzo Musso<br \/>\n<\/strong><\/td>\n<td><strong><strong>Michele Novarese<\/strong><br \/>\n<strong>Elvira Pacotto Stoisa<\/strong><br \/>\n<strong>Mario Paris<\/strong><br \/>\n<strong>Ferdinanda Passera<\/strong><br \/>\n<strong>Ventin Pejron<\/strong><br \/>\n<strong>Nina Pelleri<\/strong><br \/>\n<\/strong><strong><strong>Secondo Petitti<\/strong><br \/>\n<a href=\"..\/..\/?p=24098\" target=\"_blank\" rel=\"noopener\"><strong>Ettore Piazza<\/strong><\/a><br \/>\n<a href=\"..\/..\/?p=9797\"><strong>Mario Pich<\/strong><\/a><br \/>\n<strong>Luis Ricard Piovan<\/strong><br \/>\n<strong>Ines Pog\u00e9t<\/strong><br \/>\n<strong>Glauco Ponzana<\/strong><br \/>\n<strong>Oreste Por\u00e9l<\/strong><br \/>\n<strong>Carlin P\u00f2rta<\/strong><br \/>\n<strong>Augusto Portiglia<\/strong><br \/>\n<strong>Nina Prati<\/strong><br \/>\n<a href=\"..\/..\/?p=11058\"><strong>Concetta Prioli<\/strong><\/a><br \/>\n<strong>Luis Rebuffo<\/strong><br \/>\n<strong>Enea dij Ribat<\/strong><br \/>\n<strong>Pier Vittorio Rittatore<\/strong><br \/>\n<strong>Luciano Rocca<\/strong><br \/>\n<strong>T\u00f2ni Rolon<\/strong><br \/>\n<a href=\"..\/..\/?p=23590\"><strong>Pierin Ross<\/strong><\/a><br \/>\n<a href=\"..\/..\/?p=13571\"><strong>Ernesto Rossi<\/strong><\/a><br \/>\n<strong>Fryda Rota<\/strong><br \/>\n<strong>Mario dla &#8216;Rnesta (Ceruti)<\/strong><br \/>\n<strong>Gi\u00f2rs Maria Rubat<\/strong><br \/>\n<strong>Gianna Savoia Agostini<\/strong><br \/>\n<strong>Eugenio Scalandris<\/strong><br \/>\n<strong>Anna Scalenghe<\/strong><br \/>\n<strong>Lussien Scaraf\u00eca<\/strong><br \/>\n<strong>Graziano Selvo<\/strong><br \/>\n<strong>Felicita Spalice<\/strong><br \/>\n<strong>Fiorenza Sulliotti<\/strong><br \/>\n<strong>Francesco Sulliotti<\/strong><br \/>\n<strong>Ferdinanda Susa<\/strong><br \/>\n<strong>Giuse Tantignoni Perazzo<\/strong><br \/>\n<strong>Antonio Taverna<\/strong><br \/>\n<strong>Tencajeu (Giuseppe Tencaioli)<\/strong><br \/>\n<strong>Dante Ticozzi<\/strong><br \/>\n<strong>Francisco Tosco<\/strong><br \/>\n<strong>Raffaele Tosi<\/strong><br \/>\n<strong>Luigi Venturello<\/strong><br \/>\n<strong>Carla Vietti<\/strong><br \/>\n<strong>Salvator Viviani\u00a0<\/strong><\/strong>(&#8230;)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr size=\"2\" \/>\n<p><strong><em>D&#8217;\u00e0utri scritor e poeta antra Neuvsent e Doimila<\/em><\/strong><br \/>\n<em>(la session a l&#8217;\u00e9 ancor da d\u00ebsvlup\u00e9 &#8211; i presentoma p\u00ebr \u00ebl moment na lista, sempia e bin parsial)<\/em><\/p>\n<table border=\"0\" cellspacing=\"2\" cellpadding=\"2\">\n<tbody>\n<tr>\n<td><\/td>\n<td>\n<p><strong>Jorio Alovisi<\/strong><br \/>\n<strong>Fernando Barbano<\/strong><br \/>\n<strong>Jucci Barbetta<\/strong><br \/>\n<strong><a href=\"..\/..\/?p=3862\">Luisin B\u00ebrnard<\/a><\/strong><br \/>\n<strong><a href=\"..\/..\/?p=12822\">Gian Ant\u00f2ni Bertalm\u00eca<\/a><\/strong><br \/>\n<strong>Anna Boassone Daniele.. ..<\/strong><br \/>\n<strong>Mich\u00e9l dij Bonav\u00e9<\/strong><br \/>\n<strong>Roberto Botto<\/strong><br \/>\n<a href=\"..\/..\/?p=11419\"><strong>Beppe Burzio<\/strong><\/a><br \/>\n<strong>Grazia Calliero<\/strong><br \/>\n<strong>Renato Canini<\/strong><br \/>\n<a href=\"..\/..\/?p=21552\"><strong>Renata Capello<\/strong><\/a><\/p>\n<p><strong><a href=\"..\/..\/la-despartia-d-cichin-carena\/\" target=\"_blank\" rel=\"noopener\">Cichin Carena<\/a><\/strong><br \/>\n<strong><a href=\"..\/..\/?p=9881\">Adriana Chiabrando<\/a><\/strong><br \/>\n<strong>Carlo Cocito<\/strong><br \/>\n<strong>Gi\u00f2rs Cugno<\/strong><br \/>\n<strong>Livio Culasso<\/strong><br \/>\n<strong>Mario Cunio<\/strong><\/p>\n<\/td>\n<td><a href=\"..\/..\/?p=22613\"><strong>Augusto Dellavalle<\/strong><\/a><br \/>\n<strong>Carlo Ellena<\/strong><br \/>\n<a href=\"..\/..\/?p=23537\" target=\"_blank\" rel=\"noopener\"><strong>Silvio Faccenda<\/strong><\/a><br \/>\n<a href=\"..\/..\/?p=19007\"><strong>Pinuccia Gamba<\/strong><\/a><br \/>\n<strong>Tina Franco Gibilisco<\/strong><br \/>\n<strong>Albert Gr\u00f2s-Campan-a. &#8230;<\/strong><br \/>\n<strong>Majo Galin-a<\/strong><br \/>\n<strong>Giulio Andrea Giberti<\/strong><br \/>\n<a href=\"..\/..\/?p=3891\"><strong>Pier Giorgio Gili<\/strong><\/a><br \/>\n<a href=\"..\/..\/?p=20642\"><strong>Don Gonela<\/strong><\/a><br \/>\n<a href=\"..\/..\/?p=13035\"><strong>Michela Grosso<\/strong><\/a><br \/>\n<a href=\"..\/..\/?p=18553\"><strong>Mirella Levo Gatti<\/strong><\/a><br \/>\n<strong>Gianalberto Miglio<\/strong><br \/>\n<a href=\"..\/..\/?p=13104\"><strong>Bastian Morel<\/strong><\/a><br \/>\n<strong>Carlin Muss<\/strong><br \/>\n<strong>Carlenrico Navone<\/strong><br \/>\n<strong>Sergio Notario<\/strong><\/td>\n<td><strong><a href=\"..\/..\/?p=13466\">Don Mario Occhiena<\/a><\/strong><br \/>\n<a href=\"..\/..\/?p=20605\"><strong>Luciano Origlia<\/strong><\/a><br \/>\n<a href=\"..\/..\/?p=19034\"><strong>Marisa Materassi Garrone<\/strong><\/a><br \/>\n<strong>Giampiero Nani<\/strong><br \/>\n<strong><a href=\"..\/..\/?p=11197\">Fabrizio Livio Pignatelli<\/a><\/strong><br \/>\n<strong>Gianfranco Pavesi<\/strong><br \/>\n<strong>Anna Perucca<\/strong><br \/>\n<strong>Cesare Pirattoni<\/strong><br \/>\n<strong>Enrico Portalupi<\/strong><br \/>\n<strong>Rita Previati<\/strong><br \/>\n<a href=\"..\/..\/?p=19474\"><strong>Giovanni Rapetti<\/strong><\/a><br \/>\n<strong>Gabriela Rufa<\/strong><br \/>\n<strong>Mario Robotti<\/strong><br \/>\n<strong><a href=\"..\/..\/?p=13091\">Vit\u00f2ria Roll\u00e9<\/a><\/strong><br \/>\n<strong>Giovanni Teti<\/strong><br \/>\n<strong>Jerzy Wielunski<\/strong><br \/>\n(&#8230;)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr size=\"2\" \/>\n<p><strong><em>Bibliograf\u00eca essensial<\/em><\/strong><br \/>\n<strong>St\u00f2rie dla literatura e antolog\u00ece (generaj e parsiaj):<\/strong> T. Vallauri,<em> Storia della poesia in Piemonte<\/em> (2 voll.), Turin 1841 (rist. anast. 1975); B. Biondelli, <em>Saggio sui dialetti gallo-italici,<\/em> Milan 1853; L. Collino, <em>Storia della letteratura dialettale piemontese, <\/em> Turin 1924; G. Drovetti-L. Collino,<em> \u2018L Piem\u00f4nt e i so p\u00f4eta<\/em>, Turin, 1927; <em>Poesia dialettale del Novecento<\/em>, a cura di M. dell\u2019Arco e P.P. Pasolini, Milan 1952; C. Brero-R. Gandolfo, <em>La Letteratura in Piemontese<\/em> (2 voll.), Turin 1967 (vol. I) e 1972 (vol. II); C. Brero, <em>Storia della Letteratura Piemontese<\/em> (3 voll.), Turin 1981 (vol. I), 1982 (vol. II) e 1983 (vol. III); T. Passera, <em>Poeti dialettali Canavesani,<\/em> Ivreja 1988; G. Tesio-A. Malerba, <em>Poeti in piemontese del Novecento,<\/em> Turin 1990; Gianrenzo P. Clivio,<em> Profilo di Storia della Letteratura in Piemontese<\/em>, Turin 2002.<br \/>\nStudi: AA.VV., Civilt\u00e0 del Piemonte-Studi offerti a R. Gandolfo; Turin 1975 &#8211; G.P. Clivio, Storia linguistica e dialettologia piemontese; Turin 1976.<br \/>\nAt \u00ebd R\u00ebscontr: AA.VV., At d\u00ebl &#8220;R\u00ebscontr ant\u00ebrnassional d\u00eb studi an sla lenga e la literatura piemont\u00e8isa&#8221; III-VIII; Alba 1986-1991 &#8211; AA.VV., At d\u00ebl &#8220;R\u00ebscontr ant\u00ebrnassional d\u00eb studi an sla lenga e la literatura piemont\u00e8isa&#8221; X-XIII; Quinsn\u00e8-Turin 1993-1996.<br \/>\nGiornaj e arviste: &#8220;Ij Brand\u00e9-giornal \u00ebd poes\u00eca piemont\u00e8isa&#8221;; Turin 1946-1957 &#8211; &#8220;Musicalbrand\u00e9-Arvista piemont\u00e8isa&#8221;; Turin 1959-1994 &#8211; &#8220;Ij Brand\u00e9-Armanach \u00ebd poes\u00eca piemont\u00e8isa&#8221;; Turin 1960-&#8230; &#8211; &#8220;Almanacco piemontese Viglongo&#8221;; Turin 1969-&#8230; &#8211; &#8220;Studi Piemontesi&#8221;; Turin 1972-&#8230; &#8211; &#8220;Bollettino della Societ\u00e0 accademica di storia ed arte canavesana&#8221;; Ivreja 1975 &#8211; &#8220;Il Canavesano&#8221;; Ivreja 1976-&#8230; &#8211; &#8220;Piemont\u00e8is Ancheuj&#8221;; Turin 1982-&#8230; &#8211; &#8220;La Sl\u00f2ira-Arvista piemont\u00e8isa&#8221;; Ivreja 1995-&#8230; &#8211; &#8220;Canavese per tutti&#8221;; Santhi\u00e0 1995-&#8230; &#8211; A. e G.P. Clivio, Bibliografia ragionata della lingua regionale e dei dialetti del Piemonte e della Valle d\u2019Aosta, e della letteratura piemontese; Turin 1971.<\/p>\n<p><strong>A chi ch&#8217;a pija &#8216;d fotograf\u00ece e d&#8217;anformassion da costa session d\u00ebl sit i-j dijoma pa &#8216;d nen felo: la rich\u00ebssa dla gran literatura piemont\u00e8isa a l&#8217;\u00e9 patrim\u00f2ni d\u00ebl p\u00f2pol piemont\u00e8is e &#8216;d tut \u00ebl mond. Mach che, p\u00ebr rispet al travaj \u00ebd la Redassion, a sar\u00eca na bela r\u00f2ba march\u00e9, magara con un link, la sorgiss. I soma capisse?<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u25ba \u00cbL PROG\u00c9T \u25ba La Literatura piemont\u00e8isa | \u00ebd Sergi Maria Girardin Ij prinsipi \u25ba Ij trobador e ij giuglar \u25ba Ij Sermon Subalpin La &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/www.gioventurapiemonteisa.net\/2020\/?page_id=2895\"> <span class=\"screen-reader-text\">MILA AGN \u00cbD LITERATURA PIEMONT\u00c8ISA<\/span> Leggi tutto \u00bb<\/a><\/p>\n","protected":false},"author":2,"featured_media":22608,"parent":2886,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2895","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/pages\/2895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2895"}],"version-history":[{"count":16,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/pages\/2895\/revisions"}],"predecessor-version":[{"id":34557,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/pages\/2895\/revisions\/34557"}],"up":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/pages\/2886"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=\/wp\/v2\/media\/22608"}],"wp:attachment":[{"href":"https:\/\/www.gioventurapiemonteisa.net\/2020\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}